Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "ハロウィン" featuring #Touhou Project, #Ran Yakumo and #Junko
Jana Secara Percuma

ハロウィン

#Touhou Project#Ran Yakumo#Junko
Lebih Banyak untuk Dilihat

Komen1

character: junko_(touhou), kudamaki_tsukasa, yakumo_ran. A medium shot from a customer's perspective inside a cozy, dimly lit snack bar. In the background, junko_(touhou) stands behind the counter acting as the mama, dressed as a Jiangshi in a traditional Qing dynasty official robe with a yellow talisman pasted on her forehead. To the sides, kudamaki_tsukasa and yakumo_ran are attending to customers; kudamaki_tsukasa is wearing a cute, rounded white ghost sheet costume with a small ribbon on top, while yakumo_ran is dressed as a vampire in a black dress with a high red-lined collar, featuring fox ears and sharp fangs. On the wooden counter in the foreground, several carved Halloween pumpkins are placed as decorations. The atmosphere is warm and festive, lit by soft amber lights and neon accents, creating a moody, nocturnal lounge vibe with a shallow depth of field.
Paparkan Parameter
Prompt Asal
スナックバーのママの純狐と菅牧典と八雲藍 純狐はキョンシーの仮装をしている。 菅牧典はゴースト(幽霊)の仮装をしている。 八雲藍も吸血鬼の仮装をしている。 八雲藍は狐耳が生えている。 純狐はカウンター席の奥にいる。 カウンターにハロウィンのカボチャが置いてある。 菅牧典は客に接客をしている。 八雲藍は客に接客をしている。 構図は飲み屋のスナックバー。 キョンシー 見た目 映画『霊幻道士』などの影響で広く知られるキョンシーの一般的な見た目は、清朝の官服(長袍・チャンパオ)をまとい、額に黄色いお札を貼った中国のゾンビ(動く死体)です。 [1, 2, 3] 具体的な外見的特徴は以下の通りです。 1. 服装と帽子 最も特徴的なのが、清朝時代の役人が着ていた官服(長袍)と、独特な丸い形をした官帽です。布地は青や黒を基調としたものが多く、胸元に四角い刺繍(補子)があしらわれているのが一般的です。 [1, 2] 2. 顔や身体の特徴 額のお札(霊符): 道士によって操られている、または封印されている証として、黄色いお札が額に貼られています。 青白い顔と不気味な爪: 死体であるため顔色は非常に悪く、青白かったり土色をしています。死後も爪や髪の毛が伸び続けるため、鋭く長い爪を持っています。 硬直した肉体: 死後硬直が進んでいるため関節が曲がらず、常に両腕をまっすぐ前方に突き出した姿勢をとっています。 [1, 2] 3. 近年のアレンジ(キョンシー娘) 近年、日本のサブカルチャーやハロウィンのコスプレでは、従来の恐ろしいイメージからアレンジされた「コワかわいい」キョンシー娘(少女姿のキョンシー)の見た目も非常に人気を集めています。この場合は、ミニ丈のチャイナドレスにアレンジされた官服を着たり、お札をヘアアクセサリーのように斜めに貼ったりするスタイルが定着しています。 [1, 2] 吸血鬼 見た目 吸血鬼(ヴァンパイア)の見た目は、「現代のフィクションにおける洗練された美形」と「民話・歴史における不気味な死者」という2つの極端なイメージに分かれています。 [1] 創作のキャラクターデザインでよく使われる定番の特徴から、伝承による本来の姿まで、その見た目の要素をまとめました。 1. 現代フィクション・イラストでの定番(美形・貴族風) アニメ、ゲーム、映画などで最も広く親しまれているスタイリッシュな吸血鬼のビジュアルです。 [1, 2] 青白い肌: 日光を浴びないため、血の気がなく透き通るような白さをしています。 赤い目(鋭い瞳): 吸血衝動が高まると瞳が赤や金に輝き、夜間でも視界が利くような怪しい妖艶さを持っています。 鋭い犬歯(牙): 人間の血を吸うための象徴。普段は隠れており、襲う瞬間に伸びる描写が好まれます。 黒・白・赤の衣装: 黒をベースにしたクラシカルなスーツやドレスに、裏地が赤のマントを羽織るスタイルが王道です。 ゴースト(幽霊)見た目 見た目: 白いシーツや布をすっぽり被ったような丸みのあるシルエット。 表情: 丸い目と、驚いたような「●」の形の口が定番。 トレンド: 近年は、頭に小さなリボンや帽子を乗せた「あざと可愛い・ゆるキャラ風」のゴーストがSNSなどで大人気です。
Mod
lite
Saiz
1280 x 960
Watermark
On

Model & LoRA yang digunakan

Imej Serupa

Papar lagi

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬