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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #Sae Kobayakawa and #Nono Morikubo

Sae Kobayakawa, Nono Morikubo

Seni AI oleh 志貴 di PixAI. Tag: The Idolmaster, The Idolmaster Cinderella Girls. Dijana dengan Tsubaki.3.

#The Idolmaster #The Idolmaster Cinderella Girls #Sae Kobayakawa #Nono Morikubo

Diterbitkan pada Oct 28, 2026

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character: morikubo_nono, kobayakawa_sae, copyright: idolmaster, idolmaster_cinderella_girls 2girls, duo, standing side by side, front view, cowboy shot, upper body, simple white background, seamless white studio ground, equal height, same scale, similar body proportions, distinct characters, petite, slender, small breasts, long brown hair, drill hair, hair bow, hair ornament, brown eyes, crying, tears, covering own cheeks with both hands, both hands on own face, closed hands pressed to cheeks, petite, slender, medium breasts, long black hair, blunt bangs, hair flower, black eyes, angry, frown, furrowed brow, index finger to lips, shushing gesture, looking at viewer, arms bent, upper teeth gritted, blush, white empty field, no background elements, centered two-shot, eye-level Front view, cowboy shot cropping both girls at mid-thigh to just above the head, framed straight on against a completely empty, seamless white field with no horizon, no props and no cast environment — only a soft contact shadow pooling under each pair of feet at the bottom edge of the frame. Two petite, slender young women stand shoulder to shoulder, side by side, their outer shoulders almost touching, matched in height, scale and build so that their eyes sit on one horizontal line and their chins at the same level; the girl on the left is slightly narrower through the chest, the girl on the right a little fuller, both sharing the same small frame and narrow waist. On the left, the brown-haired girl with long drill-curled locks and a hair bow stands with her weight sunk onto her back foot, shoulders drawn up and inward as if trying to make herself smaller. Both of her hands are lifted flat against her own face, palms pressed to her cheeks, fingers curved up over her cheekbones so the soft flesh dimples under the fingertips; her eyes are squeezed shut, tears welling over the lower lids and running in two bright wet tracks down to her jaw, one drop hanging at the point of her chin, her mouth pulled into a small trembling open frown, brows tilted up at the inner ends. Her drill curls quiver slightly outward from the hunch of her shoulders. On the right, the black-haired girl with long straight hair, blunt bangs and a flower ornament stands square and planted, chin lifted, one arm folded up so that a single straight index finger presses vertically against the center of her closed lips. Her brows are drawn down hard over narrowed black eyes fixed straight at the viewer, a hot flush of anger high on both cheeks, the corner of her mouth twitching down around the pressed finger, her other arm hanging tense with the fist half-clenched. Her bangs shift slightly with the sharp exhale through her nose. Lighting is a flat, even, high-key studio wash from the front and slightly above, so both faces are lit evenly with only the faintest shadow under the chins, under the hair, and beneath the hands on the left girl's cheeks; the background stays pure unbroken white with no gradient. The palette is confined to the two girls themselves — warm browns and cream on the left, black, deep blue-black and a single flower accent on the right — against the white void. The one physical tell: the tears on the left girl's face catch the front light as tiny specular pinpoints while the rest of her skin stays matte. Quiet comedic tension.

Sae Kobayakawa, Nono Morikubo

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