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AI art "Girl Ass Big Boobs" featuring #zetaCollab
Jana Secara Percuma

Girl Ass Big Boobs

Contest Entry
PixAI ร— zeta Original Character Creation Contest 2026 #zetaCollab
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Komen

character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands on the hood of the black BMW, seen in rear three-quarter view from slightly low behind and to the right of the car. Her back is toward the camera. Her black hair with bold purple stripes is pulled into its sleek low ponytail at the nape of her neck, the tail falling down her back, exposing her neck and shoulders. She has striking sapphire-blue eyes, her head turned back over her right shoulder so her profile catches the light โ€” a slow, teasing, heavy-lidded look, lower lip caught lightly between her teeth. Neatly arched dark brows. Fair porcelain complexion with delicate freckles dusted across the tops of her shoulders, a warm sun-kissed sheen. A voluptuous, busty 32 GG figure with pronounced curves โ€” the line of her spine, the cinch of her narrow waist, and the flare of her hips all reading cleanly from behind. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest, the clasp visible at the back of her neck. She wears the tight pink tank top, clinging across her back and cinched at her narrow waist, and the tight pink shorts, stretched snug across her hips and the backs of her thighs with a short hem. Clean white sneakers planted apart on the glossy black paint. Her weight is on one hip, the other leg slightly bent, one hand resting on her own hip with the thumb hooked into the waistband of the shorts, the other hand lifted to the nape of her neck, fingers sliding up into her hair. Details to hold: the pink cotton stretched across her back, the waistband pulled slightly under her thumb, the flare of her hips in the tight shorts, the dip of her lower back, the nape of her neck bare beneath the ponytail, the sharp white sneakers against the glossy black paint, the choker's clasp, the silver ring. The black old BMW is in good condition: deep glossy black paint with a clean shine, straight hood panel, bright chrome trim catching the daylight, clear windscreen, a light even dust film now marked with footprints. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight from the open roller door rimming her shoulders and back. Warm tungsten pendant bulb overhead. Camera: rear three-quarter angle from slightly low, full-body shot, shallow depth of field with her back, hand, and turned profile sharp. Visual focus is the curve of her spine and waist, the hand at the waistband, and her back-glance at the lens. Subtle film grain.
Paparkan Parameter
Prompt Asal
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands on the hood of the black BMW, seen in rear three-quarter view from slightly low behind and to the right of the car. Her back is toward the camera. Her black hair with bold purple stripes is pulled into its sleek low ponytail at the nape of her neck, the tail falling down her back, exposing her neck and shoulders. She has striking sapphire-blue eyes, her head turned back over her right shoulder so her profile catches the light โ€” a slow, teasing, heavy-lidded look, lower lip caught lightly between her teeth. Neatly arched dark brows. Fair porcelain complexion with delicate freckles dusted across the tops of her shoulders, a warm sun-kissed sheen. A voluptuous, busty 32 GG figure with pronounced curves โ€” the line of her spine, the cinch of her narrow waist, and the flare of her hips all reading cleanly from behind. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest, the clasp visible at the back of her neck. She wears the tight pink tank top, clinging across her back and cinched at her narrow waist, and the tight pink shorts, stretched snug across her hips and the backs of her thighs with a short hem. Clean white sneakers planted apart on the glossy black paint. Her weight is on one hip, the other leg slightly bent, one hand resting on her own hip with the thumb hooked into the waistband of the shorts, the other hand lifted to the nape of her neck, fingers sliding up into her hair. Details to hold: the pink cotton stretched across her back, the waistband pulled slightly under her thumb, the flare of her hips in the tight shorts, the dip of her lower back, the nape of her neck bare beneath the ponytail, the sharp white sneakers against the glossy black paint, the choker's clasp, the silver ring. The black old BMW is in good condition: deep glossy black paint with a clean shine, straight hood panel, bright chrome trim catching the daylight, clear windscreen, a light even dust film now marked with footprints. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight from the open roller door rimming her shoulders and back. Warm tungsten pendant bulb overhead. Camera: rear three-quarter angle from slightly low, full-body shot, shallow depth of field with her back, hand, and turned profile sharp. Visual focus is the curve of her spine and waist, the hand at the waistband, and her back-glance at the lens. Subtle film grain.
Mod
ultra
Saiz
1232 x 1632
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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