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Jana Secara Percuma

むぎ

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むぎ

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2girls, two young girls, sitting close together, white sofa, bright indoor room, gently hugging, embracing, leaning into each other, leaning on another person, affectionate, black hair, inward-curled bob, short hair, glasses, round glasses, shy otaku-style expression, soft eyes, slight blush, modest gentle smile, closed mouth, black hair, twin braids, long hair, timid sweet expression, subtle blushing, white long-sleeved blouse, gray checkered pinafore dress, pleated skirt, black knee-high socks, white curtains, white wall, soft window light, soft lighting, realistic textures, high detail, photography style, photorealistic, harmonious composition, cowboy shot, from above, head tilt, looking at another, depth of field Shot from slightly above and a step off to the side, the camera looks down onto the seat of a deep white sofa where the two girls sit pressed hip to hip, the frame holding them from mid-thigh up so the gray checkered pinafores, the black knee-high socks and the cushions under them all stay inside the picture. The girl with the inward-curled black bob sits on the left: she wears round glasses whose rims catch a thin arc of window light, her chin dips a little toward the other girl's shoulder, and her soft eyes look down and across at her friend rather than at the lens, with a slight blush warming both cheeks and a modest, closed-mouth gentle smile. Her right arm goes around the other girl's back, the white sleeve crumpling at the elbow where it crosses the pinafore strap, her palm flat against the far shoulder blade; her left hand rests relaxed over her own knee on the gray check fabric, fingers curled loosely. The girl with the long black twin braids sits on the right and leans her weight into her friend, her far hip taking the load while her near shoulder presses soft against the other's; both braids fall forward over the front of her pinafore, one strand sliding across the other girl's white sleeve, and her timid sweet expression holds a faint downward gaze, subtle blushing and slightly parted lips as though she is about to speak. Her left hand grips the other girl's forearm at the elbow, thumb tucked inside, and her right hand curls small against the blouse at her own collarbone. Their heads tilt toward one another until their temples almost touch, leaving a sliver of white wall visible between the two black heads. The sofa's white upholstery compresses in shallow dimples under their hips and the back cushion bows inward where the girl on the right leans her shoulder into it, one soft crease running out from the contact point. Behind them the white wall sits plain and even, and at the left edge of the frame the white curtains hang in soft vertical folds, their hems lifting a few centimetres inward from the sill because the window is open a crack. The single light source is the window itself, diffuse daylight coming from the upper left; it grazes the left side of the bob-haired girl's face, brightens the edge of her glasses and the white curtain, and leaves gentle, low-contrast shadow down the right side of both figures, with their soft shadows falling onto the sofa to the right of their bodies rather than beneath them. The white blouses read as matte cotton with visible weave and a few natural folds, the gray checkered pinafores as slightly heavier wool-blend with a clear woven grid carrying a faint dark tone in the cross threads, the socks as fine opaque knit, and the hair as individual glossy strands with flyaway hairs lit at the crown. The palette is white, gray and black with the faint warm skin tones as its only colour, everything clean and uncluttered. Quiet, cozy, tender.
Paparkan Parameter
Prompt Asal
Two young girls sitting close together on a white sofa in a bright indoor room, hugging each other gently. One girl has black hair styled in an inward-curled bob and wears glasses, with a shy otaku-style expression: soft eyes, slight blush, and a modest, gentle smile. The other girl has black hair styled in twin braids, also with an otaku-style face featuring a timid, sweet expression and subtle blushing. Both wear matching outfits: white long-sleeved blouses layered under gray checkered pinafore dresses, paired with black knee-high socks. Their pose is affectionate and natural, leaning into each other with warm, friendly closeness. The background includes white curtains, a white wall, and soft window light, creating a clean, cozy, serene atmosphere. Soft lighting, realistic textures, high detail, photography style, harmonious composition.
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flash
Saiz
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of むぎ
2girls, two young girls, sitting close together, white sofa, bright indoor room, gently hugging, embracing, leaning into each other, leaning on another person, affectionate, black hair, inward-curled bob, short hair, glasses, round glasses, shy otaku-style expression, soft eyes, slight blush, modest gentle smile, closed mouth, black hair, twin braids, long hair, timid sweet expression, subtle blushing, white long-sleeved blouse, gray checkered pinafore dress, pleated skirt, black knee-high socks, white curtains, white wall, soft window light, soft lighting, realistic textures, high detail, photography style, photorealistic, harmonious composition, cowboy shot, from above, head tilt, looking at another, depth of field Shot from slightly above and a step off to the side, the camera looks down onto the seat of a deep white sofa where the two girls sit pressed hip to hip, the frame holding them from mid-thigh up so the gray checkered pinafores, the black knee-high socks and the cushions under them all stay inside the picture. The girl with the inward-curled black bob sits on the left: she wears round glasses whose rims catch a thin arc of window light, her chin dips a little toward the other girl's shoulder, and her soft eyes look down and across at her friend rather than at the lens, with a slight blush warming both cheeks and a modest, closed-mouth gentle smile. Her right arm goes around the other girl's back, the white sleeve crumpling at the elbow where it crosses the pinafore strap, her palm flat against the far shoulder blade; her left hand rests relaxed over her own knee on the gray check fabric, fingers curled loosely. The girl with the long black twin braids sits on the right and leans her weight into her friend, her far hip taking the load while her near shoulder presses soft against the other's; both braids fall forward over the front of her pinafore, one strand sliding across the other girl's white sleeve, and her timid sweet expression holds a faint downward gaze, subtle blushing and slightly parted lips as though she is about to speak. Her left hand grips the other girl's forearm at the elbow, thumb tucked inside, and her right hand curls small against the blouse at her own collarbone. Their heads tilt toward one another until their temples almost touch, leaving a sliver of white wall visible between the two black heads. The sofa's white upholstery compresses in shallow dimples under their hips and the back cushion bows inward where the girl on the right leans her shoulder into it, one soft crease running out from the contact point. Behind them the white wall sits plain and even, and at the left edge of the frame the white curtains hang in soft vertical folds, their hems lifting a few centimetres inward from the sill because the window is open a crack. The single light source is the window itself, diffuse daylight coming from the upper left; it grazes the left side of the bob-haired girl's face, brightens the edge of her glasses and the white curtain, and leaves gentle, low-contrast shadow down the right side of both figures, with their soft shadows falling onto the sofa to the right of their bodies rather than beneath them. The white blouses read as matte cotton with visible weave and a few natural folds, the gray checkered pinafores as slightly heavier wool-blend with a clear woven grid carrying a faint dark tone in the cross threads, the socks as fine opaque knit, and the hair as individual glossy strands with flyaway hairs lit at the crown. The palette is white, gray and black with the faint warm skin tones as its only colour, everything clean and uncluttered. Quiet, cozy, tender.
むぎ
AI artwork
Avatar image of むぎ
2girls, two young girls, sitting close together, white sofa, bright indoor room, gently hugging, embracing, leaning into each other, leaning on another person, affectionate, black hair, inward-curled bob, short hair, glasses, round glasses, shy otaku-style expression, soft eyes, slight blush, modest gentle smile, closed mouth, black hair, twin braids, long hair, timid sweet expression, subtle blushing, white long-sleeved blouse, gray checkered pinafore dress, pleated skirt, black knee-high socks, white curtains, white wall, soft window light, soft lighting, realistic textures, high detail, photography style, photorealistic, harmonious composition, cowboy shot, from above, head tilt, looking at another, depth of field Shot from slightly above and a step off to the side, the camera looks down onto the seat of a deep white sofa where the two girls sit pressed hip to hip, the frame holding them from mid-thigh up so the gray checkered pinafores, the black knee-high socks and the cushions under them all stay inside the picture. The girl with the inward-curled black bob sits on the left: she wears round glasses whose rims catch a thin arc of window light, her chin dips a little toward the other girl's shoulder, and her soft eyes look down and across at her friend rather than at the lens, with a slight blush warming both cheeks and a modest, closed-mouth gentle smile. Her right arm goes around the other girl's back, the white sleeve crumpling at the elbow where it crosses the pinafore strap, her palm flat against the far shoulder blade; her left hand rests relaxed over her own knee on the gray check fabric, fingers curled loosely. The girl with the long black twin braids sits on the right and leans her weight into her friend, her far hip taking the load while her near shoulder presses soft against the other's; both braids fall forward over the front of her pinafore, one strand sliding across the other girl's white sleeve, and her timid sweet expression holds a faint downward gaze, subtle blushing and slightly parted lips as though she is about to speak. Her left hand grips the other girl's forearm at the elbow, thumb tucked inside, and her right hand curls small against the blouse at her own collarbone. Their heads tilt toward one another until their temples almost touch, leaving a sliver of white wall visible between the two black heads. The sofa's white upholstery compresses in shallow dimples under their hips and the back cushion bows inward where the girl on the right leans her shoulder into it, one soft crease running out from the contact point. Behind them the white wall sits plain and even, and at the left edge of the frame the white curtains hang in soft vertical folds, their hems lifting a few centimetres inward from the sill because the window is open a crack. The single light source is the window itself, diffuse daylight coming from the upper left; it grazes the left side of the bob-haired girl's face, brightens the edge of her glasses and the white curtain, and leaves gentle, low-contrast shadow down the right side of both figures, with their soft shadows falling onto the sofa to the right of their bodies rather than beneath them. The white blouses read as matte cotton with visible weave and a few natural folds, the gray checkered pinafores as slightly heavier wool-blend with a clear woven grid carrying a faint dark tone in the cross threads, the socks as fine opaque knit, and the hair as individual glossy strands with flyaway hairs lit at the crown. The palette is white, gray and black with the faint warm skin tones as its only colour, everything clean and uncluttered. Quiet, cozy, tender.
むぎ
AI artwork
Avatar image of むぎ
2girls, two young girls, sitting close together, white sofa, bright indoor room, gently hugging, embracing, leaning into each other, leaning on another person, affectionate, black hair, inward-curled bob, short hair, glasses, round glasses, shy otaku-style expression, soft eyes, slight blush, modest gentle smile, closed mouth, black hair, twin braids, long hair, timid sweet expression, subtle blushing, white long-sleeved blouse, gray checkered pinafore dress, pleated skirt, black knee-high socks, white curtains, white wall, soft window light, soft lighting, realistic textures, high detail, photography style, photorealistic, harmonious composition, cowboy shot, from above, head tilt, looking at another, depth of field Shot from slightly above and a step off to the side, the camera looks down onto the seat of a deep white sofa where the two girls sit pressed hip to hip, the frame holding them from mid-thigh up so the gray checkered pinafores, the black knee-high socks and the cushions under them all stay inside the picture. The girl with the inward-curled black bob sits on the left: she wears round glasses whose rims catch a thin arc of window light, her chin dips a little toward the other girl's shoulder, and her soft eyes look down and across at her friend rather than at the lens, with a slight blush warming both cheeks and a modest, closed-mouth gentle smile. Her right arm goes around the other girl's back, the white sleeve crumpling at the elbow where it crosses the pinafore strap, her palm flat against the far shoulder blade; her left hand rests relaxed over her own knee on the gray check fabric, fingers curled loosely. The girl with the long black twin braids sits on the right and leans her weight into her friend, her far hip taking the load while her near shoulder presses soft against the other's; both braids fall forward over the front of her pinafore, one strand sliding across the other girl's white sleeve, and her timid sweet expression holds a faint downward gaze, subtle blushing and slightly parted lips as though she is about to speak. Her left hand grips the other girl's forearm at the elbow, thumb tucked inside, and her right hand curls small against the blouse at her own collarbone. Their heads tilt toward one another until their temples almost touch, leaving a sliver of white wall visible between the two black heads. The sofa's white upholstery compresses in shallow dimples under their hips and the back cushion bows inward where the girl on the right leans her shoulder into it, one soft crease running out from the contact point. Behind them the white wall sits plain and even, and at the left edge of the frame the white curtains hang in soft vertical folds, their hems lifting a few centimetres inward from the sill because the window is open a crack. The single light source is the window itself, diffuse daylight coming from the upper left; it grazes the left side of the bob-haired girl's face, brightens the edge of her glasses and the white curtain, and leaves gentle, low-contrast shadow down the right side of both figures, with their soft shadows falling onto the sofa to the right of their bodies rather than beneath them. The white blouses read as matte cotton with visible weave and a few natural folds, the gray checkered pinafores as slightly heavier wool-blend with a clear woven grid carrying a faint dark tone in the cross threads, the socks as fine opaque knit, and the hair as individual glossy strands with flyaway hairs lit at the crown. The palette is white, gray and black with the faint warm skin tones as its only colour, everything clean and uncluttered. Quiet, cozy, tender.
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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
9#Attack on Titan#Mikasa Ackerman
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