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AI art "Exhausted heroine" featuring #But, #rambut coklat, #botol, #tali pinggang, #but buku lali, #1 perempuan and #zetaCollab
Jana Secara Percuma

Exhausted heroine

Contest Entry
PixAI ร— zeta Original Character Creation Contest 2026
#But#rambut coklat#botol#tali pinggang#but buku lali#1 perempuan
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Bara Keren2009

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Komen

character: magipink, copyright: mahou_sentai_magiranger 1girl, solo, magipink, pink bodysuit, sentai suit, white gloves, pink boots, pink skirt panel, small white cape, helmet off, bare head, messy hair, short tousled brown hair, exhausted, tired eyes, half-closed eyes, sweat on face, soot smudge on cheek, after fight, battle damage, torn sleeve seam, holding bottle of water, plastic water bottle, holding flip phone, flip phone in one hand, sitting, sitting on bench, leaning back, slouched, night, dark lighting, from side, profile, park bench, night sky, streetlight, one light source, looking up, closed mouth, parted lips, size_1boy, wide shot, cinematic composition The camera sits low and to the side, looking up at her in a near-profile from her left as she sits alone on a slatted wooden park bench in a small empty park at night; the frame is intimate and wide enough to hold the whole bench, with deep unlit darkness above and bare branch silhouettes at the top edge. She is a single woman in a fitted pink sentai bodysuit with white gloves, pink boots and a small white cape fallen over the bench back behind her shoulders; her head is completely bare, the helmet removed and nowhere in the frame, and her short brown hair is a wreck of flattened, sweat-stuck and jutting strands, one lock pasted to her temple, the rest tangled up on one side as if recently crushed under a helmet. Her weight has slid down and back onto the bench, hips forward, shoulders slumped against the slat back, one leg stretched out straight with that boot heel on the pavement while the other foot is planted flat and turned in; the hand of the planted-foot side hangs loose over her knee gripping a half-empty plastic water bottle, its cap off, the bottle dented in at the middle where she has crushed it, droplets running down the outside and a small dark ring of moisture spreading on the slat beneath it. The other hand rests on her thigh, a scuffed silver flip phone held loosely between thumb and fingers, its screen flipped open and its cold pale glow the size of a coin lighting the underside of her chin and wrist. Her chin is tipped up and back against the slat, eyes half-closed and staring up past the branches at nothing, mouth slightly open as she catches her breath, a smear of grey soot across one cheek, a healing-thin scratch on her jaw, the suit's shoulder seam split and dusted grey, scuff marks and grime across one knee and the side of a boot. A single sodium streetlight stands off-frame behind and above her right shoulder, its warm amber the only light source: it rims the top of her hair, the edge of her nose and the bottle's wet shoulder with warm light and lets the rest of her face fall into soft cool darkness, while beyond the lamp's puddle of pavement the surrounding park is absolute black with one distant illegible municipal sign reduced to a blur. Palette is warm amber against deep blue-black and the saturated pink of the suit, nothing else permitted except the green-white of the bottle; the bottle's long specular highlight is a clean crescent that does not line up with the lamp, revealing the second soft source of the phone's glow. Quiet exhaustion after a long night.
Paparkan Parameter
Prompt Asal
Magi pink_(mahou sentai magiranger), helmet off, exhausted, messy hair, after fight, holding bottle of water, alone, sitting on a bench at night, dark lighting, one hand holding a flip phone
Mod
pro
Saiz
1104 x 1824
Kaedah Pensampelan
UniPC
Negatif
lowres, worst quality, low quality, bad anatomy, bad hands, bad fingers
Pembantu Prompt

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Tsubaki.3 - AI Model cover image

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ะฝ3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
ะฝะตะบั€ั‹ 30
AI artwork
ะฝ3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
ะฝะตะบั€ั‹ 30
#A Certain Magical Index#Mikoto Misaka#Misaka Sister
AI artwork
ะฝ3
character: misaka_imouto, misaka_worst 2girls, vore, internal view, misaka_imouto, misaka_worst, tokawadai school uniform, brown bob cut, short brown hair, goggles on head, green visor on head, white short-sleeved collared shirt, brown v-neck sweater vest, grey pleated skirt, brown loafers, white elbow-length gloves, sitting on bench, sitting, unrealistically large belly, heavily distended belly, giant belly, belly bulge, full-body vore, contained character, silhouette inside belly, hands pressed against stomach from inside, cramped space, gastric juices, stomach acid, submerged, angry, angry eyes, gritted teeth, clenched fists, banging on walls, content expression, light smile, half-closed eyes, relaxed, park, daytime, sunny, outdoors, bench, trees, sunlight, from side, cowboy shot, looking down at own belly, looking at stomach, blush, sweat, motion lines, stomach growl, seductive_smile, explicit The view is a side-on cowboy shot from slightly below bench height, the bench's slatted back cutting a diagonal behind the figure, sun coming from the upper left through a canopy of green leaves. On the right two-thirds of the frame, Misaka Imouto sits on the park bench with her weight settled back on her right hip, left leg crossed over the right knee, one gloved hand resting flat on the enormous dome of her belly, the other braced on the bench slat behind her hip. Her short brown bob hangs loose, a single strand across her cheek; her green visor sits pushed up on the crown of her head, casting a thin shadow over her brow. She tilts her chin down toward the belly with a soft lopsided smile, one eyelid dipped lower than the other, a faint pink blush along her cheekbones, and the light vests her white shirt with bright yellow on the left shoulder and warm shadow down the right side of the brown vest. Her skirt is tented out and fallen back around the belly's underside. The belly itself swells forward and low, the fabric of the sweater vest stretched so thin the weave shows, a pale elastic sheen where it pulls tightest, the skin beneath bulging out through a gap at the hem and pushing the shirt up. Inside the belly, drawn as a cutaway cross-section window at the left of the frame, the fluid-filled cavity is a rounded chamber of pink and pale amber, the gastric juices up to Misaka Worst's waist, ripples and a thin foam line where her body disturbs the surface. She is full-sized and jammed into that spare space, shoulders pressed against the walls, knees drawn up, her grey bodysuit dark and wet where the juice soaks it. Her short brown hair is plastered flat against her skull, her ahoge bent sideways against the ceiling of the cavity, and her face is contorted in fury: brows dragged down and together, teeth bared in a snarl, eyes wide and glaring at the ceiling. Both fists are drawn up and driven forward into the wall of the stomach, knuckles buried in the soft indentation of the wall, the dent pressing outward against the belly's outer skin where a faint bump shows on Imouto's silhouette. The fluid sloshes up the wall at each impact, leaving a wet ring high on the pink flesh. The cutaway edge is a clean curved line separating the outer sunny park from the warm interior glow, so the outdoor background remains visible behind both figures. In the park: bright green grass, dappled leaf shadow on the bench, a path curving away with soft bokeh, and a few blurred tree trunks. Her clasp on the bench presses a small groove into the grass, and the bench's shadow under her is broken and misshapen where the belly's bulk cuts through the light. Sunlight rimlights the top of the belly and her shoulder; the interior is lit by the warm amber of the cavity itself, the only other source. Palette limited to sunlit green, warm brown, cream white, and the amber-pink of the stomach. Painterly anime rendering, crisp lineart, soft volumetric light, tender and quietly absurd.
ะฝะตะบั€ั‹ 30
#A Certain Magical Index#Mikoto Misaka#Misaka Sister
AI artwork
ะฝ3
character: misaka_imouto, misaka_worst 2girls, misaka_imouto, misaka_worst, vore, internal view, stomach, gastric juices, bathing, cramped space, angry, content predator, heavily distended belly, unrealistically large belly, sitting on bench, bench, park, daytime, sunny, outdoors, tokiwadai school uniform, brown sweater vest, white short-sleeved collared shirt, grey pleated skirt, brown loafers, white elbow-length gloves, brown bob cut, short hair, brown eyes, brown hair, medium hair of victim, ahoge, hair between eyes, closed eyes, light smile, faint smile, hands resting on belly, head tilt back, sunlight, dappled shadows, tree leaves, looking down at belly, playful, smug, half-closed eyes, blush, sweat, wet skin, open mouth, clenched teeth, furrowed brow, gritted teeth, arms crossed, leaning against stomach wall, clinical mood, gentle atmosphere, dark interior, wet interior, glossy reflections, warm golden daylight Medium shot from a low three-quarter angle, camera placed at bench height and slightly to the right of the seated girl, sunlight raking across her from the upper left through the canopy above. Misaka Imouto sits on a slatted wooden park bench with her back against the backrest, hips square on the seat, both loafers planted flat on the paved path in front of her, knees apart to make room for the enormous belly that swells out from under her grey pleated skirt. The brown sweater vest is stretched taut over the rounded mass, the white short-sleeved collar lifting slightly at the neck with a slow exhale; her white elbow-length gloves rest side by side on the top curve of the belly, fingers splayed, thumbs meeting at the crest, the fabric dimpling where she presses. The belly is impossibly large, its silhouette a smooth dome rising from her lap to nearly her chin, skin visibly tight at the upper surface where the sun strikes and the veins faint at the sides. Her brown bob cut falls forward against her cheek, one strand catching the light, and her head tilts back against the backrest, eyes closed in a faint closed-lip smile, brow smooth, a single bead of sweat at her temple; a slow contented breath lifts the belly an inch and settles it. Beyond the bench a slice of municipal park: a gravel path raking across the lower third, a low hedge behind her, two tall trees overhead whose leaves dapple her uniform with hard-edged afternoon shadows, and far in the upper right, a pale strip of sky. Warm golden daylight is the only light source, its temperature high, the shadows deep and cool under the bench and in the folds of her skirt, and glistening wet highlights clinging to the outward curve of the taut skin. An inset view cuts diagonally across the belly's dome from the lower right, the boundary of it the dim inner wall of the stomach, a curved crimson-rose chamber glossy with a thin film of gastric juices that pool lower than the figure's ankles and drip in slow strands from the upper wall. Misaka Worst crouches in that cramped space, shoulders jammed against the wet wall behind her, knees drawn up, one grey-gloved hand braced on her own thigh and the other arm crossed protectively over her chest, her brown hair plastered to her forehead with sweat and the ahoge standing up in the damp. Her grey bodysuit is sodden, the white dress clinging and turned translucent at the edges, her eyes narrowed and glaring upward at the stomach wall with teeth bared in a snarl, brow deeply furrowed, a flush of heat across her cheeks. The dim interior light is a diffuse glow filtered through the belly wall from the sun outside, so the chamber is lit by a soft amber glow that leaves the deepest folds almost black and makes the juices gleam along her collarbone and the curve of her thigh. Below the surface of the liquid her boots and the lowest pleats of the dress warp slightly with refraction. The overall palette stays close to warm golds outside, deep crimson and rose inside, with the only cool accents the grey of the uniform skirt and the pale sweat sheen on both figures' skin. The contrast between the contented face on the bench and the furious one inside the dim chamber is the emotional engine of the image: quiet, unsettling tenderness.
ะฝะตะบั€ั‹ 30
#A Certain Magical Index#Mikoto Misaka#A Certain Scientific Railgun

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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