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AI artwork featuring #:3, #Cermin mata, #jabot, #1 perempuan and #baju kemeja hitam
Jana Secara Percuma

:3, Cermin mata

#:3#Cermin mata#jabot#1 perempuan#baju kemeja hitam
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Komen

painterly, sketch, delicate illustration, detailed illustration, masterpiece, muted antique colors, desaturated vintage palette, warm earthy tones, dull oil painting hues, aged patina, sepia-tinged, heavy impasto oil texture, visible strokes, whimsical baroque vintage, soft rim light, yellowish aged paper, very thick lineart, pencil sketch, bold heavy outlines, bold imperfect outlines, dynamic pose, oblique view, perspective, Decorative frame, gothic victorian elegance, rococo influences, ethereal gothic victorian, dramatic fantasy atmosphere, magical whimsic, 1girl, solo, portrait, from below, looking at viewer, short hair, purple hair, bob cut hair, heterochromia, green eyes, orange eyes, glasses, ear piercing, helix piercing, cartilage piercing, piercing, black shirt, collared shirt, white jacket, neckerchief, ascot, white ascot, purple ascot, black bow, brooch, feathers, :3, smile, open mouth, whisker-like mouth curve, grey background, ethereal atmosphere, muted antique desaturated vintage palette, bold heavy imperfect outlines, heavy impasto, The camera looks up at her from below and to her left, a three-quarter oblique angle: her hips are thrust toward the lower-right corner and her shoulders counter-rotate back to the upper left, spine curved in a long swaying S that keeps her weight on her right leg while her left foot lifts just off the ground behind her heel, toes pointed. Her right hand rises to frame her cheek in a loose open curl, two fingers brushing the gold wire of the glasses; her left hand is flung out and down behind her hip, fingers splayed, the white jacket sleeve sliding back from her wrist. Her head tilts so the short purple bob falls across her right brow, the cut ends curling out at the jaw and stirred back by the same motion that lifts the white jacket's hem away from her waist. She looks straight down the foreshortened line into the viewer, chin raised, one green eye and one orange eye wide and bright behind the round glass, the smile breaking open into a rounded :3 as her upper lip arches up in a shallow W and the corners of her mouth tuck into soft dimples. At her throat the ascot is knotted with one purple end and one white end crossing over each other, the white end shorter and folded back over the purple, pinned at the crossing by the round brooch whose tiny fan of iridescent feathers splays up and to the left. The black bow sits just beneath the brooch, its loops compressed low by the knot above it. Her black collared shirt is buttoned to the collarbone, the collar points lying flat under the ascot and outside the frame of the white jacket lapels. A thin gold hoop hugs her left earlobe and a small stud sits higher in the helix of the same ear, threading through the cartilage above the hoop. All her other bare skin is unmarked. The rim light comes from behind and above her right shoulder, a soft warm edge outlining the purple hair, the top edge of the glasses, the raised forearm and the shoulder seam of the white jacket, while her face and the front of the shirt stay in a gentle shadow, the light falling off into the flat grey ground rather than onto it. The ground behind her is a plain antique grey, cooler than her palette and closed off completely, with no horizon and no other object. A heavy ornate frame of carved rococo scrollwork and gothic quatrefoils closes the whole portrait, its inner moulding sunk in shadow so it overlaps the outer edge of her flung sleeve and the tip of her raised fingers, cutting the composition at the shoulders and hips. The palette stays entirely in the muted antique register: dusty violet in the hair and the purple ascot, a soft sage green beside a dulled apricot for the mismatched eyes, black and warm off-white for the shirt, jacket and ascot, and the whole field laid over a yellowed aged-paper base with ruffled sepia staining and darkening patina in the corners. The medium fuses pencil and oil: bold heavy imperfect outlines, uneven in pressure, sit over the forms, thick and present in the frame and face, and everywhere the surface carries heavy impasto, visible brush ridges and scraped dry strokes that catch the rim light across the jacket shoulders and the hair, texture built up in the frame carving and dragged thinly across her cheeks. In the deepest fold where the black shirt meets the inner collar, the sepia patina has pooled and darkened on the upward-facing fabric more than on the shaded underside. Whimsical and dramatic.
Paparkan Parameter
Prompt Asal
1girl, solo, portrait, masterpiece, muted antique colors, desaturated vintage palette, warm earthy tones, dull oil painting hues, aged patina, sepia-tinged, heavy impasto oil texture, visible strokes, whimsical baroque vintage, soft rim light, yellowish aged paper, very thick lineart, pencil sketch, bold heavy outlines, bold imperfect outlines, dynamic pose, oblique view, perspective, Decorative frame, gothic victorian elegance, rococo influences, ethereal gothic victorian, dramatic fantasy atmosphere, magical whimsic, from below, looking at viewer, short hair, purple hair, bob cut hair, heterochromia, green eyes, orange eyes, glasses, ear piercing, helix piercing, cartilage piercing, piercing, black shirt, collared shirt, white jacket, neckerchief, ascot, white ascot, purple ascot, black bow, brooch, feathers, :3, smile, open mouth, whisker-like mouth curve, grey background, ethereal atmosphere, muted antique desaturated vintage palette, bold heavy imperfect outlines, heavy impasto, painterly, sketch, delicate illustration, detailed illustration, The camera looks up at her from below and to her left, a three-quarter oblique angle: her hips are thrust toward the lower-right corner and her shoulders counter-rotate back to the upper left, spine curved in a long swaying S that keeps her weight on her right leg while her left foot lifts just off the ground behind her heel, toes pointed. Her right hand rises to frame her cheek in a loose open curl, two fingers brushing the gold wire of the glasses; her left hand is flung out and down behind her hip, fingers splayed, the white jacket sleeve sliding back from her wrist. Her head tilts so the short purple bob falls across her right brow, the cut ends curling out at the jaw and stirred back by the same motion that lifts the white jacket's hem away from her waist. She looks straight down the foreshortened line into the viewer, chin raised, one green eye and one orange eye wide and bright behind the round glass, the smile breaking open into a rounded :3 as her upper lip arches up in a shallow W and the corners of her mouth tuck into soft dimples. At her throat the ascot is knotted with one purple end and one white end crossing over each other, the white end shorter and folded back over the purple, pinned at the crossing by the round brooch whose tiny fan of iridescent feathers splays up and to the left. The black bow sits just beneath the brooch, its loops compressed low by the knot above it. Her black collared shirt is buttoned to the collarbone, the collar points lying flat under the ascot and outside the frame of the white jacket lapels. A thin gold hoop hugs her left earlobe and a small stud sits higher in the helix of the same ear, threading through the cartilage above the hoop. All her other bare skin is unmarked. The rim light comes from behind and above her right shoulder, a soft warm edge outlining the purple hair, the top edge of the glasses, the raised forearm and the shoulder seam of the white jacket, while her face and the front of the shirt stay in a gentle shadow, the light falling off into the flat grey ground rather than onto it. The ground behind her is a plain antique grey, cooler than her palette and closed off completely, with no horizon and no other object. A heavy ornate frame of carved rococo scrollwork and gothic quatrefoils closes the whole portrait, its inner moulding sunk in shadow so it overlaps the outer edge of her flung sleeve and the tip of her raised fingers, cutting the composition at the shoulders and hips. The palette stays entirely in the muted antique register: dusty violet in the hair and the purple ascot, a soft sage green beside a dulled apricot for the mismatched eyes, black and warm off-white for the shirt, jacket and ascot, and the whole field laid over a yellowed aged-paper base with ruffled sepia staining and darkening patina in the corners. The medium fuses pencil and oil: bold heavy imperfect outlines, uneven in pressure, sit over the forms, thick and present in the frame and face, and everywhere the surface carries heavy impasto, visible brush ridges and scraped dry strokes that catch the rim light across the jacket shoulders and the hair, texture built up in the frame carving and dragged thinly across her cheeks. In the deepest fold where the black shirt meets the inner collar, the sepia patina has pooled and darkened on the upward-facing fabric more than on the shaded underside. Whimsical and dramatic.
Mod
pro
Saiz
768 x 1280
Negatif
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, EasyNegativeV2
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

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