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Jana Secara Percuma

an1t

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vovovo_style, clean lineart, detailed shading, glossy highlights, detail illustration, cool lighting, pale color, ์ตœ๊ณ  ํ€„๋ฆฌํ‹ฐ, high-quality Korean webtoon style illustration, delicate line art, natural coloring, sophisticated facial depiction, soft shading, cinematic lighting, emotional atmosphere. Character Appearance: A seven-year-old young boy. Exceptionally handsome for his age with harmonious features, a small, slender face, and soft facial lines. He retains some of the youthful cheek fat characteristic of a child, but overall has a delicate and neat impression. The bridge and tip of the nose are small and refined, and the lips are small and on the thinner side. Rather than a flashy or artificial beauty, it is a beautiful face that draws the eye more the closer one looks. Hair: Faded ash brown hair. A calm grayish-brown mixed with a subtle light beige. The thin, soft hair is naturally messy as it hasn't been properly groomed, with bangs falling irregularly over the forehead and eyebrows. There are stray hairs sticking out here and there, naturally flared ends, and light hair volume that is not excessively thick. Eyes and Expression: Dark grayish-brown pupils. Not overly large or round, but slightly elongated and delicate almond-shaped eyes. The outer corners of the eyes are slightly downturned, and the eyelids appear slightly lowered, giving a calm look. There is a very faint shadow under the eyes, and he looks a bit tired and exhausted. Not a severely sickly or sunken impression, but a quiet and calm gaze characteristic of a child who matured early. A very faint sense of caution remains, but his gaze contains curiosity and a small expectation toward the bread. A face close to expressionless, small closed lips, and a delicate expression that is not exaggerated. When smiling or happy, he immediately looks as young as a child. Build: The natural physique of a seven-year-old child. Slightly smaller and thinner than peers, with narrow shoulders and thin arms and legs. Wrists and fingers are also thin and small. Not excessively gaunt or unrealistically tiny, maintaining the soft body type and proportions of a child. Clothing: An old, loose-fitting knit in a beige-brown tone. The sleeves are long enough to slightly cover the back of the hands, with some worn-out marks at the wrists. Faded fabric with wrinkles here and there. A modest and old outfit that is not trendy. Though not properly groomed, it is not excessively dirty or severely damaged. Pose and Composition: A perspective from inside a small neighborhood bakery looking out through the glass window. The child is standing outside the bakery with both hands resting lightly on the wooden window frame at the bottom of the glass. Small fingers are naturally draped over the edge of the frame, and the body is slightly leaning toward the window. A posture of cautiously peering inside without hanging onto or leaning excessively on the window. The head is slightly tilted, and the face is at a slight 3/4 angle. Both eyes and the facial outline are clearly visible, quietly gazing at the bread display. Camera and Framing: Vertical illustration. A medium close-up composition capturing from above the waist to the head. The face and upper body are sufficiently large in the frame, composed so that the face is noticed first. The child is placed close to the center of the screen, with the wooden frame of the glass window naturally surrounding the periphery. The window frame or glass reflections do not obscure the face and hands. The shape of the eyes, the expression, the texture of the hair, and the small hands resting on the window frame are clearly visible. Background: The interior of a warm and cozy small neighborhood bakery. Freshly baked bread and pastries are displayed at the edges of the screen, and the interior is bathed in a subtle orange light. Through the glass window, a quiet residential street is faintly visible. Light reflects softly on the glass surface, but the person's face remains clear. The background is moderately blurred to focus attention on the child. Lighting and Atmosphere: The warm lighting from inside the bakery softly illuminates the child's face through the glass window. The cool, calm light of the outside contrasts with the cozy golden light of the interior. Small highlights are in the pupils, and soft shadows fall on the face. A gaze that looks slightly tired but remains clear and youthful, an atmosphere where quiet loneliness and small curiosity coexist. Not excessively tragic or depressing, but a scene that feels calm, tender, and warm. Negative Prompt: low quality, blurry image, awkward body proportions, asymmetrical eyes, excessively large and round eyes, doll-like face, excessive cheek fat, feminine face, adult-like face, appearance looking like a teenager, muscular build, unrealistic body proportions, severely sunken face, excessive dark circles, sickly impression, excessive dust and dirt, severely emaciated appearance, tears, crying expression, exaggerated sadness, wide smiling expression, angry expression, aggressive posture, bangs covering the face, window frame covering the face, hand covering the face, wrong number of fingers, deformed hands, strong glass reflection, light reflection covering the face, complex background, excessive decoration, text, watermark, logo.
Paparkan Parameter
Prompt Asal
์ตœ๊ณ  ํ€„๋ฆฌํ‹ฐ, ๊ณ ํ€„๋ฆฌํ‹ฐ ํ•œ๊ตญ ์›นํˆฐํ’ ์ผ๋Ÿฌ์ŠคํŠธ, ์„ฌ์„ธํ•œ ์„ ํ™”, ์ž์—ฐ์Šค๋Ÿฌ์šด ์ฑ„์ƒ‰, ์ •๊ตํ•œ ์–ผ๊ตด ๋ฌ˜์‚ฌ, ๋ถ€๋“œ๋Ÿฌ์šด ๋ช…์•”, ์˜ํ™” ๊ฐ™์€ ์กฐ๋ช…, ๊ฐ์„ฑ์ ์ธ ๋ถ„์œ„๊ธฐ. ์ธ๋ฌผ ์™ธํ˜•: ์ผ๊ณฑ ์‚ด์˜ ์–ด๋ฆฐ ๋‚จ์ž์•„์ด. ๋˜๋ž˜๋ณด๋‹ค ์œ ๋‚œํžˆ ์ž˜์ƒ๊ธฐ๊ณ  ์ด๋ชฉ๊ตฌ๋น„๊ฐ€ ์กฐํ™”๋กœ์šฐ๋ฉฐ, ์ž‘๊ณ  ๊ฐธ๋ฆ„ํ•œ ์–ผ๊ตด๊ณผ ๋ถ€๋“œ๋Ÿฌ์šด ์–ผ๊ตด์„ ์„ ์ง€๋…”๋‹ค. ์–ด๋ฆฐ์•„์ด ํŠน์œ ์˜ ์•ณ๋œ ๋ณผ์‚ด์ด ์•ฝ๊ฐ„ ๋‚จ์•„ ์žˆ์ง€๋งŒ ์ „์ฒด์ ์œผ๋กœ ์„ฌ์„ธํ•˜๊ณ  ๋‹จ์ •ํ•œ ์ธ์ƒ. ์ฝง๋Œ€์™€ ์ฝ”๋์€ ์ž‘๊ณ  ์˜ค๋ฐ€์กฐ๋ฐ€ํ•˜๋ฉฐ, ์ž…์ˆ ์€ ์ž‘๊ณ  ์–‡์€ ํŽธ์ด๋‹ค. ํ™”๋ คํ•˜๊ฑฐ๋‚˜ ์ธ์œ„์ ์ธ ๋ฏธ๋ชจ๋ณด๋‹ค๋Š” ์ž์„ธํžˆ ๋ณผ์ˆ˜๋ก ๋ˆˆ๊ธธ์ด ๊ฐ€๋Š” ์•„๋ฆ„๋‹ค์šด ์–ผ๊ตด. ๋จธ๋ฆฌ์นด๋ฝ: ๋น›๋ฐ”๋žœ ๋“ฏํ•œ ์• ์‰ฌ ๋ธŒ๋ผ์šด ๋จธ๋ฆฌ. ์ฐจ๋ถ„ํ•œ ํšŒ๊ฐˆ์ƒ‰๊ณผ ์˜…์€ ๋ฒ ์ด์ง€๋น›์ด ์€์€ํ•˜๊ฒŒ ์„ž์—ฌ ์žˆ๋‹ค. ๊ฐ€๋Š˜๊ณ  ๋ถ€๋“œ๋Ÿฌ์šด ๋จธ๋ฆฌ์นด๋ฝ์€ ์ œ๋Œ€๋กœ ์†์งˆํ•˜์ง€ ๋ชปํ•ด ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ํ—ํด์–ด์ ธ ์žˆ์œผ๋ฉฐ, ์•ž๋จธ๋ฆฌ๋Š” ์ด๋งˆ์™€ ๋ˆˆ์น ์œ„๋กœ ๋ถˆ๊ทœ์น™ํ•˜๊ฒŒ ๋‚ด๋ ค์˜จ๋‹ค. ๊ตฐ๋ฐ๊ตฐ๋ฐ ์‚์นœ ์ž”๋จธ๋ฆฌ, ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋ป—์นœ ๋จธ๋ฆฌ๋, ๊ณผํ•˜๊ฒŒ ํ’์„ฑํ•˜์ง€ ์•Š์€ ๊ฐ€๋ฒผ์šด ๋จธ๋ฆฌ์ˆฑ. ๋ˆˆ๋งค์™€ ํ‘œ์ •: ์ง™์€ ํšŒ๊ฐˆ์ƒ‰ ๋ˆˆ๋™์ž. ์ง€๋‚˜์น˜๊ฒŒ ํฌ๊ฑฐ๋‚˜ ๋™๊ทธ๋ž—์ง€ ์•Š์€, ๊ฐ€๋กœ๋กœ ์‚ด์ง ๊ธธ๊ณ  ์„ฌ์„ธํ•œ ์•„๋ชฌ๋“œํ˜• ๋ˆˆ๋งค. ๋ˆˆ๊ผฌ๋ฆฌ๋Š” ๋ฏธ์„ธํ•˜๊ฒŒ ๋‚ด๋ ค๊ฐ€ ์žˆ์œผ๋ฉฐ ๋ˆˆ๊บผํ’€์ด ์‚ด์ง ๋‚ด๋ ค์˜จ ๋“ฏํ•œ ์ฐจ๋ถ„ํ•œ ๋ˆˆ. ๋ˆˆ ๋ฐ‘์—๋Š” ์•„์ฃผ ์˜…์€ ๊ทธ๋Š˜์ด ๋“œ๋ฆฌ์›Œ์ ธ ์žˆ๊ณ , ์กฐ๊ธˆ ์ง€์น˜๊ณ  ํ”ผ๊ณคํ•ด ๋ณด์ด๋Š” ๊ธฐ์ƒ‰์ด ์žˆ๋‹ค. ์‹ฌํ•˜๊ฒŒ ๋ณ‘์•ฝํ•˜๊ฑฐ๋‚˜ ํ€ญํ•œ ์ธ์ƒ์€ ์•„๋‹ˆ๋ฉฐ, ์ผ์ฐ ์ฒ ์ด ๋“  ์•„์ด ํŠน์œ ์˜ ์กฐ์šฉํ•˜๊ณ  ๋‹ด๋‹ดํ•œ ๋ˆˆ๋น›. ๊ฒฝ๊ณ„์‹ฌ์ด ์•„์ฃผ ํฌ๋ฏธํ•˜๊ฒŒ ๋‚จ์•„ ์žˆ์ง€๋งŒ, ์‹œ์„ ์—๋Š” ๋นต์„ ํ–ฅํ•œ ํ˜ธ๊ธฐ์‹ฌ๊ณผ ์ž‘์€ ๊ธฐ๋Œ€๊ฐ€ ๋‹ด๊ฒจ ์žˆ๋‹ค. ๋ฌดํ‘œ์ •์— ๊ฐ€๊นŒ์šด ์–ผ๊ตด, ๋‹ค๋ฌผ์–ด์ง„ ์ž‘์€ ์ž…์ˆ , ๊ณผ์žฅ๋˜์ง€ ์•Š์€ ์„ฌ์„ธํ•œ ํ‘œ์ •. ์›ƒ๊ฑฐ๋‚˜ ๊ธฐ๋ปํ•  ๋•Œ๋Š” ๊ธˆ์„ธ ์–ด๋ฆฐ์•„์ด์ฒ˜๋Ÿผ ์–ด๋ ค ๋ณด์ด๋Š” ์ธ์ƒ. ์ฒด๊ฒฉ: ์ผ๊ณฑ ์‚ด ์–ด๋ฆฐ์•„์ด์˜ ์ž์—ฐ์Šค๋Ÿฌ์šด ์ฒดํ˜•. ๋˜๋ž˜๋ณด๋‹ค ์กฐ๊ธˆ ์ž‘๊ณ  ๋งˆ๋ฅธ ํŽธ์ด๋ฉฐ ์–ด๊นจ๊ฐ€ ์ข๊ณ  ํŒ”๋‹ค๋ฆฌ๊ฐ€ ๊ฐ€๋Š˜๋‹ค. ์†๋ชฉ๊ณผ ์†๊ฐ€๋ฝ๋„ ๊ฐ€๋Š˜๊ณ  ์ž‘๋‹ค. ์ง€๋‚˜์น˜๊ฒŒ ์•™์ƒํ•˜๊ฑฐ๋‚˜ ๋น„ํ˜„์‹ค์ ์œผ๋กœ ์™œ์†Œํ•˜์ง€ ์•Š์œผ๋ฉฐ, ์–ด๋ฆฐ์•„์ด ํŠน์œ ์˜ ๋ถ€๋“œ๋Ÿฌ์šด ์ฒดํ˜•๊ณผ ๋น„์œจ์„ ์œ ์ง€ํ•œ๋‹ค. ๋ณต์žฅ: ๋‚ก๊ณ  ํ—๋ ํ•œ ๋ฒ ์ด์ง€ ๋ธŒ๋ผ์šด ๊ณ„์—ด์˜ ์˜ค๋ž˜๋œ ๋‹ˆํŠธ. ์†Œ๋งค๋Š” ์†๋“ฑ์„ ์กฐ๊ธˆ ๋ฎ์„ ์ •๋„๋กœ ๊ธธ๊ณ , ์†๋ชฉ ๋ถ€๋ถ„์—๋Š” ์•ฝ๊ฐ„ ํ•ด์ง„ ํ”์ ์ด ์žˆ๋‹ค. ์ƒ‰์ด ๋ฐ”๋ž˜๊ณ  ๊ตฐ๋ฐ๊ตฐ๋ฐ ์ฃผ๋ฆ„์ง„ ์˜ท๊ฐ. ์œ ํ–‰์„ ํƒ€์ง€ ์•Š๋Š” ์ˆ˜์ˆ˜ํ•˜๊ณ  ๋‚ก์€ ์˜ท์ฐจ๋ฆผ. ์ œ๋Œ€๋กœ ์†์งˆํ•˜์ง€ ๋ชปํ•œ ๋ชจ์Šต์ด์ง€๋งŒ ๊ณผ๋„ํ•˜๊ฒŒ ๋”๋Ÿฝ๊ฑฐ๋‚˜ ์‹ฌํ•˜๊ฒŒ ํ›ผ์†๋˜์ง€๋Š” ์•Š์•˜๋‹ค. ํฌ์ฆˆ์™€ ๊ตฌ๋„: ์ž‘์€ ๋™๋„ค ๋นต์ง‘์˜ ์‹ค๋‚ด์—์„œ ์œ ๋ฆฌ์ฐฝ ๋„ˆ๋จธ ๋ฐ”๊นฅ์„ ๋ฐ”๋ผ๋ณด๋Š” ์‹œ์ . ์•„์ด๋Š” ๋นต์ง‘ ๋ฐ”๊นฅ์— ์„œ์„œ ์œ ๋ฆฌ์ฐฝ ์•„๋ž˜์ชฝ์˜ ๋‚˜๋ฌด ์ฐฝํ‹€์— ์–‘์†์„ ๊ฐ€๋ณ๊ฒŒ ์˜ฌ๋ ค๋†“๊ณ  ์žˆ๋‹ค. ์ž‘์€ ์†๊ฐ€๋ฝ์€ ์ฐฝํ‹€ ๊ฐ€์žฅ์ž๋ฆฌ์— ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๊ฑธ์ณ์ ธ ์žˆ์œผ๋ฉฐ, ๋ชธ์€ ์ฐฝ๋ฌธ ์ชฝ์œผ๋กœ ์‚ด์ง ๊ธฐ์šธ์–ด์ ธ ์žˆ๋‹ค. ์ฐฝ๋ฌธ์— ๋งค๋‹ฌ๋ฆฌ๊ฑฐ๋‚˜ ๊ณผ์žฅ๋˜๊ฒŒ ๊ธฐ๋Œ€์ง€ ์•Š๊ณ , ์กฐ์‹ฌ์Šค๋Ÿฝ๊ฒŒ ์•ˆ์ชฝ์„ ๋“ค์—ฌ๋‹ค๋ณด๋Š” ์ž์„ธ. ๊ณ ๊ฐœ๋Š” ์‚ด์ง ๊ธฐ์šธ์–ด์ ธ ์žˆ๊ณ  ์–ผ๊ตด์€ ์•ฝ๊ฐ„ ๋น„์Šค๋“ฌํ•œ 3/4 ๊ฐ๋„. ๋‘ ๋ˆˆ๊ณผ ์–ผ๊ตด ์œค๊ณฝ์ด ์„ ๋ช…ํ•˜๊ฒŒ ๋ณด์ด๋ฉฐ, ๋นต ์ง„์—ด๋Œ€๋ฅผ ์กฐ์šฉํžˆ ๋ฐ”๋ผ๋ณด๊ณ  ์žˆ๋‹ค. ์นด๋ฉ”๋ผ์™€ ํ™”๋ฉด ๊ตฌ์„ฑ: ์„ธ๋กœํ˜• ์ผ๋Ÿฌ์ŠคํŠธ. ํ—ˆ๋ฆฌ ์œ„์ชฝ๋ถ€ํ„ฐ ๋จธ๋ฆฌ๊นŒ์ง€ ๋‹ด๊ธฐ๋Š” ๋ฏธ๋””์—„ ํด๋กœ์ฆˆ์—… ๊ตฌ๋„. ์–ผ๊ตด๊ณผ ์ƒ์ฒด๊ฐ€ ํ™”๋ฉด์—์„œ ์ถฉ๋ถ„ํžˆ ํฌ๊ฒŒ ๋ณด์ด๋ฉฐ, ์–ผ๊ตด์ด ๊ฐ€์žฅ ๋จผ์ € ๋ˆˆ์— ๋“ค์–ด์˜ค๋„๋ก ๊ตฌ์„ฑํ•œ๋‹ค. ์•„์ด๋Š” ํ™”๋ฉด ์ค‘์•™์— ๊ฐ€๊น๊ฒŒ ๋ฐฐ์น˜ํ•˜๊ณ , ์œ ๋ฆฌ์ฐฝ์˜ ๋‚˜๋ฌด ํ‹€์ด ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์ฃผ๋ณ€์„ ๊ฐ์‹ผ๋‹ค. ์ฐฝํ‹€์ด๋‚˜ ์œ ๋ฆฌ ๋ฐ˜์‚ฌ๊ฐ€ ์–ผ๊ตด๊ณผ ์†์„ ๊ฐ€๋ฆฌ์ง€ ์•Š๋Š”๋‹ค. ์•„์ด์˜ ๋ˆˆ๋งค์™€ ํ‘œ์ •, ๋จธ๋ฆฌ์นด๋ฝ์˜ ์งˆ๊ฐ, ์ฐฝํ‹€์— ์˜ฌ๋ ค๋†“์€ ์ž‘์€ ์†์ด ๋˜๋ ทํ•˜๊ฒŒ ๋ณด์ธ๋‹ค. ๋ฐฐ๊ฒฝ: ๋”ฐ๋œปํ•˜๊ณ  ์•„๋Š‘ํ•œ ์ž‘์€ ๋™๋„ค ๋นต์ง‘ ๋‚ด๋ถ€. ํ™”๋ฉด ๊ฐ€์žฅ์ž๋ฆฌ์—๋Š” ๊ฐ“ ๊ตฌ์šด ๋นต๊ณผ ํŽ˜์ด์ŠคํŠธ๋ฆฌ๊ฐ€ ์ง„์—ด๋˜์–ด ์žˆ๊ณ , ์‹ค๋‚ด์—๋Š” ์€์€ํ•œ ์ฃผํ™ฉ๋น› ์กฐ๋ช…์ด ๊ฐ๋ˆ๋‹ค. ์œ ๋ฆฌ์ฐฝ ๋„ˆ๋จธ๋กœ๋Š” ์กฐ์šฉํ•œ ์ฃผํƒ๊ฐ€์˜ ๊ฑฐ๋ฆฌ๊ฐ€ ํฌ๋ฏธํ•˜๊ฒŒ ๋ณด์ธ๋‹ค. ์œ ๋ฆฌ ํ‘œ๋ฉด์—๋Š” ๋น›์ด ์€์€ํ•˜๊ฒŒ ๋ฐ˜์‚ฌ๋˜์ง€๋งŒ ์ธ๋ฌผ์˜ ์–ผ๊ตด์€ ์„ ๋ช…ํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋‚œ๋‹ค. ๋ฐฐ๊ฒฝ์€ ์ ๋‹นํžˆ ํ๋ฆฌ๊ฒŒ ์ฒ˜๋ฆฌํ•˜์—ฌ ์•„์ด์—๊ฒŒ ์‹œ์„ ์ด ์ง‘์ค‘๋˜๋„๋ก ํ•œ๋‹ค. ์กฐ๋ช…๊ณผ ๋ถ„์œ„๊ธฐ: ๋นต์ง‘ ๋‚ด๋ถ€์˜ ๋”ฐ๋œปํ•œ ์กฐ๋ช…์ด ์œ ๋ฆฌ์ฐฝ ๋„ˆ๋จธ ์•„์ด์˜ ์–ผ๊ตด์„ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๋น„์ถ˜๋‹ค. ๋ฐ”๊นฅ์˜ ์„œ๋Š˜ํ•˜๊ณ  ์ฐจ๋ถ„ํ•œ ๋น›๊ณผ ์‹ค๋‚ด์˜ ํฌ๊ทผํ•œ ํ™ฉ๊ธˆ๋น›์ด ๋Œ€๋น„๋œ๋‹ค. ๋ˆˆ๋™์ž์—๋Š” ์ž‘์€ ๋น›์ด ๋‹ด๊ธฐ๊ณ , ์–ผ๊ตด์—๋Š” ๋ถ€๋“œ๋Ÿฌ์šด ๊ทธ๋ฆผ์ž๊ฐ€ ๋“œ๋ฆฌ์›Œ์ง„๋‹ค. ์กฐ๊ธˆ ์ง€์ณ ๋ณด์ด์ง€๋งŒ ์—ฌ์ „ํžˆ ๋ง‘๊ณ  ์–ด๋ฆฐ ๋ˆˆ๋น›, ์กฐ์šฉํ•œ ์™ธ๋กœ์›€๊ณผ ์ž‘์€ ํ˜ธ๊ธฐ์‹ฌ์ด ๊ณต์กดํ•˜๋Š” ๋ถ„์œ„๊ธฐ. ๊ณผ๋„ํ•˜๊ฒŒ ๋น„๊ทน์ ์ด๊ฑฐ๋‚˜ ์šฐ์šธํ•˜์ง€ ์•Š๊ณ , ์ž”์ž”ํ•˜๊ณ  ์• ํ‹‹ํ•˜๋ฉฐ ๋”ฐ๋œปํ•œ ๊ฐ์„ฑ์ด ๋А๊ปด์ง€๋Š” ์žฅ๋ฉด. ๋„ค๊ฑฐํ‹ฐ๋ธŒ ํ”„๋กฌํฌํŠธ: ์ €ํ™”์งˆ, ํ๋ฆฟํ•œ ๊ทธ๋ฆผ, ์–ด์ƒ‰ํ•œ ์ธ์ฒด ๋น„์œจ, ๋น„๋Œ€์นญ ๋ˆˆ, ์ง€๋‚˜์น˜๊ฒŒ ํฌ๊ณ  ๋™๊ทธ๋ž€ ๋ˆˆ, ์ธํ˜• ๊ฐ™์€ ์–ผ๊ตด, ๊ณผ๋„ํ•œ ๋ณผ์‚ด, ์—ฌ์„ฑ์ ์ธ ์–ผ๊ตด, ์„ฑ์ธ ๊ฐ™์€ ์–ผ๊ตด, ์ฒญ์†Œ๋…„์ฒ˜๋Ÿผ ๋ณด์ด๋Š” ์™ธํ˜•, ๊ทผ์œก์งˆ ์ฒดํ˜•, ๋น„ํ˜„์‹ค์ ์ธ ์‹ ์ฒด ๋น„์œจ, ์‹ฌํ•˜๊ฒŒ ํ€ญํ•œ ์–ผ๊ตด, ๊ณผ๋„ํ•œ ๋‹คํฌ์„œํด, ๋ณ‘์•ฝํ•œ ์ธ์ƒ, ๊ณผ๋„ํ•œ ๋จผ์ง€์™€ ๋•Œ, ์‹ฌํ•˜๊ฒŒ ์ˆ˜์ฒ™ํ•œ ๋ชจ์Šต, ๋ˆˆ๋ฌผ, ์šธ๊ณ  ์žˆ๋Š” ํ‘œ์ •, ๊ณผ์žฅ๋œ ์Šฌํ””, ํ™œ์ง ์›ƒ๋Š” ํ‘œ์ •, ํ™”๋‚œ ํ‘œ์ •, ๊ณต๊ฒฉ์ ์ธ ์ž์„ธ, ์–ผ๊ตด์„ ๊ฐ€๋ฆฌ๋Š” ์•ž๋จธ๋ฆฌ, ์–ผ๊ตด์„ ๊ฐ€๋ฆฌ๋Š” ์ฐฝํ‹€, ์†์œผ๋กœ ์–ผ๊ตด์„ ๊ฐ€๋ฆผ, ์†๊ฐ€๋ฝ ๊ฐœ์ˆ˜ ์˜ค๋ฅ˜, ๊ธฐํ˜•์ ์ธ ์†, ๊ฐ•ํ•œ ์œ ๋ฆฌ ๋ฐ˜์‚ฌ, ์–ผ๊ตด์„ ๊ฐ€๋ฆฌ๋Š” ๋น› ๋ฐ˜์‚ฌ, ๋ณต์žกํ•œ ๋ฐฐ๊ฒฝ, ๊ณผ๋„ํ•œ ์žฅ์‹, ๊ธ€์ž, ์›Œํ„ฐ๋งˆํฌ, ๋กœ๊ณ ., vovovo_style, clean lineart, detailed shading, glossy highlights, detail illustration, cool lighting, pale color
Mod
pro
Tag Kualiti
๏นArahan๏นž
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of ใƒชใ‚ช
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใƒชใ‚ช
AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ