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江口雄貴

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江口雄貴

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character: matsubara_kanon 2girls, matsubara_kanon, blue hair, long hair, half-up hair, purple eyes, tareme, droopy eyes, youthful face, large breasts, breasts pressed together, breast squash, areolae hidden, beige school uniform, beige blazer, pleated skirt, ribbon at collar, sweaty, sweat on skin, glossy skin, shiny skin, blush, red cheeks, looking up, looking at viewer, upturned eyes, from side, from above, upper body, profile, crowded train, train interior, standing, back against door, back to door, pressed against another, man, male, tall, chest, arms at sides, motion blur in background, crowded, depth of field, seductive_smile, half-closed_eyes, heavy_breathing, clenched hands, stiff posture, train window, hand strap, fluorescent light, highly detailed, anime style, cel shading, vibrant colors A side-on, high-angle view looking down into a packed commuter train carriage, upper bodies only, the camera placed outside the door and slightly above so that the vertical line of the door edge runs down the left third of the frame. On the left, Kanon Matsubara stands with her back flat against the closed sliding door, the door's rubber seal pressed into her shoulder blades and her blazer riding up against the metal; her long blue hair is gathered in a half-up knot at the crown with the rest falling loose over her shoulders and down her back, a few damp strands stuck to her temple and her neck. She is turned in profile to the camera, chin lifted and tilted in toward him, and her large breasts are mashed flat against the man's chest -- the beige blazer and the white shirt beneath it compress and crease into radiating folds where his sternum meets her, the fabric pulled taut around the flattened shape, and the pressure squashes them sideways so they spread wider than her narrow ribcage. Her fingers grip the door frame at her hip, knuckles pale, and the door's edge dents the fabric of her sleeve. Her face is young and round, her droopy eyes with heavy outer corners rolled up toward his face, irises catching the overhead light, lids half-lowered; a feverish blush covers both cheeks and the bridge of her nose, a sheen of sweat sits on her forehead, her upper lip and the slope of her throat, catching a small wet highlight, and her mouth is slightly parted on an unsteady breath. Her gaze lands on his face and stays there, asking something. The man is a head taller, seen from behind and above on the right edge of the frame, his broad chest and shoulders filling the foreground in dark plain clothes, his body braced against the sway of the carriage; his hands stay stiff at his sides, one clenched against the door frame beside her hip, and his head is angled down so the top of his skull and the back of his jaw are all the camera gets of him -- but the down-tilt of his chin and the faint turn toward her answer her look. Around them the carriage is packed shoulder to shoulder in a soft blur, hands reaching up to the overhead straps, commuters compressed into the background with faces turned away and illegible, a window behind them streaked with speed lines of passing tunnel light. The only light source is the cold greenish-white fluorescent strip running along the ceiling of the train, which strikes the crown of her head and the tops of her shoulders and her upturned cheek, catches the wet sheen of her skin and the folds of the flattened blazer, and drops the underside of her chin, the hollow between their bodies and the far end of the carriage into shadow; there is no second light. A faint haze of condensation fogs the low corner of the door glass from the heat of the crowd. The palette stays narrow and clammy -- beige uniform, cold grey metal and fluorescent white, the warm flush of her cheeks and the wet shine of her skin as the only warmth in the frame. Quiet, breathless claustrophobia.

江口雄貴

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