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AI artwork featuring #Komputer, #membetulkan cermin mata, #kerusi lipat, #cermin mata bingkai hitam, #berpeluk tubuh, #baju kemeja biru and #Todomatsu Matsuno
Jana Secara Percuma

Todomatsu Matsuno, Komputer

#Komputer#membetulkan cermin mata#kerusi lipat#cermin mata bingkai hitam#berpeluk tubuh#baju kemeja biru#Todomatsu Matsuno
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Komen

multiple girls, multiple boys, 10 people total, 8 boys, 2 girls, all sitting, indoors, looking at viewer, short hair, black hair, glasses, sunglasses, chair, table, computer, laptop, group portrait, from slightly above, wide shot, full group in frame, everyone facing the camera, seated in a loose two-row arrangement, eyes to the lens, photorealistic real life, natural indoor daylight, muted neutral palette The camera sits slightly above the group on a wide shot, tilted down just enough that the long table's near edge runs across the lower third of the frame; every one of the ten people is seated, facing the lens, each pair of eyes aimed straight into it. Eight boys and two girls fill the room in two loose rows: the back row pulled up in mismatched desk chairs against the far wall, the front row drawn in close behind the table and its open laptops. Back row, left to right: a boy in a grey hooded sweatshirt with thick black-rimmed glasses slumped deep in a rolling chair, one elbow on the chair's armrest; a girl in a soft pastel pink oversized knit sweater, clear-framed prescription glasses flashing with window light, perched on a stool with both knees together and her hands folded on her thigh; a boy in a white button-down with the sleeves rolled to the forearm and rectangular glasses, sitting bolt upright by the desktop computer, its monitor's glow edging his jaw; a boy in a burgundy long-sleeve shirt with thin wire-frame glasses, turned on his chair so his shoulder nearly touches the computer tower, his chin lifted toward the lens; a boy in a beige cable-knit sweater with matte black glasses, leaning back on two chair legs with his palms wrapped around the seat edge. Front row, left to right: a boy in a navy blue polo with silver-rimmed glasses, hunched over the table with one hand flat on an open laptop's palm rest; a girl with short black hair wearing dark oversized sunglasses and a white cotton t-shirt, sitting squarely at the table with her forearms crossed on its surface and her sunglass lenses throwing two small window reflections back at the camera; a boy in a forest green crewneck sweater with gold-rimmed glasses, tipped forward over a second laptop, its lid angled so its screen-light falls across his glasses; a boy in a charcoal grey cardigan over a white tee with round tortoiseshell glasses, mid-adjustment, two fingers on the bridge of his frames; a boy in a denim jacket over a black t-shirt with sporty black-rimmed glasses, sitting at the table's right end with one ankle hooked behind a chair leg and a laptop open in front of him. Contacts are named and closed: the table bears the group — five open laptops with their lids at different angles, cable runs sliding off the near edge, mugs and a tangle of cords between them; the chair backs behind the back row are pressed into the wall, the one beneath the pink sweater's stool wobbling a half-inch off its tread. All ten gazes land on the viewer; no one looks at anything else in the room, and the group reads as one body caught in a single held breath. Light comes from a bank of tall windows out of frame at the left, cool and soft, laying a bright band across the tabletop, the laptop lids and every pair of glasses in the room; the glass in each frame catches that light and flashes, while shadows sink to the right side of each face and pool under the chairs. Palette is muted and natural — the pastel pink and forest green and burgundy as the only saturated notes, everything else charcoal, beige, white and denim, with the black hair of both girls and six of the boys reading as one dark repeated shape across the frame. A single laptop screen in the front row is faintly smudged where someone's thumb has been, its surface catching the window band at a duller angle than the clean glass around it. Evenly lit, unposed, quietly companionable.
Paparkan Parameter
Prompt Asal
real life, looking at viewer, short hair, black hair, multiple girls, sitting, multiple boys, indoors, glasses, sunglasses, chair, table, 6+boys, 5boys, computer, laptop
Mod
pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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bullying, classroom, 8 students, one victim surrounded by seven classmates, victim boy, red curly hair, round glasses, unzipped red and blue track jacket, black sweater, three girls, thirteen years old, chestnut hair, girl in jeans and blouse, girl in trousers and shirt, girl in black jeans and hoodie, disgusted expression, pitying contemptuous sneer, four boys, blond boy, two boys with chestnut hair, boy with black hair, green sweater, jeans, business suit, jeans and sweater, unbuttoned shirt over printed t-shirt, boy wanting to stop bullying, displeased frown, boy openly mocking, smug teasing grin, one smiling, victim angry, crying, tears, furrowed brows, open mouth shouting, standing, leaning on desk with both hands, both palms flat on desktop, arms braced, group encircling, from above, high angle, looking up, dutch angle, close-up on victim, depth of field, classroom desks and chairs, window light, tension, cruel amusement, half-closed eyes, smirk Shot from above and slightly to the side, the camera looks down through the ring of students at the victim, so the circle of bodies frames him and the classroom floor tiles fan out beneath the group. The victim boy stands at the center, both palms flat on a wooden desk, arms braced and elbows locked, shoulders hunched up around his ears; his red curly hair is a loose springy mop, and his round glasses sit crooked on his nose with one lens catching the window light. His face is a knot of fury and grief: dark brows drawn hard down, mouth open mid-shout, jaw thrust forward, and two bright tear tracks running from under the rims of his glasses to his chin, his eyes glossy and red-rimmed. The red and blue track jacket hangs unzipped and open over the black sweater, its collar pushed up at the back of his neck from the hunch of his shoulders, and the jacket's hem rides up where he leans. He is turned a quarter away from the lens, arguing with someone just off the near edge of frame, chin lifted, glaring up and sideways at the boy in the business suit. The desk he braces on sits squarely in the middle of the shot; its legs are visible below his spread fingers, and his knuckles whiten against the wood. Around him the seven classmates form a loose, uneven ring. Nearest the camera, seen over the victim's shoulder, the girl with chestnut hair in jeans and a blouse stands hipshot with one arm crossed over her stomach, her other hand lifted to her collarbone as if shielding herself, her lip curled and her nose wrinkled in disgust, eyes sliding down at him. Opposite her, the girl in trousers and shirt stands with her weight on one leg, head tipped back and to one side, eyes half-lidded in haughty, pitying contempt, a small cold smile at one corner of her mouth. The third girl, in black jeans and a hoodie, stands at the far edge of the circle with both hands pushed into her hoodie pocket, staring at the floor near the victim's shoes rather than at his face, her brow pinched. Of the boys, the blond in the green sweater stands closest on the victim's left, leaning in with a wide mocking grin, one finger jabbing toward the victim's glasses, his head cocked and eyes bright with delight. The boy in the business suit stands at the victim's right with his chin lifted and his hands behind his back, an impeccably composed smirk, watching the victim lose his temper with lazy satisfaction. Behind them the two chestnut-haired boys stand shoulder to shoulder, and the one in the jeans and sweater is turned half away, mouth pulled down, one hand raised palm-out toward the others in a small abortive gesture to stop, his eyes narrowed with distaste and fixed on the blond's pointing finger. Beside him the boy with black hair in jeans and the open shirt over a printed t-shirt is openly laughing, shoulders shaking, one hand on his own chest and the shirt hanging loose over the graphic tee. Every gaze but the third girl's lands on the victim or on the point where the blond's finger aims, and the victim's glare moves between them, settling longest on the suited boy. Cold daylight comes in from a tall window off-frame at the left, so the light strikes the left side of the victim's face and glasses and leaves the right side of the circle in soft shade; a long pale rectangle of window light lies on the floor tiles beneath the desks and is broken by the shadows of the students' legs, and the victim's shadow falls across the desktop under his hands. The palette stays narrow and cool: cream walls, gray-blue floor tiles, the red-blue of the track jacket and the green of the blond's sweater as the only strong colors. Textbook clutter on the desks, chalk dust in the air, the scuffed linoleum and the pressed wood of the desktop all rendered cleanly. Mature anime style with glossy, high-finish rendering and soft lighting, skin blended with subtle gradients and warm highlights for a polished, almost airbrushed look, controlled color harmony, smooth minimally visible brushwork. Tight, airless, cruel.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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