Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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berdiri, rambut merah

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Fokus lelaki #berdiri #rambut merah #solo #Mengerutkan dahi #kot #tali leher #mata hitam #Cermin mata hitam #Malam #memandang penonton #Bandar #sarung tangan hitam #baju kemeja hitam

Diterbitkan pada Nov 1, 2026

宵星@CR esonant

Lebih Banyak untuk Dilihat

1boy, solo, male, human, adult man, red hair, short red hair, bangs, forehead fringe falling over brow, sports glasses, clear wraparound athletic glasses, black suit, white overcoat, long white coat, black gloves, modern setting, city night, night, rooftop ledge, from below, dutch angle, cowboy shot, looking down at viewer, head tilted down, unsmiling, tense, clenched jaw, one hand adjusting glove, standing on one leg's weight, coat billowing, wind, city lights bokeh, skyscrapers, pre-battle The camera sits low on a rooftop's edge and tilts into a hard dutch angle, looking up at a single man from below so the night sky and the tops of lit towers rise behind his shoulders. He is a human man with short red hair whose bangs fall forward over his brow in a heavy fringe, and clear sports glasses wrap close to his face with their thick temple arms hooked over his ears. He wears a black suit — the jacket closed, its black lapels and dark tie merging into one shape — and over it a long white overcoat hangs open, its hem lifting and cracking in the wind off the roof. Black gloves cover both hands. He stands at the parapet with his weight sunk into his back leg and his front foot set forward on the concrete lip, body angled three-quarters away from the camera while his head turns back down over his shoulder toward the lens. His right hand is caught mid-adjustment: the gloved fingers of that hand are clamped around the cuff of the left glove, tugging it tight at the wrist, the left hand held steady and slightly out from his hip. His chin is tucked, brows drawn level and low, mouth a flat closed line, and his eyes behind the sports glasses look straight down into the camera with no warmth in them at all. The city night spreads behind and beneath him: a midground of rooftop vents and a steel railing cutting a diagonal across the frame, and beyond it a wall of skyscrapers stepping back into depth, their windows reduced to dense grids of pinprick light that blur into bokeh toward the horizon. The light source is that city itself — cool sodium and LED mingled, cyan-white and faint amber rising from below to rim his jaw, the underside of his chin, and the inner edges of the white coat, while the upper half of his face falls into shadow under his bangs and his back stays dark; the coat throws no shadow against the sky. Red hair, black suit and gloves, and the white coat are the only strong shapes against a deep navy-to-violet night palette. Cold wind pushes the coat's hem and lifts the fringe off his brow between gusts. Still, coiled, quietly menacing.

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