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AI artwork
Jana Secara Percuma

Ed Ryan

Seni AI oleh Ed Ryan di PixAI. Dijana dengan Tsubaki.3.

er

Ed Ryan

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Komen

1boy, solo, adult man, 30 years old, dark brown hair, short messy dark brown hair, hazel eyes, heavy-lidded tired eyes, dark circles under eyes, stubble, jaw stubble, weathered tired face, thick brown leather coat, brown leather coat with large patch pockets, black t-shirt, dark blue stonewashed jeans, black and red cyberpunk boots, fur-lined boot cuffs, rolling a cigarette, rolling tobacco, cigarette paper, hands held at chest level, sitting, hunched forward, elbows on knees, from side, profile, cowboy shot, dutch angle, looking down, tired expression, light smile absent, night, cigarette in hand, lighter in coat pocket, tobacco pouch in coat pocket, hip flask in coat pocket Seen from the side, slightly below and tilted a few degrees off level, a thirty-year-old man sits hunched on a low concrete step at night, his body folded forward so his elbows rest on his knees and his spine makes a tired C-curve. His head is tipped down toward his hands, chin lowered, and the near eye glances down at the work between his fingers rather than at the lens; the far eye is lost behind the bridge of his nose. His hair is dark brown, short and slept-in, pushed back off his forehead in a way that shows the receding line at the temples, a few strands falling loose over the brow. Jaw and upper lip carry a day or two of uneven stubble, denser at the chin, catching the light as grit against the skin. The hazel eyes sit in deep sockets with visible shadows beneath, lids heavy and half-lowered, and the mouth is slack at the corners with a faint downward set — weariness held without self-pity. His hands are the centre of the picture. Both are raised in front of his chest, the left palm cupped open holding a pinch of loose tobacco on a rectangle of thin white cigarette paper, the right hand's thumb and forefinger rolling the paper up from the far edge in a slow curl, the near end still open and spilling a few strands. The paper flexes and dimples under his fingertips; a fine dusting of tobacco shreds has already fallen onto the thigh of his jeans and sits there in a scatter of tiny brown flecks. His weight is on his right hip, right boot planted flat on the step below, left knee raised higher with the left boot's heel hooked on the step edge; the thick black-and-red boot cuffs, fur trim flattened and matted, bunch above the laces. The coat is the heaviest shape in the frame: thick brown leather, scarred and creased at the elbows, its large patch pockets bulging with three distinct loads — a rectangular lighter in the left breast pocket showing its square corner pressing the flap outward, a soft tobacco pouch sagging in the right hip pocket, and a slim hip flask in the left hip pocket whose flat metal edge lifts the leather seam. The black t-shirt shows at the open collar, dark against his throat. The jeans are dark blue stonewashed, pale at the knees and the fly, wrinkling into hard folds where his hips bend. Lighting is a single cold streetlamp above and behind him, out of frame at the top left: it rims his hair, the top edge of his shoulder, the raised left knee and the loose tobacco in a thin cold white line, and drops everything below his hands into deep shadow, so his face is lit only by the faint spill on the underside of his jaw and the side of his nose. Beyond the step, the ground falls away into unreadable black; a low wall and a slot of wet asphalt catch one smeared reflection in the background. The palette is nearly monochrome — cold lamp white, asphalt grey, the flat black of the t-shirt, deep shadow brown — with the only warm colour in the image concentrated on his coat's worn leather, the brown tobacco in his palm, and the red band of the boot cuffs. Sharp ink-black linework, high contrast, hard cel shading, crisp edges. Quiet, worn-down calm.
Paparkan Parameter
Prompt Asal
a 30 year old man with dark brown hair, hazel eyes, and stubble. He is wearing a thick, pocketed, brown leather coat, with a black t-shirt and dark blue stonewashed jeans, with black and red cyberpunk fur lined boots. he has a tired expression and is rolling a cigarette. there is a lighter, tobacco and a hip flask in his pockets.
Mod
ultra
Gaya
Sharp Ink
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Gaya: Sharp Ink
Pembantu Prompt

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

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AI artwork
er
1boy, solo, adult man, 30 years old, dark brown hair, short messy dark brown hair, hazel eyes, heavy-lidded tired eyes, dark circles under eyes, stubble, jaw stubble, weathered tired face, thick brown leather coat, brown leather coat with large patch pockets, black t-shirt, dark blue stonewashed jeans, black and red cyberpunk boots, fur-lined boot cuffs, rolling a cigarette, rolling tobacco, cigarette paper, hands held at chest level, sitting, hunched forward, elbows on knees, from side, profile, cowboy shot, dutch angle, looking down, tired expression, light smile absent, night, cigarette in hand, lighter in coat pocket, tobacco pouch in coat pocket, hip flask in coat pocket Seen from the side, slightly below and tilted a few degrees off level, a thirty-year-old man sits hunched on a low concrete step at night, his body folded forward so his elbows rest on his knees and his spine makes a tired C-curve. His head is tipped down toward his hands, chin lowered, and the near eye glances down at the work between his fingers rather than at the lens; the far eye is lost behind the bridge of his nose. His hair is dark brown, short and slept-in, pushed back off his forehead in a way that shows the receding line at the temples, a few strands falling loose over the brow. Jaw and upper lip carry a day or two of uneven stubble, denser at the chin, catching the light as grit against the skin. The hazel eyes sit in deep sockets with visible shadows beneath, lids heavy and half-lowered, and the mouth is slack at the corners with a faint downward set — weariness held without self-pity. His hands are the centre of the picture. Both are raised in front of his chest, the left palm cupped open holding a pinch of loose tobacco on a rectangle of thin white cigarette paper, the right hand's thumb and forefinger rolling the paper up from the far edge in a slow curl, the near end still open and spilling a few strands. The paper flexes and dimples under his fingertips; a fine dusting of tobacco shreds has already fallen onto the thigh of his jeans and sits there in a scatter of tiny brown flecks. His weight is on his right hip, right boot planted flat on the step below, left knee raised higher with the left boot's heel hooked on the step edge; the thick black-and-red boot cuffs, fur trim flattened and matted, bunch above the laces. The coat is the heaviest shape in the frame: thick brown leather, scarred and creased at the elbows, its large patch pockets bulging with three distinct loads — a rectangular lighter in the left breast pocket showing its square corner pressing the flap outward, a soft tobacco pouch sagging in the right hip pocket, and a slim hip flask in the left hip pocket whose flat metal edge lifts the leather seam. The black t-shirt shows at the open collar, dark against his throat. The jeans are dark blue stonewashed, pale at the knees and the fly, wrinkling into hard folds where his hips bend. Lighting is a single cold streetlamp above and behind him, out of frame at the top left: it rims his hair, the top edge of his shoulder, the raised left knee and the loose tobacco in a thin cold white line, and drops everything below his hands into deep shadow, so his face is lit only by the faint spill on the underside of his jaw and the side of his nose. Beyond the step, the ground falls away into unreadable black; a low wall and a slot of wet asphalt catch one smeared reflection in the background. The palette is nearly monochrome — cold lamp white, asphalt grey, the flat black of the t-shirt, deep shadow brown — with the only warm colour in the image concentrated on his coat's worn leather, the brown tobacco in his palm, and the red band of the boot cuffs. Sharp ink-black linework, high contrast, hard cel shading, crisp edges. Quiet, worn-down calm.
Ed Ryan
AI artwork
Avatar image of loupmalicieux
A cinematic medium shot from a low angle depicts Snake Plissken walking through a dark, dystopian New York street. He is a rugged man with a weathered face, wearing a worn leather jacket, dark military trousers, and his iconic eyepatch. He is in the act of lighting a cigarette, his right hand gripping the cigarette as the red ember casts a dim glow on his features, while complex swirls of dense smoke drift around him. He turns his head toward the viewer with a suspicious, calculating gaze. The environment is filled with dilapidated buildings, flickering neon signs, abandoned vehicle carcasses, and torn posters fluttering in the wind. The ground is wet bitumen, reflecting vivid red and blue neon lights. The visual style combines modern India ink with Korean anime portraiture, featuring graphic linework, bold silhouettes, and deep black shadows. The color palette is dominated by midnight blue, metallic gray, and saturated neon accents, creating a gritty, post-apocalyptic atmosphere with high contrast and intense 3D relief.
loupmalicieux

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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