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Rinrin

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

Diterbitkan pada Oct 28, 2026

Rinrin

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no humans, high school setting, unmanned school store, interior, small wooden sales counter, open cardboard crate of bread rolls and milk cartons, clipboard with handwritten tally sheet left on the counter, coin box with a few coins, hand-lettered price tags, chalkboard sign, morning light, wide shot, from side, dutch angle, one-point perspective down the corridor, empty room, quiet A slight dutch-tilted wide shot from the side looks down an empty high-school corridor and into a small unmanned school store recessed along its right wall; the corridor's polished floorboards run in one-point perspective toward a bright window at the far end, and the corridor is completely empty of people, no students and no clerk anywhere in the frame. The store stall itself occupies the right two-thirds of the image: a shallow alcove with a waist-high wooden sales counter across its mouth, its near corner catching the light. On the counter sit an opened cardboard crate of bread rolls with the flaps folded back, two rows of milk cartons standing in a shallow wire basket, a small coin box with its lid propped open and three coins sitting inside, and a clipboard laid at a slight angle with a handwritten tally sheet ruled in pencil, columns and tick marks legible as hand-drawn row-and-column marks. Above the counter, a hand-lettered cardboard sign is taped to the shelf edge, and price tags written in marker are stuck to the shelf lip under each stack of goods; the shelf behind is lined with more loaves in plastic wrap and stacked notebooks. To the left of the stall, a blackboard stands on a wooden easel with chalk lettering on it, the letters slightly dusty where a hand has wiped part of a word away. Morning sunlight comes in low through the far window and through the corridor's tall side windows on the left, laying long bright parallelograms of light across the floorboards and up the front face of the counter; the counter's top surface and the crate's upward-facing flaps take the full brightness while the alcove's inner shelves fall into cool shadow, and the shop's dim under-shelf darkness is the darkest passage in the frame. Dust motes hang in the sunbeams. The floorboards' seams catch a slight sheen of polish, and the light reaches only the surfaces that face the windows, leaving anything facing away from them in shadow. The palette is restrained to warm honey wood, pale cream walls, the red-and-white of the goods and the soft grey-blue of the shaded corridor; nothing else is admitted. The stall's emptiness is the subject: no one stands behind the counter, the coin box waits open, and the tally sheet is half-finished. Quiet, everyday.

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