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Jana Secara Percuma

息耐者カール

息

息耐者カール

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3girls, 1boy, male focus, multiple girls, heart-shaped pupils, heart eyes, kissing, kiss on cheek, cheek kiss, both cheeks, two brides, bride, wedding dress, white lace dress, plunging neckline, cleavage, large breasts, glowing, heart-shaped frame, heart background, neon glow, from below, looking at viewer, half-closed eyes, blush, open mouth, smile, arms linked, leaning in, head tilt, cowboy shot, symmetrical composition, high contrast, halftone dots, graffiti marks, thick outlines, neon palette, pop-graphic composition, chaotic energy From a low, slightly foreshortened angle, three figures fill a symmetrical pyramid: a man in the center, his chest pushed forward, chin lifted, head tilted back a little as his face splits into a wide open-mouthed grin — his eyes are two heart-shaped pupils glowing hot pink inside dark irises, staring straight out at the lens, dizzy with delight. He stands square on both feet, weight even, shoulders rolled back, hands hanging loose and forgotten at his sides. Flanking him, one bride on each side, leaning their whole upper bodies in toward him: the left bride presses her lips to his left cheek with her eyes squeezed shut in a smile, her left hand braced flat against his far shoulder, her veil swinging forward past his ear; the right bride kisses his right cheek, her right hand curled at the back of his neck, her fingers sinking into his collar, her veil lifting and flaring in the opposite direction. Each bride wears a white lace wedding gown whose neckline plunges in a deep V, the lace scalloped at the edge and stretched taut over the bust, the cleavage shadowed between them and lit along the upper curve of each breast. Both brides' hair is gathered up, a few loose strands falling across their cheeks and catching the light, brows drawn, lip corners pressed into his skin. The contact compresses his cheeks slightly, the skin dimpling under each kiss. Around the whole group, a heart-shaped frame of glowing light encloses them: a single continuous neon heart outline, brightest where the curve crosses the top, its glow bleeding a soft pink halo onto the brides' veils and the man's jaw, with a hard inner edge where the light ring meets the darkness. The background is a flat scrawl of halftone dots in hot pink and cyan over black, spray-can strokes and marker flicks flying outward behind the heart frame. The neon light is the only source: it strikes the upper surfaces of the brides' cheeks, the top curve of the lace, and the man's nose and brow, while their chins and the folds under the necklines fall into deep black. The glow ring reflects faintly in the man's heart pupils. The palette is hot pink, cyan, black and the cold white of the lace, nothing else. Bold high-contrast comic energy, dizzy, gleeful.
Paparkan Parameter
Mod
flash
Gaya
Neon Poster
Saiz
1632 x 1232
Gaya: Neon Poster

Model & LoRA yang digunakan

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.48k

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AI artwork
息
3girls, 1boy, male focus, from above, dutch angle, heart-shaped pupils, heart eyes, kissing, cheek kiss, double cheek kiss, two brides, wedding dress, white dress, satin, lace, plunging neckline, large breasts, cleavage, visible chest valley, heart frame, glowing heart, neon glow, heart-shaped light frame, looking at viewer, closed eyes, blush, grin, open mouth, high contrast, halftone dots, neon palette, thick outlines, pop-graphic composition, centered composition, upper body, cowboy shot Seen from slightly above and tilted on a dutch angle, the shot frames three figures shoulder to shoulder inside a single heart-shaped ring of glowing light that encloses them like a neon valance, its lower point meeting the bottom edge of the frame; the man stands dead center, the two brides pressed in on his left and right. He faces the viewer squarely, both eyes replaced by glossy heart-shaped pupils that glow pink with a hot white specular dot, wide open, dizzy and delighted; his chin is lifted a fraction, mouth caught in a dopey open grin as each bride's lips press a kiss into one cheek — the kiss on his right cheek comes from the bride in white satin, the kiss on his left from the bride in white lace, both women leaning their heads in at matching angles, eyes shut, brows softly drawn, so his cheeks compress between their mouths. The satin bride's arm crosses behind his shoulders, her fingers spread flat on his far shoulder; the lace bride's hand rests at his near elbow, fingertips gripping the fabric of his sleeve. Both brides wear scooped, deeply plunging necklines cut wide and low, the satin bride's smooth white fabric sheening, the lace bride's scalloped lace edge riding over bare skin, each neckline exposing a clear chest valley that catches the neon rim light; the man's collar is open at the throat. The heart ring is the only light source: electric magenta tubing runs around the three of them, throwing a pink hairline highlight along every cheekbone, along the brides' collarbones and the bridge of the man's nose, and a punchy hot-pink cast shadow falls from the heart's lower point across the foreground. Palette is restricted to hot magenta, cyan, white and black on a plain ground, with cyan catching the lace bride's veil edge and the far edge of the satin shoulder; the background is a flat field broken by bold halftone dot patches and scrawled graffiti strokes that never overlap a face. Thick black outlines hold every figure, and the glow rims the heart ring with a squared-off bloom that a print process would misregister slightly on its inner edge. Exuberant, pop-bright.
息耐者カール
#zetaCollab
AI artwork
息
3girls, 1boy, male focus, from above, dutch angle, heart-shaped pupils, heart eyes, kissing, cheek kiss, double cheek kiss, two brides, wedding dress, white dress, satin, lace, plunging neckline, large breasts, cleavage, visible chest valley, heart frame, glowing heart, neon glow, heart-shaped light frame, looking at viewer, closed eyes, blush, grin, open mouth, high contrast, halftone dots, neon palette, thick outlines, pop-graphic composition, centered composition, upper body, cowboy shot Seen from slightly above and tilted on a dutch angle, the shot frames three figures shoulder to shoulder inside a single heart-shaped ring of glowing light that encloses them like a neon valance, its lower point meeting the bottom edge of the frame; the man stands dead center, the two brides pressed in on his left and right. He faces the viewer squarely, both eyes replaced by glossy heart-shaped pupils that glow pink with a hot white specular dot, wide open, dizzy and delighted; his chin is lifted a fraction, mouth caught in a dopey open grin as each bride's lips press a kiss into one cheek — the kiss on his right cheek comes from the bride in white satin, the kiss on his left from the bride in white lace, both women leaning their heads in at matching angles, eyes shut, brows softly drawn, so his cheeks compress between their mouths. The satin bride's arm crosses behind his shoulders, her fingers spread flat on his far shoulder; the lace bride's hand rests at his near elbow, fingertips gripping the fabric of his sleeve. Both brides wear scooped, deeply plunging necklines cut wide and low, the satin bride's smooth white fabric sheening, the lace bride's scalloped lace edge riding over bare skin, each neckline exposing a clear chest valley that catches the neon rim light; the man's collar is open at the throat. The heart ring is the only light source: electric magenta tubing runs around the three of them, throwing a pink hairline highlight along every cheekbone, along the brides' collarbones and the bridge of the man's nose, and a punchy hot-pink cast shadow falls from the heart's lower point across the foreground. Palette is restricted to hot magenta, cyan, white and black on a plain ground, with cyan catching the lace bride's veil edge and the far edge of the satin shoulder; the background is a flat field broken by bold halftone dot patches and scrawled graffiti strokes that never overlap a face. Thick black outlines hold every figure, and the glow rims the heart ring with a squared-off bloom that a print process would misregister slightly on its inner edge. Exuberant, pop-bright.
息耐者カール
#zetaCollab
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, man in the center, two brides flanking him, two girls kissing his cheeks, kiss on cheek, cheek kiss, heart-shaped eyes, heart-shaped pupils, heart symbol in eye, heart-shaped light frame, glowing heart-shaped frame, hearts, sparkles, brides, wedding dress, strapless dress, visible cleavage, chest valley, breast focus, huge breasts, collarbone, blush, closed eyes, light smile, half-closed eyes, parted lips, blonde hair, long hair, wavy hair, white veil, flower wreath, short dark hair, from below, looking at viewer, upper body, close-up, centered composition, pastel palette, cel shading, clean outlines, flat colors, high contrast, anime screencap, night background The camera sits low and tilts up, so all three figures loom gently over the lens inside a glowing heart-shaped hoop of light that rings them like a halo of neon candy: the man is dead center in the front layer, shoulders squared to the viewer, chin lifted, his whole weight settled back on his heels as he leans into the squeeze. On his left a bride presses in from behind his shoulder line, her lips flattened hot against his cheek, one hand splayed flat over his far shoulder blade so his jacket bunches under her palm; her hair, long and bright blond, sweeps forward across his shoulder and collarbone. On his right the second bride mirrors her, cheek mashed against his other cheek, one hand curled around the back of his neck, her chin tucked so her nose flattens the skin beside her own kiss. Both brides wear strapless white dresses with sweetheart necklines that sit low above the bust, the soft valley between their breasts clearly visible in the low upward view, their shoulders bare and glossy with the frame's pink light; one bride has a short white veil and a circlet of small flowers, the other a looser fall of dark hair spilling over the groom's collar. Their eyes are shut in the kiss, lashes down, brows drawn in a pleased, smirking crescent; the man alone gazes straight into the lens with both pupils swollen into hard-edged pink hearts, a faint dreamy blush across his nose, mouth slightly open on a breathless grin. Skin meets skin exactly where it should: two lips to two cheeks, four fingers to shoulder and neck, the brides' shoulders overlapping the man's arms, their veils floating behind the group rather than crossing their faces. The heart-shaped light frame is a real ring of glow in front of a deep midnight-blue void, its inner edge feathering soft rose over everyone's hair and shoulders, and the darkness beyond the ring is absolute — no other source lights them, so the undersides of their chins, the hollow of each throat and the folds of the two white dresses fall into cool blue shadow while every upturned surface catches pink. Color stays in that register only: midnight navy ground, cream and chalk-pink fabric, cotton-candy pink light, silvered lilac-gray shadow in the hair and skin, one faint mint sparkle at the ring's edge. Flat cel-shaded anime frame with clean ink outlines, simple two-tone shadows, and a soft bloom spilling off the heart's rim onto the edges of the three figures; tender, giddy, and a little ridiculous.
息耐者カール
#zetaCollab
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, from below, close-up, symmetrical composition, three-quarter view, heart-shaped pupils, heart-shaped frame, glowing heart frame, cheek kiss, kissing both cheeks, brides, wedding dress, white lace wedding gown, plunging neckline, cleavage, bare shoulders, collarbone, lace trim, veil, half-lidded eyes, heavy-lidded eyes, smug, grin, head tilt, arms linked, holding hands, looking at viewer, from side, profile, light particles, bokeh, dark navy background, pink glow, cel shading, flat colors, clean outlines Seen from below at close range in a three-quarter view, three figures are packed tight into a symmetrical triangle: a man at dead center, a bride pressed against each of his shoulders. The low, close camera puts their chins above the viewer's line, so the big shapes read first -- the man's white lace-framed torso and the two brides' up-swept veils -- and the faces bend down toward each other. The man's head is tipped back slightly, chin lifted, both of his eyelids heavy and half shut around eyes whose irises have gone entirely heart-shaped: two glossy pink hearts, bright and wet, each with a small highlight, filling both sockets; he is grinning wide and loose with a corner of his mouth pulling up on one side. On his left and his right, each bride leans in with her lips pressed flat to his cheek, one on each side at once, and compresses the skin there into a soft crease so the kiss is a real weight against his jaw. Each bride's far hand crosses in front of her own bodice and links under the man's arm at the elbow, fingers curled into the crook, so he is held up on both sides. Their near hands rest on his chest, fingers splayed just below the collarbone, the nails pale. The two brides are mirrored but not identical: the left one has her hair gathered low with a long white veil spilling down her back and a faint blush across the cheek, and she is squinting one eye shut as she kisses; the right one wears a shorter veil pinned high, her head tilted, and both her eyes are open and sliding side-long past the man's ear toward the other bride, mouth still flattened against his cheek. Both brides' white lace gowns have deep plunging V necklines, and from this low angle the cleft of each bodice reads clearly, the lace edging the fabric and running up to the shoulder straps, bare shoulders and bare collarbones above. The gowns' white lace sits in bright cream against the man's darker tailored jacket, and the whole interior of the frame glows pink and rose, saturation and light pushed to the ceiling, high-contrast flat shapes with crisp clean outlines as in a classic TV anime frame. Around them the air is dark navy, a deep blue void. A heart-shaped frame of light surrounds the group, drawn as a single hot pink neon contour with a doubled bloom, and small soft pink light particles drift out from it, catching on the veil edges; the outline passes in front of the background and behind the three figures' shoulders only where it closes at the bottom, so the three heads sit inside the heart's upper lobes. The neon rim is the only light source: the pink light strikes all faces from the outer edge, so the outer cheek of each bride is lit and the cleft of her neckline holds a small glowing edge, while the inner sides of all three faces fall into a deep navy shadow. In the far background, a wall of tiny out-of-focus light dots glitters and softens to bokeh, and the tiny highlights in the man's heart-shaped eyes are perfect twin reflections of the pink rim, a detail no real eye would hold that cleanly. Playful, sweet, tongue-in-cheek.
息耐者カール

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
12#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#Attack on Titan#Mikasa Ackerman
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