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AI artwork featuring #Pretty Cure, #Smile PreCure! and #Reika Aoki
Jana Secara Percuma

Reika Aoki, Pretty Cure

#Pretty Cure#Smile PreCure!#Reika Aoki
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Komen

aoki reika, smile precure!, 1girl, nanairogaoka middle school uniform, short over long sleeves, 1boy, shota, school uniform, short sleeves, teasing, assertive female, onee-shota, school library, sketch, watercolor, KTVH1
Paparkan Parameter
Prompt Asal
aoki reika, smile precure!, 1girl,nanairogaoka middle school uniform,short over long sleeves ,1boy, shota, school uniform, short sleeves,teasing, assertive female,onee-shota,学校の図書室、 sketch, watercolor, KTVH1,
Saiz
1280 x 720
Langkah Pensampelan
12
Kaedah Pensampelan
Euler a
Skala CFG
1.5
Negatif
bad anatomy

Model & LoRA yang digunakan

2 private models used

Imej Serupa

Papar lagi
AI artwork
h
character: hikigaya_komachi, hikigaya_hachiman, yukinoshita_yukino 3girls, 1boy, hikigaya komachi, hikigaya hachiman, yukinoshita yukino, short hair, black hair, ahoge, blue eyes, black eyes, fang, hair ornament, x hair ornament, hair flower, sobu high school uniform, white collared shirt, red ribbon at collar, plaid skirt, black thighhighs, loafers, leaning back against wall, sitting on floor, slumped, knees bent, one hand clutching own chest, other arm outstretched forward, reaching out, open hand, tears in eyes, tears falling, crying, lonely smile, relieved smile, bittersweet, closed mouth smile, looking away, looking down, looking to the side, from above, dutch angle, close-up on foreground girl, over-shoulder composition, depth of field, classroom doorway, half-open sliding door, from behind, shy, holding hands, interlocked fingers, blushing, black hair, long hair, red hair ribbon, white shirt, sleeves rolled up, wristwatch, plaid skirt, black thighhighs, school classroom interior, desks, window light, warm/cool contrast, melancholy, tender The camera looks down from a high, slightly tilted corner above the corridor floor, so the foreground girl fills the lower two-thirds of the frame and the doorway recedes diagonally into the upper right. Hikigaya Komachi sits slumped with her back flat against the pale corridor wall, hips slid forward, both legs folded and angled to her right, one knee drawn up and the other ankle tucked under it; her school bag has slipped from her shoulder and lies flat on the floor beside her hip. She wears the Sobu High uniform: white collared shirt buttoned to the throat with the red ribbon tied at the collar, the plaid skirt spread and creased under her weight, black thighhighs, loafers. Her short black hair with its ahoge and its small flower-shaped ornament at one side is dishevelled at the back where it presses against the wall; a single strand clings to her wet cheek. Her right hand is pressed flat and hard over her own chest, fingers splayed, knuckles pale, crumpling the shirt fabric above her ribbon; her left arm is stretched out forward and low across the floor toward the open doorway, elbow slightly bent, hand open and empty, fingers slack and trembling, not quite touching anything. Her head is turned away from the door, chin dropped toward her shoulder, eyes cast down and to the side into the empty corridor, so she shows only a three-quarter profile: eyes brimming, one tear already broken loose and running down her jaw, her mouth curved in a small closed bittersweet smile, brows drawn — lonely and at the same time relieved. Beside her left side the classroom door stands half open, its sliding panel pulled back about a third of the way so the frame's edge cuts vertically through the upper right of the image, and the door's frosted glass panel carries a blurred illegible notice card. Through that gap, deeper in the bright classroom, Hikigaya Hachiman and Yukinoshita Yukino stand facing each other near a desk row, seen over Komachi's shoulder and through the opening: he in the white shirt with sleeves rolled up and the wristwatch on his left wrist, black short hair and ahoge, ears red; she in the same Sobu uniform with the long black hair and red ribbon, blue eyes lowered to their joined hands, cheeks flushed, the plaid skirt and black thighhighs visible below. Their hands are clasped shyly between them, fingers loosely interlaced, both of them looking down at the contact rather than at each other. Neither of them looks outward; Komachi does not look in. Late afternoon light comes only from the classroom's far windows, spilling through the half-open door as a bright wedge of warm white that lands across Komachi's outstretched hand and the corridor floorboards, while the corridor around her back and the wall at her shoulders fall into cool blue-grey shadow; her cast shadow stretches away from the door, and the door's edge throws one hard vertical line of light down the wall beside her head. Palette held to warm window-light, cool corridor shadow, the white and red of the uniforms, and the grey-green plaid. Quiet heartbreak, tender.
HCT
AI artwork
f
2girls, 1boy, 3 people, two people only, cute girl, cute boy, 19 years old, half school uniform, standing next to a bed, indoors, bedroom, from above, bed, white short-sleeved button-up shirt, pleated skirt, navy blue plaid skirt, white ribbon, chestnut hair, shoulder-length hair, short black hair, messy hair, charcoal grey trousers, white dress shirt, open collar, bare feet, holding book, closed book, looking at another, head tilt, slight smile, blush, dutch angle, warm afternoon light, dust motes, wood floor, striped bedding, crumpled bedsheet, open window, curtain moving, warm palette, soft shadow Shot from slightly above at a mild dutch angle, tilted just enough to make the room feel off-balance and candid: a nineteen-year-old girl and a nineteen-year-old boy stand shoulder to shoulder at the near edge of an unmade bed, filling the lower two-thirds of the frame while the bed's striped duvet and two dented pillows recede behind them toward a window. The girl, on the left of frame, has shoulder-length chestnut hair tied back with a small white ribbon, the loose tail of it slipping forward over her shoulder; she wears a white short-sleeved button-up shirt tucked into a pleated navy blue plaid skirt, her stance weighted on her straight left leg with the right knee bent inward, one bare foot crossed over the other's instep. Both her hands are wrapped around a closed paperback held against her sternum, thumbs pressing a soft dent into its cover, and she has tipped her head toward the boy, her gaze angled up at his face, a faint closed-lip smile tugging one corner of her mouth with a wash of colour high on her cheeks. The boy, on the right, wears a white short-sleeved dress shirt with the top button undone and charcoal grey trousers, his short messy black hair pushed off his forehead by the tilt of his head; he leans his weight onto his right hip so his left shoulder dips toward her, and his right hand hangs loose with fingers half-curled while his left hand rests flat on the bed's edge, pressing a shallow crease into the mattress ticking near his fingertips. His chin is turned down toward her, eyes on her face, one brow lifted in a lopsided, half-teasing look, the corner of his mouth pulled up. Where her shoulder nearly meets his upper arm there is a sliver of air between them, and the only contact in the frame is his palm on the bed and her hands on the book. Late-afternoon sun comes through the window behind and to the right of them, the single light source: it flares along the rim of the boy's ear and the edge of his collar, triples a bright bar of light across the plaid pleats and the white of her sleeve, and throws their joined shadows long and low across the duvet toward the left foreground, darker and softer than the lit fabric. Dust hangs in the beam, and the curtain at the window's left edge bellies gently inward as if the air in the room has just shifted. Palette is warm and domestic -- cream walls, honeyed light, the navy plaid and the grey trousers the two cool anchors, her blush and the ribbon the only accents. The detail budget goes to the plaid's folds over her hip, the crease his hand digs in the bedding, and the grain of the light on both their faces; the room behind stays simple, one window, one bed, nothing else. Quiet, charged, tender.
Fha

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ