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AI art "凛々しい制服姿の女性士官"
Jana Secara Percuma

凛々しい制服姿の女性士官

清楚な白い帽子とミリタリーテイストな制服がとても魅力的なオリジナルキャラクターです。凛とした佇まいの中に感じる上品さが好きで、思わず見入ってしまいました。気に入っていただけたら、いいねとフォローをお願いします!コメントでの感想もお待ちしていますね。

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Komen

1girl, solo, elevator girl, 18 years old, long black hair, tied-up hair, hair up, light makeup, large eyes, expressive eyes, calm composed expression, closed mouth, knee-length tight skirt, pencil skirt, uniform, garrison cap, side cap, good posture, straight back, high heels, black pumps, inside an elevator, Showa era, 1945, retro, vintage interior, standing, hands clasped, fingers interlaced, arms at waist, looking to the side, sideways glance, cowboy shot, from below, slight dutch angle, foreshortening, symmetrical elevator interior, brass fittings, indicator dial, cuteness, elegant, Seen from slightly below, the tall brass-and-walnut elevator interior rises around a single young woman standing near its center off the floor's axis; the low camera looks up past the hems of her knee-length tight black-navy skirt and her slim high-heeled black pumps, giving her a poised, modestly imposing presence. She is eighteen and small-featured, keeping a girlish softness around round cheeks and the tip of her chin even as her posture is iron-straight: shoulders level, spine vertical, hips aligned under her waist with her weight mostly on the left leg, the right heel set slightly back and turned outward. Her glossy blue-black hair is gathered up neatly at the back of her head in a low, smooth knot, a few fine strands lying close to the temple and nape; her face carries only light, restrained makeup -- a muted rose lip, a faint wash of cheek color, tidy thin brows. Her eyes are large and bright, lightly shadowed, and she looks calmly past the camera toward the elevator's control panel at the right edge of the frame rather than at the viewer, chin level, lips settled in a neutral, professional line, the faintest arc at one corner the only hint of warmth. Both hands are clasped loosely in front of her at waist height, fingers interlaced, elbows close to her body. Her uniform is a fitted jacket in warm cream with a high collar and a neat line of small buttons, tapered at the waist, over the narrow knee-length skirt that falls straight to just below the knee; a small garrison cap, matching cream with a subtle darker band, sits squarely on her head, slightly tilted, its crown curving with the shape of her skull. Her stockinged calves are slim above the thin heels, ankles close together. Everything about the fit is precise: cuffs, hem, the line of the skirt moving only a little as she shifts her weight. The elevator is a Showa-era cabin of the mid-1940s: pale cream panels with vertical fluting, dark walnut trim, brass handrails running horizontally above her hip height, a round brass floor dial with its needle parked on her floor, and a folding scissor gate of slim brass bars behind her at the right. The ceiling is dark, barely visible at the top of the frame; the floor below is dark polished stone. She stands clear of every wall, no part of her touching the rail or the gate, so her silhouette reads in full against the cream panels. Light comes from a warm ceiling fixture just above and behind the camera, falling onto the cream of her cap and jacket and the tops of her shoulders while her face, angled three-quarters to the right, keeps a soft glow with a shadowed left side; the dark walnut and shadowed ceiling darken around her. On the brass dial a soft reflected highlight shows, and her faint shadow pools close at her heels on the polished floor. The palette is disciplined: cream and warm ivory in her uniform, deep blue-black in her hair, rose and muted crimson at her lips and in the darker band of her cap, dusty mauve and warm brown in the elevator's upholstery and wood, and cool slate grey in the shadowed panels, all under a quiet, warm interior glow. Clean cel-shaded rendering with strong hand-drawn animation character, flat high-contrast color, crisp outlines and simple shadow shapes shaped to the cabin's geometry. Quietly composed and elegant.
Paparkan Parameter
Prompt Asal
昭和20年の18歳くらいの黒く長い髪をまとめていて薄く化粧をした目がぱっちりした淡々と仕事をこなす膝丈のタイトスカートを履き制服姿でトーク帽を被った姿勢の良いヒールを履いたエレベーターの中にいるかわいさが残ったエレベーターガール
Mod
pro
Gaya
90s Retro-Cell
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Gaya: 90s Retro-Cell
Pembantu Prompt

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