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少女
Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Model & LoRA yang digunakan
Imej Serupa
Papar lagi中
メカニカルな世界観の制服少女
中島緋光騎
1girl, solo, ponytail, long ponytail, high ponytail, black hair, dark grey eyes, sailor collar, serafuku, sailor uniform, stealth fighter motif, angular uniform design, matte charcoal grey uniform, grey pleated skirt, short skirt, grey boots, faceted geometric paneling, angular sailor collar, no hair ornaments, bare earlobes, from below, low angle, dutch angle, looking down at viewer, arms behind back, leaning forward, standing on one leg, head tilt, half-closed eyes, smirk, open mouth, :d, wind, hair blowing up, skirt flaring, full body, dramatic perspective, high contrast, cool palette, night sky
The camera sits low and canted, looking steeply up at a single girl against a deep night sky, so her figure towers and the sky pours out behind her shoulders. Her long black hair is gathered into one high ponytail at the crown, cinched tight at the base and left completely unadorned — no ribbons, no clips, no ties visible beyond the gathered bound hair — and the tail sweeps up and to her left, caught by a rising updraft, individual strands peeling off the main volume. Both ears are bare, unobstructed, nothing hanging from either lobe. She wears the sailor uniform built as a stealth-fighter airframe: a fitted bodice of matte charcoal-grey panels with hard faceted angular seams that meet in sharp ridges rather than soft cloth folds; the sailor collar is a stiff wide flap of the same matte charcoal, cut with a swept-back angular edge like a leading wing edge, its corners sharp and planar; on each collar corner sits a small fixed aerodynamic fin-like ornament, matte and edge-cut, sitting flush to the fabric. Below, a short pleated skirt of the same matte charcoal grey, its pleats pressed into flat rigid planes with a thin pale grey geometric accent line running along the hem, and the skirt lifts and flares to her right away from the updraft, each pleat catching a different amount of light. Metallic grey boots come up her calves, their surfaces catching hard specular chips of light along the outer edges.
Her pose is caught mid-moment and asymmetric: her weight rides entirely on her right leg, that boot planted and load-bearing, while her left leg is bent and lifted slightly off the ground, knee forward. Both hands are clasped behind her back, her knuckles pressed together at the small of her spine, elbows drawn in tight and shoulders pulled back so the bodice strain ridges are visible across the chest panel. She leans the upper body far forward toward the lens, chin tipped down, so her face is foreshortened and looming and the ponytail is dragged back behind her. Her eyes are half-lidded and fixed directly down at the viewer with a slow lopsided smirk, one corner of her mouth pulled up while the other lip stays flat, mouth parted just enough to show teeth on one side; the wind plucks at the loose hairs near her brow and pushes the bodice fabric tight across her shoulder.
The only light source is a single hard cool-white key from high behind her right shoulder, rimming the top of the ponytail, the upper edge of the sailor collar and the outer edge of the lifted skirt in bright cold lines, while the front of her body and face fall into charcoal shadow broken only by faint reflective sheen on the flat fabric planes — the matte surfaces hold almost no highlight, only the metallic boots and the fin ornaments return sharp specular glints. Below and behind her the sky is a deep blue-black gradient with no visible ground plane, no city lights, no horizon line. Palette is restricted to charcoal grey, near-black, cool blue and hard white highlights, nothing warm admitted anywhere. Her lifted left boot casts no shadow onto anything, and the flare of the skirt is the only thing in the frame that makes the wind visible. Cold, cocky, quietly predatory.
Dagger 105
1girl, solo, ponytail, long ponytail, high ponytail, black hair, dark grey eyes, sailor collar, serafuku, sailor uniform, stealth fighter motif, angular uniform design, matte charcoal grey uniform, grey pleated skirt, short skirt, grey boots, faceted geometric paneling, angular sailor collar, no hair ornaments, bare earlobes, from below, low angle, dutch angle, looking down at viewer, arms behind back, leaning forward, standing on one leg, head tilt, half-closed eyes, smirk, open mouth, :d, wind, hair blowing up, skirt flaring, full body, dramatic perspective, high contrast, cool palette, night sky
The camera sits low and canted, looking steeply up at a single girl against a deep night sky, so her figure towers and the sky pours out behind her shoulders. Her long black hair is gathered into one high ponytail at the crown, cinched tight at the base and left completely unadorned — no ribbons, no clips, no ties visible beyond the gathered bound hair — and the tail sweeps up and to her left, caught by a rising updraft, individual strands peeling off the main volume. Both ears are bare, unobstructed, nothing hanging from either lobe. She wears the sailor uniform built as a stealth-fighter airframe: a fitted bodice of matte charcoal-grey panels with hard faceted angular seams that meet in sharp ridges rather than soft cloth folds; the sailor collar is a stiff wide flap of the same matte charcoal, cut with a swept-back angular edge like a leading wing edge, its corners sharp and planar; on each collar corner sits a small fixed aerodynamic fin-like ornament, matte and edge-cut, sitting flush to the fabric. Below, a short pleated skirt of the same matte charcoal grey, its pleats pressed into flat rigid planes with a thin pale grey geometric accent line running along the hem, and the skirt lifts and flares to her right away from the updraft, each pleat catching a different amount of light. Metallic grey boots come up her calves, their surfaces catching hard specular chips of light along the outer edges.
Her pose is caught mid-moment and asymmetric: her weight rides entirely on her right leg, that boot planted and load-bearing, while her left leg is bent and lifted slightly off the ground, knee forward. Both hands are clasped behind her back, her knuckles pressed together at the small of her spine, elbows drawn in tight and shoulders pulled back so the bodice strain ridges are visible across the chest panel. She leans the upper body far forward toward the lens, chin tipped down, so her face is foreshortened and looming and the ponytail is dragged back behind her. Her eyes are half-lidded and fixed directly down at the viewer with a slow lopsided smirk, one corner of her mouth pulled up while the other lip stays flat, mouth parted just enough to show teeth on one side; the wind plucks at the loose hairs near her brow and pushes the bodice fabric tight across her shoulder.
The only light source is a single hard cool-white key from high behind her right shoulder, rimming the top of the ponytail, the upper edge of the sailor collar and the outer edge of the lifted skirt in bright cold lines, while the front of her body and face fall into charcoal shadow broken only by faint reflective sheen on the flat fabric planes — the matte surfaces hold almost no highlight, only the metallic boots and the fin ornaments return sharp specular glints. Below and behind her the sky is a deep blue-black gradient with no visible ground plane, no city lights, no horizon line. Palette is restricted to charcoal grey, near-black, cool blue and hard white highlights, nothing warm admitted anywhere. Her lifted left boot casts no shadow onto anything, and the flare of the skirt is the only thing in the frame that makes the wind visible. Cold, cocky, quietly predatory.
Dagger 105
久しぶりの没
某菊氏
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
3
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen