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AI art "temple at night 2"
Jana Secara Percuma

temple at night 2

f7

florian7942

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Komen

wide shot, scenery, no humans, horror \(theme\), abandoned, japanese temple, single-story, clearing, conifer forest, pine trees, rising fog, night, crescent moon, snow-covered mountains in distance, white walls, black timber beams, peeling paint, hipped roof, black roof tiles, missing roof tiles, cracked roof tiles, damaged roof, raised stone platform, moss, cracked stone, open doorway, giant spider web, cobwebs blocking entrance, dim light from inside, single light source, dark, mysterious, eerie A wide shot from a low eye-level perspective captures an abandoned single-story Japanese temple situated within an overgrown clearing encircled by a dense, towering conifer forest. In the distant background beyond the jagged pine canopy, snow-covered mountain peaks loom under a pitch-black night sky marked by a slender crescent moon. A cold, thick fog actively rises from the damp earth, pooling heavily in ground depressions and coiling around the dark tree trunks. The temple sits on a slightly raised stone foundation whose weathered vertical faces are patched with dark green moss, while the stone platform floor is fractured with deep structural cracks. The building's exterior features aged white wooden walls partitioned by rotting black horizontal and vertical timber framing, with paint visibly flaking and peeled in distressed patches. Its four-sided slanted roof is clad in black ceramic tiles, with multiple tiles cracked, chipped, or missing to expose the dark understructure. At the front of the structure, the open entryway is heavily obstructed by thick, sprawling sheets of giant spider cobwebs anchored taut across the doorframe and surrounding beams. A faint, sickly pale glow originating from deep inside the temple serves as the sole light source in the entire scene, limning the intricate silk threads of the cobwebs in translucent rim light and casting a narrow, dim trapezoid of illumination across the cracked stone steps before immediately dissolving into absolute shadow, leaving the surrounding clearing and forest steeped in heavy darkness. rising mist scatters the dim beam close to the floorboards while remaining pitch-black above. Mysterious horror.
Paparkan Parameter
Prompt Asal
masterpiece, absurdly detailed composition, best resolution, horror(theme). The mood is mysterious and horror. A wide shot of an abandoned wooden japanese one story temple building on a clearing in a dim lit conifer forest with a raising fog, the building has white wooden walls with black vertical and horizontal wooden beams, on the front is an opening, the roof is slanted on four sides with black rooftiles, the paint is peeled off in spots, some roof tiles miss, some roof tiles have visible damages or cracks, the building stands on a slightly raised stone platform, the stone platform has mossy spots on the side, cracks are visible on the stone floor. Giant spider cobwebs are blocking the door of the building. In the background snow covered mountain tops are visible in the distance and a night view with a crescent moon, the only lightsource is a faint light from inside the temple
Mod
pro
Tag Kualiti
๏นArahan๏นž
Saiz
1216 x 1216
Kaedah Pensampelan
Euler
Seed
8105918731033606
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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no humans, no people, scenery, background scenery, old western-style mansion, aged forest, forest, tall trees, overgrown, moss-covered stone wall, ivy, cracked plaster, dark windows, empty windows, abandoned, overcast daylight, fog, atmospheric perspective, from below, wide shot, low angle, dutch angle, no figures, empty scene, no characters, desaturated palette, cold green and grey, deep shadow, landscape composition A wide low-angle shot tilted slightly off level looks up through the aged forest at an old western-style mansion, and every part of the frame is empty of people: no figure stands on the gravel forecourt, no silhouette fills the dark windows, the door hangs ajar on nothing but blackness. The mansion rises in the midground on a low mossy stone foundation, its two storeys of pale cracked plaster streaked with damp, its slate roof sagging along one ridge, its tall narrow windows set in even bays with shutters hanging from single hinges. Ancient trees crowd it on three sides; their trunks, thick as columns and furred with lichen, lean in from foreground left and right, one massive trunk cutting vertically through the near edge of the frame so the mansion is seen between and behind it. Roots have pushed up through the gravel of the forecourt in a fan, cracking the path into lifted slabs. Ivy climbs the whole east wall and spills over the eaves, drawn tight where it clings and hanging slack in loops where it leaves the stone. Ground mist pools knee-deep among the trunks and thins as it nears the house, so the building's base fades into white while its roofline stands sharp against a flat overcast sky. Light is one diffuse grey source from above and behind the clouds; it strikes only the upward-facing planes โ€” the roof slates, the tops of the exposed roots, the horizontal ledges of the window sills โ€” while the plaster under the eaves and the whole of the recessed doorway sit in flat shadow, and no cast shadows fall anywhere. The palette is locked to cold desaturated green in the moss, ivy and mist, wet grey in the slate and stone, and bone-pale plaster, with no warm colour admitted except a faint rust bleed where an iron gutter bracket has stained the wall beneath it. Moss grows only on the north faces of the trunks and never on their sunless undersides. The forest dominates the frame and the house is a thing being slowly taken back by it; still, damp, expectant.
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