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AI art "Girl Car Cleavage" featuring #zetaCollab
Jana Secara Percuma

Girl Car Cleavage

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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Komen

character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands beside the front fender of the black BMW, seen in three-quarter front view at eye level, her hips angled toward the camera, weight on one white sneaker, the other foot placed forward with the toe turned out. She has striking sapphire-blue eyes, half-lidded and fixed on the lens with a slow, teasing gaze, one brow faintly arched, lips softly parted in a confident smirk. Her black hair with bold purple stripes is in its sleek low ponytail at the nape of her neck, the tail falling behind her shoulder with a few fine strands loose at her jaw. Neatly arched dark brows. She has a fair porcelain complexion with delicate freckles dusted across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, hips flaring below. A delicate silver ring on one finger, a thin leather bracelet on one wrist, and a black choker with a small silver crest at her throat. She wears a tight pink tank top, the thin straps pressing faint lines into her shoulders, the cotton clinging across her bust with the neckline strained, and tight pink shorts snug across her hips. Clean white sneakers. Her right hand is cupped over the front of her own tank top at her bust, fingers spread, pressing the pink cotton gently inward so the fabric creases and pulls across her, the thumb moving slowly. Her left hand rests flat on her own hip, thumb hooked into the waistband of her shorts, tugging it a fraction. Her shoulders are drawn back, back arched, chin lifted. Details to hold: the pink cotton creasing and pulling under her cupping palm, the strain lines radiating from her fingers, the thin strap dimpling her shoulder, the waistband pulled under her thumb, the flare of her hips, the faint lace-free smooth line of her shorts, the silver ring glinting, the clean handprint she has already left in the dust on the fender beside her. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight front wing, bright chrome trim, clear glass, and a light even dust film now marked with handprints. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight from the open roller door. Warm tungsten pendant bulb overhead lighting her front and the glossy black paint. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with her hands and face sharp. Visual focus is her hand at her bust through the cotton and her steady tease at the lens. Subtle film grain.
Paparkan Parameter
Prompt Asal
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands beside the front fender of the black BMW, seen in three-quarter front view at eye level, her hips angled toward the camera, weight on one white sneaker, the other foot placed forward with the toe turned out. She has striking sapphire-blue eyes, half-lidded and fixed on the lens with a slow, teasing gaze, one brow faintly arched, lips softly parted in a confident smirk. Her black hair with bold purple stripes is in its sleek low ponytail at the nape of her neck, the tail falling behind her shoulder with a few fine strands loose at her jaw. Neatly arched dark brows. She has a fair porcelain complexion with delicate freckles dusted across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, hips flaring below. A delicate silver ring on one finger, a thin leather bracelet on one wrist, and a black choker with a small silver crest at her throat. She wears a tight pink tank top, the thin straps pressing faint lines into her shoulders, the cotton clinging across her bust with the neckline strained, and tight pink shorts snug across her hips. Clean white sneakers. Her right hand is cupped over the front of her own tank top at her bust, fingers spread, pressing the pink cotton gently inward so the fabric creases and pulls across her, the thumb moving slowly. Her left hand rests flat on her own hip, thumb hooked into the waistband of her shorts, tugging it a fraction. Her shoulders are drawn back, back arched, chin lifted. Details to hold: the pink cotton creasing and pulling under her cupping palm, the strain lines radiating from her fingers, the thin strap dimpling her shoulder, the waistband pulled under her thumb, the flare of her hips, the faint lace-free smooth line of her shorts, the silver ring glinting, the clean handprint she has already left in the dust on the fender beside her. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight front wing, bright chrome trim, clear glass, and a light even dust film now marked with handprints. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight from the open roller door. Warm tungsten pendant bulb overhead lighting her front and the glossy black paint. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with her hands and face sharp. Visual focus is her hand at her bust through the cotton and her steady tease at the lens. Subtle film grain.
Mod
ultra
Saiz
1232 x 1632
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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