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AI art "68、「そっちこそ、食べさせてあげるから口をアーンしなさいよ!」" featuring #Saekano: How to Raise a Boring Girlfriend, #Utaha Kasumigaoka, #Rascal Does Not Dream and #Mai Sakurajima
Jana Secara Percuma

68、「そっちこそ、食べさせてあげるから口をアーンしなさいよ!」

#Saekano: How to Raise a Boring Girlfriend#Utaha Kasumigaoka#Rascal Does Not Dream#Mai Sakurajima
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Komen

sakurajima_mai, kasumigaoka_utaha, seishun_buta_yarou, saenai_heroine_no_sodatekata, two young girls sitting at a round wooden table in a cozy, sunlit city café, sharing tea and cake together with an awkward, reluctant atmosphere. Sakurajima Mai, a tall girl with long, straight black hair neatly held back by a small decorative hair clip above her left temple, has vivid purple eyes and fair skin marked by a few faint scratches on her forearm and neck. She wears a school uniform with a white blouse, a navy blazer, and a pleated skirt, paired with opaque black tights. Her expression is sullen and pouty, lips slightly pursed as she leans forward to feed a forkful of strawberry cake toward her companion. Kasumigaoka Utaha, with long flowing black hair and a clean white headband pushing her bangs back, gazes with striking red eyes and a similar displeased, annoyed frown. Small scratches dot her cheek and bare shoulder. She wears a matching school uniform blouse and skirt with black tights, leaning her head slightly to accept the cake. Two porcelain teacups with rising steam, a silver teapot, and a plate of layered sponge cake with whipped cream and berries rest on the table. The café interior features warm wooden paneling, large arched windows with soft golden afternoon sunlight streaming through sheer curtains, potted green plants, and blurred patrons in the background, creating an intimate yet tense domestic scene rendered in detailed anime style with clean linework and soft cel-shading.
Paparkan Parameter
Prompt Asal
桜島麻衣(『青春ブタ野郎はバニーガール先輩の夢を見ない』)と霞ヶ丘詩羽(『冴えない彼女の育てかた』)が、街のカフェで仲良くお茶をしている。桜島麻衣は紫の瞳に、ヘアクリップで留めた長い黒髪。プリーツスカートの制服を身にまとい、黒タイツを履いている。霞ヶ丘詩羽は赤い瞳に、白いカチューシャをつけた長い黒髪。制服を着用し、黒タイツを履いている。二人とも、肌にはかすり傷が少し見られる。二人ともケーキをホークでアーンさせあっている。二人とも嫌そうな不機嫌な顔をしている。
Saiz
614 x 1024
Langkah Pensampelan
20
Kaedah Pensampelan
Euler
Skala CFG
6
Negatif
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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