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AI art "新山聡美(せんのう沢愛の鐘)" featuring #Wanita matang, #Senyum, #Hati, #tukul, #loceng, #Sound! Euphonium, #Satomi Niiyama and #Anything Goes Contest

Jana Secara Percuma

新山聡美(せんのう沢愛の鐘)

Contest Entry

Anything Goes Casual Posting Festival!

#Wanita matang #Senyum #Hati #tukul #loceng #Sound! Euphonium #Satomi Niiyama

Diterbitkan pada Nov 1, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, on a bright autumn day in late October, an outdoor landscape scene depicting the moment a woman strikes a hanging bell with an attached small bell-striking hammer at "Sennosawa Bell of Love" in Shiroishi City, Miyagi Prefecture. In a small open square in a lush green mountainous area, a distinctive Bell of Love installation is set up, composed of two combined white metal heart-shaped frames, one large and one small. Inside the large heart-shaped frame is a smaller heart-shaped frame, and in its center hangs a flower pot with flowers. Meanwhile, the black hanging bell is suspended separately from the tip of the large heart-shaped frame, distinct from the flower pot. Depict clearly and accurately these two different suspended objects and the structure of the large and small heart-shaped frames. Surrounding the area are woods, flower pots, a white garden table and chairs, exuding the rustic, warm atmosphere of a local tourist spot. The Bell of Love installation consists of two heart-shaped frames, one large and one small, made of white metal pipes. The large heart-shaped frame forms the outer shape of the whole, with rounded curves on the left and right forming the heart's upper bulges and connecting gracefully toward the bottom. The white pipes form smooth curves, with the natural thickness and texture of an actual outdoor metal object. The highest point of the frame is about 1.8 meters from the ground, slightly under 2 meters high. Make it a realistic size where, when the woman stands beside it, the top of the frame appears just slightly taller than her head. It should not be the scale of a giant gate or architecture, but depicted as a small outdoor installation where an adult can stand beside it to ring the bell. Inside the large heart-shaped frame, a smaller white heart-shaped metal frame is positioned. The small frame also has rounded bulges at the top of the heart, with curves merging downward, forming a clearly recognizable heart shape. The small heart-shaped frame fits inside the large frame, and suspended at its center is a small flower pot planted with flowers. The flower pot is located inside the small frame, showing natural flower leaves, stems, and small flowers in shades of red, pink, and purple. The brackets or supports hanging the flower pot should not be overly conspicuous, preventing the pot from looking as if it is unnaturally floating in midair. The small heart-shaped frame and flower pot form a cohesive decorative unit, clearly distinguishable from the large frame and the hanging bell. The black hanging bell is not suspended from the small heart-shaped frame that hangs the flower pot. The hanging bell is suspended independently from the tip of the large heart-shaped frame via hardware or a short chain. It is an elongated cylindrical black bell with a subdued black surface, featuring a small amount of white writing vertically. The color contrast between the white large heart-shaped frame and the black bell is clearly visible. The bell is hung at a height where the woman can strike it with the attached small hammer, with room to naturally sway slightly. Keep the size of the bell within a realistic range for an outdoor installation, maintaining a natural dimensional relationship with the large frame and the woman. There is only one bell, not overlapping too much with the flower pot or the small heart-shaped frame, so each shape is clearly distinguishable. The woman's clothing is elegant and natural, suitable for visiting an outdoor autumn tourist spot. Over a soft ivory-colored knit sweater, she wears a light beige or greige below-the-knee coat. For the bottom, she wears a subdued brown-toned or charcoal gray long skirt, and on her feet are comfortable, elegant dark brown ankle boots. She wears a small, simple shoulder bag, with modest accessories. The subdued color palette blends with autumn nature, creating a clean, mature, and not overly flashy style. The woman's long hair flows naturally from her shoulders down her back, with a neatly groomed, soft sheen. A few natural strands remain around her face, giving a neat and gentle impression. Her hair should not excessively hide her face or hands. Her expression is calm and approachable, with a modest smile as if she is enjoying ringing the Bell of Love. Rather than posing for the camera, the woman focuses her attention on the black hanging bell in front of her and her hands holding the hammer. The clothing, hairstyle, accessories, posture, and expression reflect this description. The woman stands right next to the white large heart-shaped frame, holding the attached small bell-striking hammer in her hand, striking the black hanging bell suspended from the tip of the frame. Her body faces toward the hanging bell, at a distance where her naturally extended arm can reach it. With one hand, she firmly grasps the handle of the small hammer, her elbow slightly bent, arm naturally extended, placing the striking head of the hammer against the side of the black bell. Depict the moment of hitting the bell or immediately after, making it immediately clear that the woman is actually ringing the bell with the hammer. The hammer is not a large carpentry tool, but a small bell hammer provided at this location. The hammer's handle and striking head are clearly visible, naturally connected to her hand, with her fingers correctly gripping the handle. The object the woman is striking is the black hanging bell suspended independently from the tip of the large heart-shaped frame. She does not touch or strike the flower pot at the center of the small heart-shaped frame. The tip of the hammer is in contact with the surface of the black hanging bell, not touching the small heart-shaped frame, the plants, or the white metal pipes. The spatial relationship between the hammer, bell, and the woman's arm is clear, creating a composition where it is visually obvious which object is being struck. The hand not holding the hammer hangs naturally at her side or rests lightly on the front of her coat. Her shoulders are relaxed, her upper body is not excessively tilted, and she stands stably with both feet firmly on the ground. While focused on the action of ringing the bell, the woman has a cheerful and composed expression. Her hands, feet, and fingers are drawn naturally, without her arms unnaturally merging into the bell or heart-shaped frame. At the base of the Bell of Love is a concrete foundation, surrounded by several small flower pots. Bright flowers such as red, orange, and yellow bloom in the flower pots, displayed on tree stump stands or small pedestals. The ground is covered with gray or light brown gravel, with some visible soil and a few fallen leaves. On the right side of the screen are a white metal round table and decorative garden chairs. The chairs are made of slender white metal with curved decorations on the backrests. In the background to the left, a simple greenhouse or small building is visible, and the surroundings are enclosed by lush green mountain woods. Utility poles, power lines, and support pillars are naturally placed as realistic outdoor scenery. The season is autumn in late October. The background woods retain many dark green trees, mixed with partially colored yellow and orange trees, expressing natural autumn color shifts. Rather than all trees turning bright red, evergreen green and deciduous autumn colors are naturally blended. A few dead leaves are scattered on the ground, indicating the autumn season. Bright natural autumn sunlight illuminates the curves of the white metal frame, the woman's hair, her coat, and the flowers in the pot. Both highlight and shadow details are visible so that the white frame is not blown out and the black bell does not lose detail in shadows. The woman's expression and hands are not hidden in dark shadows, illuminated enough to clearly see her striking the bell. The camera captures the woman and the Bell of Love from a front-slightly-angled perspective, in a composition where the entirety of both large and small heart-shaped frames, the flower pot hung inside, the black hanging bell hung from the outer tip, and the woman's full body fit into a single frame. The apex of the large heart-shaped frame down to the ground foundation is visible, conveying the frame's size in comparison to the woman. The small heart-shaped frame is positioned inside the large frame, with the central flower pot clearly visible. The black bell is clearly seen suspended from the tip of the large frame, positioned so as not to overly overlap with the central flower pot. The woman is placed near the center of the frame, making the positional relationship between the hand holding the hammer, the bell, the flower pot, and the large and small frames easy to see. The surrounding white garden table and chairs, flower pots, and background greenery are moderately included in the frame, maintaining the atmosphere of the original location. The overall image is finished like a natural travel photograph taken at a local tourist spot. Realistically depict the smooth texture of the white metal pipes, the subdued surface of the black bell, the ceramic or plastic texture of the flower pot, plant leaves and petals, the gravel ground, and the fabric weave of the woman's clothing. Maintain natural perspective, keeping realistic size proportions between the frames, bell, flower pot, and woman. Avoid excessive saturation and strong dramatic lighting, expressing the bright, calm light of an autumn day. The woman is the only person in the frame; no other tourists or human figures appear. There are strictly two heart-shaped frames, one large and one small, with a clear structure of the small frame placed inside the large one. One flower pot is hung at the center of the small heart-shaped frame, and the black hanging bell is suspended separately from

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