Oct 23, 2026

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Jana Secara Percuma

新山聡美(氷の水族館)

Contest Entry

Anything Goes Casual Posting Festival!

#Wanita matang #berdiri #Senyum #ikan #Akuarium #beg bahu #Sound! Euphonium #Satomi Niiyama #hud #kiub ais #penyejuk beku

Diterbitkan pada Nov 1, 2026

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copyright: hibike!_euphonium ""character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A tourist scenery footage set inside the "Ice Aquarium" in Kesennuma City, Miyagi Prefecture. In a magical ice exhibition room maintained at minus 20 degrees Celsius, a scene of a woman looking at various shapes of ice sculptures and fish trapped inside transparent ice walls. The cold, clear texture of the ice harmonizes with the blue and light-blue illumination enveloping the interior, expressing a magical space as if having entered into the ocean. It is an immersive visual where the beautifully frozen ice displays and the figure of the woman standing there naturally blend together. The interior is an exhibition space with huge, highly transparent blocks of ice arranged along the walls. The ice blocks are thick rectangles, containing seafood landed at Kesennuma Port and off the Sanriku coast trapped inside. Various fish and marine creatures such as bonito, Pacific saury, mackerel, and octopus are displayed frozen stationary within the ice. The fish are enclosed within the ice in natural poses, their outlines and patterns clearly visible through the transparent ice. The ice has fine internal air bubbles, variations in transparency, light refraction, and surface textures, giving it the realistic texture of displays carved from real ice. The ice exhibition panels are arranged continuously along the walls, forming a deep corridor in the room. The large ice walls stretch from the floor to near the ceiling, forming the walls of the exhibition room. Decorative wavy curving lights are attached to the borders between ice blocks, framing the silhouettes of the ice with pale blue light. The lighting is primarily light blue, blue, and pale white, mixed in parts with purplish light. Light passing through the interior of the ice reflects on the walls and floor, creating a sense of transparency and depth. Rather than making the entire exhibition room a uniform single blue color, the transparent parts of the ice, shadowed areas, and strongly lit sections are naturally differentiated. In addition to the ice displays trapping seafood, ice sculptures carved from ice representing animals and sea creatures are placed inside the facility. The ice sculptures have transparency, with fine carving marks and smooth curves visible on their surfaces. The ice surfaces hit by light produce pale blue reflections, conveying the hard, cold texture unique to ice. Furthermore, projection mapping is cast onto the walls and ceiling, evoking the image of the fish trapped in the ice swimming out. Wrapped in blue light, the fish imagery unifies with the ice displays to create a fantastical effect like swimming underwater. The visual projections do not obscure the displays or the woman, naturally appearing as part of the background and ceiling. Because the interior is an extremely cold environment at minus 20 degrees Celsius, the woman wears cold-weather clothing rented from the facility. The cold-weather clothing is a white, thick, loose-fitting winter long coat. It has a longer length covering from the waist down to around the thighs, with moderate thickness typical of a winter outerwear padded all over. The surface is a low-sheen smooth synthetic fiber material, based on a clean white color. The front features multiple vertically aligned white snap buttons, constructed to fasten securely up to the neck. It has a high collar designed to protect around the neck from the cold air, and an attached hood. The inside of the hood shows a light gray lining, and the hood hangs naturally down the back. The sleeves are long, with a loose shape covering up to the wrists. One side of the chest has a small blue print resembling a facility logo, but words need not be reproduced accurately, naturally expressed as a small blue emblem. It is depicted as practical cold-weather gear lent to visitors at the facility, without flashy decorations or fashion brand logos. Beneath the winter coat, she wears a pale beige or ivory knit and calm-colored long-sleeved clothes. On her lower body, she wears warm black or dark gray long trousers, and on her feet, easy-to-walk-in black or dark gray cold-weather shoes. It is warm and functional clothing suited to withstand the cold inside. The rented white winter coat is clearly visible on the outside, without omitting details such as the front of the coat, collar, hood, sleeves, and snap buttons. The woman's long hair is naturally pulled out from underneath the hood of the winter coat, styled to flow down her back. The hair has a lustrous, natural texture, with a few soft strands remaining around her face. The hood is not pulled deep over her head so that her face and hairstyle are not hidden, ensuring her facial features and hair characteristics are recognizable. Accessories are understated and simple so as not to interfere with touring a cold exhibition room. The woman's appearance reflects the character LoRA, while her outfit, cold-weather coat shape, hair arrangement, and accessories follow the description in this text. The woman stands alone in the exhibition room corridor, looking with curiosity at the fish trapped in the transparent ice wall before her. Her body is angled slightly diagonally toward the ice display panel, with her face turned toward the fish display. One hand is naturally raised near chest height, lightly reaching out as if pointing at the fish inside the ice. The other hand is lightly resting on the front or hem of her coat, or hanging naturally at her side. She does not touch the ice wall or lean against the exhibit, observing from an appropriate distance. Her posture is natural and composed, conveying her interest in the unusual ice display. Her expression carries a gentle smile as she gazes intently at the fish in the ice and the beautiful lighting before her. Rather than posing for the camera, it is a natural moment of enjoying the exhibit. The woman is positioned slightly in front of the center of the frame, showing her full body from head to shoes as much as possible. Her size is realistic, conveying the spaciousness of the exhibition room and the height of the ice walls. She stands independently on the floor, not embedded into the ice walls or ceiling. A clear space exists between her body and the ice exhibition panels, her feet touch the floor, and her body contour is distinguishable from the background ice. The ice walls or ceiling do not penetrate her body or merge with her clothes or hair. The depth relationship between the exhibits and the person is clear, showing that she is genuinely walking through and observing the ice aquarium corridor. The floor is a pale blue-gray conveying coldness, with its smooth surface softly reflecting the blue lighting. The boundary between the wall ice exhibits and the floor is clearly visible, ensuring ample width to walk as a pathway. Pale blue lighting is also set on the ceiling, illuminating the ice walls. The visual projections on the walls and ceiling evoke the fantastical movement of fish swimming underwater, without unnaturally distorting the structure of the exhibition space or the person's silhouette. It balances the cold, clear air unique to an ice aquarium with the magical atmosphere of blue lighting. The camera is placed slightly diagonally in front of the corridor, capturing both the woman and the ice displays together. One side of the frame features continuous transparent ice walls trapping fish, with ice displays continuing on the other side and in the background. The woman stands in the foreground of the pathway, framed at a scale where her entire body is visible. The depth of the ice walls and curves of blue light in the background convey the vastness of the interior. Rather than a cropped portrait focusing only on the woman, it is composed as an environmental shot showing the characteristics of the ice exhibition room and the woman's figure simultaneously. Lighting centers on blue and light-blue tones, adjusted so as not to lose the transparency of the ice or the texture of the woman's face and clothing. While the white winter coat takes on pale light-blue reflections from the blue lighting, its fundamental white color, fabric wrinkles, snap buttons, and other details remain distinguishable. Her face does not sink into dark shadows, with soft reflected light keeping her expression easy to see. Natural light refraction and reflections are added to the ice displays, making the fish inside clearly visible. It is not an overly dark, horror-like expression, but rather a magical exhibition space with a sense of cleanliness and clarity. The overall image is a realistic photographic depiction as if shot at an actual tourist facility. Air bubbles inside the transparent ice, fish shapes and patterns, thickness of the ice, fine surface unevenness, reflections of blue LED lights, and light reflections on the floor are carefully depicted. The woman's winter coat has natural wrinkles and seams of thick fabric, with clear visibility of front buttons, collar, hood, and cuffs. The shapes of the woman's face, hair, hands, fingers, and legs are drawn naturally, avoiding extra limbs or unnatural bodily deformation. The structural reality of the ice display panels, walls, ceiling, and floor is maintained, ensuring her body does not merge with the ice or pierce through walls or ceilings. Only one woman is present in the frame, with no other tourists or human figures appearing. She correctly wears the white rented winter coat, not replaced by an ordinary thin coat or flashy fashion jacket. The transparent ice walls with trapped fish, blue lighting, ice sculptures, and projection mapping are clearly depicted, rendering an exhibition space unique to the Kesennuma Ice Aquarium that differs from a generic cold storage warehouse or ordinary aquarium. Centered on the natural figure of the woman touring the magical world of ice, without forcibly generating text, logos, or watermarks.""

新山聡美(氷の水族館)

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