Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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フサフサなリフ

フサフサなリフを描いてみた。需要はないと思う（笑）

Diterbitkan pada Oct 28, 2026

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copyright: the_lord_of_the_rings solo, 1boy, male focus, portrait, old man, mature male, short hair, white hair, blue eyes, long white beard, facial hair, blue robe, blue cape, looking at viewer, upper body, from below, from side, slight three-quarter view, flower, white flower, lily (flower), ornate border, decorative frame, building, sky, cloud, landscape, painting (medium), traditional media, shojo, screentone, soft focus, sparkle, delicate lineart, light and airy, dreamy atmosphere The view is slightly from below and set off to his left in a shallow three-quarter turn: an old man, seen from the waist up inside a tall portrait frame, keeps his short white hair swept back close to the skull while the long white beard spills down over the chest of a blue robe and the blue cape hanging from his shoulders, its folds falling across the near arm. His face turns just enough to bring both blue eyes level with the viewer, chin dipped a touch against the beard, one faint crease of a smile at the lip corner, a single white strand loosened from the hairline lifting as though the air moved. One hand gathers the robe's collar at the throat, thumb pressed into the blue cloth and fingers curled over the fabric, while the other arm rests low and out of the frame; his weight settles on the far hip so the cape hangs longer on one side than the other. He stands before a wide open landscape: a bright sky of pale washes and soft blurred cloud rolling down to a horizon of thin hills, and at his shoulder in the middle distance a small pale building — a slender tower and a low gabled hall at its foot — half screened by the flowered slope. The slope itself foams toward the foreground in mounds of white lilies, some in full six-petalled bloom with gold-tipped stamens, some still closed buds, their stems crossing in a soft-focus blur at the lower edge; a few blossoms lean close enough to his cape to touch its hem. The whole scene is lit by a cool washed daylight falling from the upper left, brightening the left side of his face, the crest of the beard and the outer curve of the cape, leaving the shadow side of his cheek, the inner folds of the robe and the hollows of the lilies in a lilac hush; there is no hard cast shadow, only a soft diffusion that blends figure into field. Everything sits inside an ornate border: a gilded frame of scrolling vine and lily motifs drawn in fine double line, its corners heavier with interlace, the pattern crisper where the light strikes the top-left rail and dimming toward the lower right; the painting's edge meets the frame with a thin dark seam, and the page beyond stays a bare cream margin. The rendering holds to delicate lineart, screentone shading in the robe and beard, sparkle accents flickering on the lily petals and along the frame's gold, and a predominantly blue-and-white palette with the pale sky above, the blue silk of his garments through the center, and white carried by hair, beard and flowers — serene, softly luminous

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