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9827
Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
Paparkan Parameter
- Prompt Asal
- masterpiece, best quality, amazing quality, very aesthetic, absurdres, highres, surreal retro manga masterpiece, Showa gekiga-inspired illustration, meticulous cross-hatching, stippled screentone gradients, aged newsprint texture, delicate sepia tonal staining, vintage manga print aesthetic, extraordinary panoramic curved-lens composition, impossible train station suspended at the edge of a swirling cosmic void, dramatic wide interior-exterior fantasy scene, foreground focal point: a scrawny human ticketmaster inside a cramped ornate brass-trimmed kiosk, shown in sharp side profile facing an antique brass ticket-punching console, both arms moving frantically as he stamps endless reams of perforated train tickets spilling out of control, uniform jacket strained at the seams, brass whistle clenched between his teeth, glaring intensely at the overflowing ticket trays, completely oblivious to the viewer, around the kiosk, floating brass clock gears, melting pocket watches, and overturned cups of glowing starlight tea drifting in microgravity, midground platform: impossible travelers rendered as secondary narrative accents โ a magnificent celestial manta-ray station conductor in a peaked admiral cap blowing a long golden horn into the night sky, a dignified mountain goat gentleman in a tweed overcoat holding a glowing star-cluster umbrella while checking an antique pocket watch, and a pack of stray celestial raccoons scurrying across the tracks carrying stolen constellation maps, deep background: colossal brass locomotive wheels churning across glowing stardust tracks, plumes of silver steam, deep indigo cosmic nebulae, surreal station depth, celestial rail atmosphere, warm brass highlights, deep indigo cosmic shadows, expressive ink shadows, retro fold lines, subtle ink splatters, strong focal hierarchy, highly readable surreal storytelling, visually dense but clearly composed, ,kawaiiใใใใใใใใใใใใใใใใใใใใใใใใ,cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors,<detailed cute style>, catchlight in eyes
- Mod
- pro
- Saiz
- 1232 x 816
- Negatif
- worst quality, low quality, normal quality, lowres, blurry, pixelated, jpeg artifacts, rough sketch, unfinished, bad anatomy, bad hands, extra fingers, extra arms, extra legs, duplicate characters, distorted face, malformed instruments, broken mixing console, clean modern digital studio, futuristic equipment, sterile room, missing acoustic window, missing VU meters, missing cables, empty floor, weak clutter, weak band presence, full color glossy anime style, photorealistic rendering, 3d render, CGI, clean vector art, no screentones, no newsprint texture, no print misregistration, no sepia tone, flat lighting, weak shadows, weak perspective, weak storytelling, text, watermark, logo, signature, frame, border
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
gm
steampunk, retro-futuristic, magic and future fused, gothic, witch hat, robe, steam locomotive, multiple train cars, train platform, wizard, witch, multiple others, wide shot, from below, dutch angle, one-point perspective, vanishing point, looking at another, standing, holding staff, holding book, holding lantern, silhouette, wide-brimmed pointed hat, tall pointed hat, embroidery, gold trim, brass fittings, riveted iron, cathedral spires, gaslamp, moon, night, dark palette, glowing, atmospheric perspective
From a low angle tipped into a slight dutch tilt, the platform of a gothic terminus recedes in one-point perspective toward a vanishing point at frame center-right, where a steam locomotive with a brass-ribbed boiler, copper steam dome, and riveted iron cowcatcher thrusts its front toward the lens, its smokestack venting a plume of steam that drags across the crescent moon. Below the engine's red-gold firebox glow, two enormous driving wheels and a lattice of polished rods sit deep in shadow, the slab platform under them wet and reflecting the locomotive's brass in warped, elongated streaks that run along the paving seams. Coupled behind the engine, three clerestory-roofed carriages curve gently back into the upper-left of frame, their ironwork ribs and stained-glass windows glowing from within in mauve and sickly green, each car joined by a sagging arched coupling whose leather bellows compress with the weight of the cars.
Along the platform's edge, beneath a vaulted canopy of pointed iron arches and a rose window bleeding cold blue moonlight onto the flagstones, witches and wizards stand in scattered groups, all in silhouette-tinged shadow except where the firebox glow or a gaslamp bites into their robes. At the left foreground, a witch in a wide-brimmed pointed hat and charcoal wool robe with silver embroidery at the cuffs leans on a tall staff, one hand gripping its brass collar, her profile turned toward the locomotive, her robe hem lifting in the steam draft; her hat brim curls at the edge from the heat. Beside her a wizard in a tall midnight-blue velvet hat and navy robe with gold trim holds a leather-bound book closed against his chest, its metal clasp catching the firebox light, his wide sleeve draping across the witch's forearm where they touch. Behind them a small knot of passengers waits by a cast-iron pillar, one wizard raising a lantern with a hooked brass handle, the flame cutting a warm halo through the coal smoke, while a witch with her back turned steps toward the carriage door, one boot on the step, her robe flaring outward as steam rolls around her ankles. Every gaze in the frame points toward the locomotive's glowing front or down the platform line; none looks at the viewer as if posing for a picture.
The light is mixed and directional: cold blue moonlight dropping through the canopy's rose window to pool on the platform's right; warm orange firebox and gaslamp light raking across the left foreground figures, catching the brass of the staff, the lantern, and the wet stone; and the teal glow of the stained-glass carriages rim-lighting the wizards' shoulders from behind. Palette is locked to ink-black iron, oxidized copper, warm brass, midnight blue, charcoal grey, blood rose glass, and the sickly green of gaslight, with only the firebox and lantern permitted real warmth. Steam curls in slow thick slabs above the boiler, flattening into a ceiling haze that diffuses the moon; the wet platform doubles every light source, its reflections darker and softer than their originals, and the whole terminus gets progressively dimmer and bluer as depth recedes up the platform. The mood is grand and coal-lit, hushed with anticipation.
GOG & minimaw
่ธๆฐๆฉ้ข่ป(ๅฅLoRA.ver)
ใขใใฟ
ๆญกๆฐ
retro-futuristic, Muromachi-style futurism, Muromachi period aesthetic, bustling shopping street, train station inside a red-light district, yukaku, train entering the street, wooden plank platform, yujo crowding the train doorway, geisha crowding the train doorway, beckoning, soliciting, groups of male clients disembarking, many subjects, crowd, wide shot, dutch angle, from below, steam, warm lantern light, sign reading "้ๅป็ซ", kimono, geta, kanzashi, shimada updo, white makeup, haori, yukata, retro-futuristic lanterns, exposed timber beams, hanging paper lanterns, motion blur on the train nose, atmospheric perspective
The camera sits low at platform level and tilts a few degrees off horizontal, looking up the length of the wooden plank platform so the arriving train dominates the left third of the frame and presses toward the viewer with strong foreshortening. The platform runs from the lower right corner back toward the train's front car, its wide waxed cypress planks laid crosswise, dark seams between them glossy with recent damp, iron-banded plank edges worn pale where thousands of geta have struck them. A carved wooden station board hangs from the platform's timber frame, its lacquered characters "้ๅป็ซ" lit by a small brass lantern hung beneath it, the lettering crisp and gold-leafed, tilted with the board's own slight sway.
The train is a retro-futurist hybrid: a riveted iron-and-lacquered-wood carriage body in deep oxblood and verdigris, brass window frames, curved copper roof ribs, and a nose shaped like a Muromachi shrine gable, its front lamp glowing warm amber through drifting steam. It has just braked; white steam curls out from beneath the carriage skirt and rolls along the planks, catching the light.
The train doors are flung open and packed with women. In the near doorway a yujo leans half out over the threshold, one geta on the platform edge and one foot still up on the carriage step, her heavy silk kimono in crimson and gold floral brocade slipping forward off her shoulder as she stretches her arm toward the crowd, long trailing hem pooling over the door sill; her shimada updo is heavy with gold kanzashi that catch the lantern light, and her chin is lifted, mouth open mid-call, eyes fixed on a specific man below her. Behind her shoulder a second woman in a violet kimono juts her hand out past the door frame, palm up, fingers curling in a beckoning gesture. In the next doorway a geisha leans out with her whole torso, subdued indigo kimono with long hanging sleeves swinging free, white powdered face struck by the platform light, one sleeve raised and one hand beckoning, her gaze angled down at the disembarking men. A third and fourth woman crowd behind them in both doorways, sleeves and kanzashi overlapping in a bright wall of silk, every pair of eyes aimed down at the platform crowd. Steam slides around their hems.
On the platform, groups of male clients step down and forward, one man in a brown cotton yukata caught mid-stride with his geta just touching the plank, his shoulder turning as he looks up at the near doorway; another in a dark haori over kimono behind him with a hand raised to his collar and his eyes on the beckoning geisha; two more behind them bunched close, one laughing open-mouthed, both angled toward the train. Their gazes converge on the women in the doorways, and the women's gazes come back down on them.
Beyond the train, the street opens: a dense Muromachi-style timber arcade of two-storey machiya facades with deep eaves, exposed beams, lattice fronts and vermilion pillars, threaded with retro-futurist details โ brass pipework running along the fascia, glass-and-copper lamp housings shaped like paper lanterns, riveted iron brackets, a curved copper canopy. Rows of red and amber lanterns hang in receding perspective down the arcade, and behind the lattice a warm-lit interior glow and silhouettes of further figures suggest the district's business; the far end of the street dissolves into steam and lantern haze. Distant signage is illegible texture, painted brush marks blurred by distance.
Light comes from the lanterns โ warm amber and deep red, low and raking, striking the women's faces and the front of the train while the arcade's upper storeys fall into cool shadow with a faint blue-green cast from the copper roof sheen. The brass and gold-leaf surfaces throw small hot highlights; the lacquered carriage side holds a long soft reflection of the lantern row. Palette is held to oxblood, verdigris, gold, indigo and lantern amber against the pale wood of the planks, nothing else admitted.
Retro-futuristic anime rendering with crisp cel-shaded edges, Muromachi timber geometry rendered with clean graphic precision, warm-to-cool two-tone shading, visible wood grain and lacquer sheen on the foreground planks, fine steam and lantern haze for depth. Bustling, theatrical.
ๆญกๆฐ
่ธๆฐๆฉ้ข่ป(ๅฅLoRA.ver)
ใขใใฟ
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
๐ค๐ด๐ฉธ
(mai)
detective anya and bond (หถ>โฉ<หถ)
^( aricat )^
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใชใช
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
โฆ โ โน ๐
(mai)
๐ตSurtur
helanx
โฆ โ ๐ช ๐๏ธ ๐ซง โ โฆ
(mai)
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โ๐ ๐ ๐ซ ๐ โง
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
๐ฉต๐ชฝ.โ๐๐
็้ญ2(Raw Fish 2)
32
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
The Enchantress of the Violet Blossomsใผใทใฃใณใใผ
moon221B
๐๏ธโ๐จ๏ธ๐ฆ๐๏ธ๐ฏ๏ธ
(mai)
Halloween
็้ญ2(Raw Fish 2)
Komen