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Paparkan Parameter
- Prompt Asal
- ｛羽沼マコト(ブルアカ),炬燵に入ってあったかいお茶を飲んでいる,｝｛空崎ヒナ(ブルアカ),炬燵に入って蜜柑を食べている,｝｛棗イロハ(ブルアカ),炬燵の中に入って手前側で横になって寝ている,両目を瞑っている,｝｛銀鏡イオリ(ブルアカ),炬燵に入って蜜柑に手を伸ばしている,｝炬燵,炬燵の机の上に蜜柑が置いてある,
- Mod
- pro
- Tag Kualiti
- ﹝Arahan﹞
- Saiz
- 1104 x 1824
- Kaedah Pensampelan
- Euler
- Negatif
- lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, kotatsu, hanuma makoto, long grey hair, hair over one eye, blue eyes, pointy ears, black demon horns, white gloves, hat, bare shoulders, sorasaki hina, long white hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, black gloves, black dress, coat on shoulders, black thighhighs, natsume iroha, long red wavy hair, hair between eyes, grey eyes, black peaked cap, red necktie, shirt, jacket, armband, shishidou iori, long grey twintails, hair over one eye, red eyes, pointy ears, dark skin, black gloves, hair ribbon, tail, sitting, seiza, drinking, holding cup, steam, tea, eating, mikan, peeling mikan, sleeping, lying on side, eyes closed, zzz, shivering, trembling, cold, trying to get in, leaning forward, reaching out, from above, looking down, full body, indoors, warm room light, winter night,
The camera looks down from a steep high angle into a low warm room, the square wooden frame of the kotatsu filling the lower half of the frame under a thick quilted blanket in deep red and cream plaid, its top a dark lacquered board with a small teapot and a bowl of mikan sitting on it; the four of them arrange around it so that every face is visible from that height, none of them square to the lens.
Hanuma Makoto sits at the far left corner, knees tucked under the quilt, torso turned three-quarters toward the pot, long grey hair falling over one shoulder so it hides one blue eye entirely; her black horns catch the light in two short points above her brow, her pointed ears poke free of the hair, and her bare shoulders are wrapped against the cold in a loose shawl collar that stops below the collarbone. Both white-gloved hands cradle a small handleless teacup at chest height, elbows resting on the kotatsu board; she lifts it halfway to her lips and blows across the surface, and a thin curl of steam bends sideways toward the warm air rising from the quilt. Her gaze is down on the cup, eyes half-lidded in contentment, the corner of her mouth just curving. Where the cup meets her lower lip the porcelain is fogged.
Sorasaki Hina sits at the far right corner, weight rolled onto one hip, one knee drawn up under the blanket so the quilt tents over it. A dark coat hangs off her shoulders, her long white hair spills forward over the fur trim, her single ahoge springs up above the parted bangs, her hairclip glints, and the black tips of her horns rise clear of the white; the pale feathered curves of her wings fold behind her back and push the quilt up in a soft ridge at her hip. Her black-gloved fingers hold a mikan at eye level, half its peel torn away in one long spiral strip that hangs down from her knuckles; a segment is already freed and pinched between thumb and forefinger. She looks at the peeled fruit, focused and quiet, one eyebrow faintly drawn as juice runs over the glove's seam.
Natsume Iroha lies on her side along the near edge of the frame, half inside the kotatsu, so the quilt comes down over her hips and blankets her lower body while her upper half is propped on one elbow that digs into the tatami. Her red necktie hangs loose and askew out of the open shirt collar, her armband sits on her sleeve, and her long wavy red hair fans across the mat behind her head in a spread-out wave, several strands of the front lock fallen straight across her sleeping face. Her eyes are shut, her lips parted on a slow exhale, one black-gloved hand still resting palm-up on the mat beside her cheek. Small z's of sleep drift above her hat.
Shishidou Iori crouches at the front-left of the frame with her knees drawn up almost to her chin, one hand braced on the tatami and one outstretched toward the quilt's edge, fingers just pinching the fabric as if to lift it. Her long grey twintails hang forward over her shoulders, the red ribbon on one side slipping loose, dark skin flushed red at the nose and cheeks and the tips of her pointed ears; her red eyes are wide and watering a little, brows slanted up in a wince, and her shoulders are hunched so hard her tail curls up tight around her own ankle. She is caught mid-shiver, breath visible as a small cloud that dissolves at the cold edge of the mat just short of the warm blanket. Her gaze cuts sideways toward the steam and the hot cups on the kotatsu board, hungry for it.
One low lamp stands off-frame right and is the only light: it washes warm amber over the kotatsu board, the teapot, the peeled fruit and the near four faces, darkening the room's corners and the far floor to deep shadow, so the quilt's folds cast long soft shadows toward the camera. Palette is wooden brown, deep red plaid, cream, and the four heads of white, grey and red hair, all held inside a narrow warm range. Fine manga linework on the faces and hands, precise on the teacup, the mikan peel and the quilt's weave. Cozy, quietly funny.
サブ
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen