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James Ricks
Paparkan Parameter
- Prompt Asal
- 1girl Maki Zenin wearing short skirt nurse outfit with leggings
- Mod
- flash
- Saiz
- 1104 x 1824
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
character: zen'in_maki
1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field,
The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights.
The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
character: zen'in_maki
1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field,
The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights.
The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
character: zen'in_maki
1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field,
The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights.
The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
character: zen'in_maki
1girl, solo, zen'in maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short hem, crossed white collar, short sleeves, red trim, leggings, black opaque leggings, standing, weight on one leg, from below, cowboy shot, looking down at viewer, one eyebrow raised, lopsided smirk, hand on hip, other hand holding a clipboard against her ribs, leaning slightly forward,
From a low angle near hip height, one tall woman in a short white nurse dress fills a narrow hospital corridor, the camera tilted up so the ceiling lights recede over her shoulder and her ponytail hangs against the far wall of the frame. She stands with her weight sunk into her left leg, right knee relaxed and turned inward, left hip pushed out so the short hem of the dress breaks at an angle across her thighs and the black opaque leggings run uninterrupted from the hem down into the bottom edge of the crop, matte and close-fitting, catching a thin vertical highlight down the outside of her right thigh. Her glasses sit square on the bridge of her nose, and she looks down the barrel of the lens past the tilted-up frame, chin lowered, one brow lifted higher than the other, the corner of her mouth pulled up in a lopsided smirk; her green ponytail swings forward over her right shoulder, its tip lifted slightly off the collar by the lean. Her left hand is planted flat on her hip, fingers spread and pressing the dress fabric into a soft fold above the waist; her right forearm crosses her ribs and her fingers curl around the top edge of a clipboard held flat against her side, its metal clip glinting. The corridor's fluorescent tubes run in a row along the ceiling toward a vanishing point behind her head, cool white light coming from above and slightly behind, laying a bright rim along the top of her hair and the ridge of her nose while her eye sockets and the underside of her jaw fall into shadow; the polished floor below holds a soft, dimmer, blurred reflection of the leggings and her shoes. Walls are pale institutional green-grey, a half-open door at the left edge out of focus, no other figure anywhere in the corridor. Palette held to white, black and the cool green of the walls and her hair, with one thin red line at the dress trim. Quiet, clinical, faintly amused.
James Ricks
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen