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いぬがめ

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いぬがめ

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1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip, Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap. Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands. The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
Paparkan Parameter
Prompt Asal
She has long gray hair, her left eye is a compound eye and completely white, and her right eye is black. Her left hand is discolored reddish-brown. She is wearing an earth-colored military chest bag. She is hiding black sunglasses in her head.
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flash
Saiz
1104 x 1824
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Avatar image of いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip, Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap. Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands. The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
AI artwork
Avatar image of いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip, Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap. Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands. The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
AI artwork
Avatar image of いぬがめ
1girl, solo, long gray hair, silver hair, hair past waist, heterochromia, left eye compound eye, faceted white eye, completely white eye, right eye black, reddish-brown left hand, discolored hand, earth-colored military chest bag, olive-drab canvas bag, strap across torso, black sunglasses on head, sunglasses resting on head, cowboy shot, from above, head tilted up, looking up at viewer, head tilt, reached out arm, outstretched arm, fingers spread, standing on one leg, weight on right foot, tiptoes, open bag flap, other hand on bag flap, :d, open mouth, grin, one eyebrow raised, hand on own hip, Shot from above and slightly in front, her chin tipped back so she looks straight up into the lens, the whole image organised around that lifted face. She is caught mid-motion, balanced on her right foot with the left toe just leaving the ground, hips swung a little to her left side, so the weight line runs from her right heel up through a shoulder that sits higher than the other. Her left arm, the discolored reddish-brown hand, is flung up and out toward the camera with the fingers spread wide, each finger slightly separated and the palm tipped so the camera catches the flat of it; her right hand is hooked into the open flap of the chest bag at her ribs, thumb pressing the canvas back and two fingers curled over the edge, pulling the flap up so the bag hangs a touch off her sternum. The bag itself is earth-toned military canvas, olive-brown with a faded dusty cast, a wide webbing strap crossing diagonally from her right shoulder down over her chest to her left hip, the strap lying flat against her jacket and squashing the fabric where it crosses; a small buckle sits at her collarbone and a stitched rectangular patch panel is visible on the flap. Her hair is long and gray, silvered with cooler strands, and it does not hang straight: because her head is tipped back the whole mass slides behind her shoulders, some of it falling over the bag's strap on the far side and the longest ends curling forward past her ribs on the near side, a few loose strands lifted off her temple by the small movement of the hop. Her bangs part to expose both eyes clearly from this angle. The left eye is a compound eye, a curved faceted dome, completely white with fine geometric segmentation catching the light as tiny highlights across its curve, no pupil at all; the right eye is solid black, glossy, with a single hard pinpoint highlight. The sunglasses sit pushed up on the crown of her head, black thick-rimmed frames buried in the gray hair above her forehead, one temple arm disappearing into the strands. The light comes from above and slightly behind the camera, a cool white shaft that strikes the top of her head, the tops of her shoulders, the upward-facing planes of the bag flap and the flat of her raised palm, leaving her jaw, the underside of her chin and the inside of the bag's mouth in shadow; because the light is from above her lifted face is fully lit while her throat and collarbone fall dark. Behind her is a plain depthless field of dusty warm gray, empty, no horizon line, no objects, so the light has nowhere to fall except on her. The palette is narrow: silver-gray hair, olive-brown earth canvas, the rust-red of the discolored hand, and the absolute black and absolute white of the two eyes, with nothing else admitted. Her expression is a wide open-mouthed grin, one brow arched above the black eye, the corners of the mouth pulled up unevenly, cheerful and a little sharp. Playful, sunlit.
いぬがめ
AI artwork
Avatar image of いぬがめ
1boy, solo, long gray hair, very long hair, hair past shoulders, gray hair, black sclera, solid black right eye, white compound eye, left compound eye, faceted insect-like eye, black sunglasses tucked in hair, sunglasses on head, red-brown left hand, discolored left hand, earth-colored military chest bag, chest bag, satchel strap across chest, military jacket, from below, cowboy shot, dutch angle, head tilted down, looking down, reaching toward viewer, foreshortening, outstretched left arm, one eye closed, lopsided smirk, A low dutch angle looks up at one man, the camera tilted so the horizon runs at a slant and the ground plane drops away behind his shoulder. He leans far forward toward the lens, boots planted wide, weight carried on his right foot with the left leg trailing half a step back; his long gray hair slides forward off his shoulder into the space between him and the camera, its longest strands hanging well past his collar with the tips caught against the strap of the chest bag. That earth-colored military chest bag rides diagonally across his torso, the flat khaki-brown canvas hugging his chest, one buckled flap sun-faded a shade paler where it faces the light, the strap biting a shallow crease into the fabric of his military jacket at the shoulder. The black sunglasses sit pushed up into the front of his hair, temples buried in the gray strands, a few hairs lifted over the frame's upper edge and one lens catching a small flat highlight. His left eye is a compound eye, completely white and faceted, a pale mound of many small lenses that scatter the light instead of focusing it; his right eye is a flat, depthless black, a dark slit in the face with no readable pupil. Under the slant, the right eye closes to a smiling crease, and the left compound eye stays open and catches the key light as a cluster of tiny bright facets. One brow rides higher than the other and the smirk pulls up on the right side of his mouth. His left arm is thrust out toward the lens so the hand reads oversized through foreshortening, the skin of that left hand a mottled, discolored reddish-brown, deeper along the knuckles and the back of the hand, paling only at the fingertips, the fingers splayed and curling inward as though he means to close them on something just outside the frame. His right hand hangs loose and half-curled at his hip, knuckles resting against the bag's corner. The single key light comes from high and to his right, cold and hard, throwing his cast shadow down and away across bare cracked concrete; the open left compound eye throws no shadow at all, and its facets glitter while the black eye stays a matte void. Palette held to gray, khaki-brown, oxidised reddish-brown and cold concrete gray, nothing else admitted. Dry, punchy, faintly confrontational.
いぬがめ

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