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新山聡美(磊々峡もみじのこみちライトアップ)

Seni AI "新山聡美(磊々峡もみじのこみちライトアップ)" oleh 北宇治高校仙台分校 di PixAI. Tag: Satomi Niiyama, Sound! Euphonium, Wanita matang, Pagar. Dijana dengan Tsubaki.3.

Contest Entry

Anything Goes Casual Posting Festival!

#Wanita matang #Pagar #sungai #Sound! Euphonium #batu #jambatan #Satomi Niiyama

Diterbitkan pada Nov 4, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, anime-style, anime keyvisual, A night scene photograph, natural and realistic like a real photo, depicting a woman gazing at illuminated bizarre rocks and a bridge spanning a gorge at Rairaikyo Gorge in the Akiu Onsen area of Taihaku Ward, Sendai City, Miyagi Prefecture, in early November at night. In the gorge wrapped in autumn foliage, large natural stones, rock faces, and the flow of the Natori River spread out, over which a large arch bridge illuminated in blue and purple is suspended. Surrounding trees are lit with blue-green and golden light, and in the foreground are wooden stairs and a dark brown wooden fence. It expresses a fantastical tourist landscape where the quiet gorge of an autumn night harmonizes with colorful illuminations. [Highest Priority: Placement of the Woman and Full-Body Composition] In the foreground slightly to the left of the center of the frame, a single woman is standing. The woman stands on a flat, safe viewing space approximately 4 to 5 meters away from the camera. The woman is strictly on the side closer to the camera than the fence, never on the far side of the fence. There is a short distance between the woman and the fence, and the wooden fence is visible behind the woman. The place where the woman is standing is a safe pedestrian space inside the fence, not on the cliffside or gorge slope. From the top of the woman's head to her hair, shoulders, torso, waist, both arms, both legs, and shoes, the entire body is completely enclosed within the frame. A composition where the entire body can be recognized at a glance without cutting off the head or toes. The woman is drawn at an impactful size occupying about 55-65% of the frame height. It must not be a close-up of only the face, a portrait from the chest up, or a small figure standing far away. The woman has a natural adult female height and physique, with realistic proportions of head, body, and legs. No obstacles are placed between the camera and the woman. No fences, railings, stairs, rocks, flower beds, etc., are placed in front of the woman, and there is nothing obstructing her entire body. The fence is behind the woman, and beyond that, the gorge and the bridge are visible. The fence does not cross over the woman's body and is seen naturally to the sides and behind her. The contours of the woman's head, shoulders, torso, and legs are clearly separated from the background and not hidden by the fence or rocks. The woman maintains the character design specified by the character LoRA. A married woman in her early 30s, a long-haired woman with a neat and elegant atmosphere. She wears calm, mature autumn/winter clothing suitable for viewing the gorge illumination on an autumn night. Over a soft ivory or light beige knit, she wears a greige or camel knee-length long coat. The coat is made of a high-quality material of moderate thickness, with natural fabric texture at the collar and cuffs. Around her neck, a bordeaux or deep brown scarf is softly wrapped. For bottoms, she wears a charcoal gray or dark brown long skirt, and on her feet are black or dark brown short boots that are easy to walk in. A small, elegant shoulder bag hangs from her shoulder, and accessories are understated. Avoiding flashy decorations, the outfit is neat, elegant, and characteristic of a mature woman. The woman's long hair flows naturally from her shoulders to her back, with a soft gloss. The hair is neatly groomed, with the ends resting naturally on the shoulders and back of the coat. A few soft loose strands remain around her face, maintaining a neat and elegant atmosphere. Her expression is gentle, with an understated smile as if enjoying the beauty of the illuminated gorge. The character LoRA is used for the facial features and basic design of the person, while clothing, hairstyle, accessories, posture, and expression are depicted according to the description in this text. [Woman's Posture and Gaze] The woman stands on the camera side of the fence, turning her body toward the gorge and the bridge. Her upper body is turned slightly at an angle, gazing at the blue-purple glowing arch of the bridge and the illuminated bizarre rocks. Depicted as seen diagonally from behind or diagonally from the side relative to the camera, a bit of the woman's profile is visible. Her face is directed toward the bridge, and her gaze is naturally directed at the illuminated arch and rock face. One hand lightly touches the strap of the shoulder bag, and the other hand hangs naturally at her side. She does not lean on the fence, does not go over the fence, and does not put her hands or feet outside the fence. Both feet are firmly in contact with the flat ground, in a calm standing posture with feet placed naturally side by side. Relaxing her shoulders, she quietly gazes at the fantastical scenery. She does not pose for the camera, capturing a natural moment of enjoying the beautiful scenery during sightseeing. [Foreground, Midground, and Background Arrangement] In the foreground, the flat viewing space where the woman is standing and the ground at her feet are arranged. The woman's feet are at the bottom of the frame, clearly showing both shoes in contact with the ground. Behind the woman, a dark brown wooden fence extends horizontally, positioned further back than the woman. The horizontal rails and posts of the fence have a natural timber shape, with the fence height reaching near the waist. The fence does not enclose the woman, but is installed along the edge of the viewing space. In the midground, the Rairaikyo gorge and bizarre rocks spread out. On both sides of the gorge, large natural stones and rock walls continue, with complex shapes carved by water over many years. The rock surfaces have various sizes of bumps, cracks, and layered patterns, with moss and plants partially adhering. The rock walls are illuminated with blue, purple, and pale white lights, bringing out the three-dimensional form of the natural stones. At the bottom of the gorge flows the Natori River, its dark water surface partially reflecting the illumination. In the background from the top to the right side of the frame, there is a large arch bridge crossing the gorge. The bridge has a bridge girder extending long horizontally and an arch structure curving largely underneath. Beneath the bridge are multiple curved structural members, with bridge piers and support structures connecting to the upper part of the gorge's rock walls. On top of the bridge are a road and a pedestrian walkway, bordered on the outside by metal railings and balustrades. Several streetlights stand on the railings, emitting white light. The underside of the bridge and the inside of the arch are illuminated by vivid blue and purple LED lights. Blue-purple light spreads along the curved arch, making the curves and depth of the bridge clearly visible. The side of the bridge is hit with purple and deep blue light, creating a contrast with the white streetlights above. The bridge is visible behind the woman, but placed in a position where it does not overlap her head or body, allowing the entire shape of the arch to be recognized. [Wooden Stairs and Viewing Space] From the bottom slightly to the left of the frame, wooden stairs leading toward the gorge viewing space are visible. The stairs continue from the foreground into the midground, with a landing halfway, leading to the flat viewing space where the woman stands. Dark brown wooden railings are installed on both sides of the stairs, composed of thick posts and horizontally extending timbers. The treads have natural wood grain and a calm brown texture. Small circular or elongated footlights are placed dotted along the stairs, making the steps visible even in the dark. The stairs do not cross in front of the woman's feet or body, appearing naturally at the bottom and left side of the frame. [Trees and Illumination] Dense tall trees and shrubs line the left and right sides of the gorge. The leaves of the trees feature yellow, golden, orange, and reddish-brown autumn foliage, mixed with leaves that still retain their green color. The trees on the left are illuminated from below with blue-green and cyan lighting, making the silhouettes of branches and leaves stand out fantastically. Warm yellow and orange light hits the canopy above and on the right, making the autumn leaves shine vividly. The contrast between lit and dark areas expresses the depth and three-dimensionality of the forest. On the slope on the right side of the frame, grasses and shrubs grow thickly, within which several small square or cylindrical footlights are installed. Warm white or pale yellow light illuminates patches of the grass and ground. Small lights are also around the stairs, naturally bringing out the texture of the wood and rocks. The light sources themselves are not excessively large, softly illuminating the surrounding plants and rocks. [Camera and Screen Composition] A vertical 3:4 composition. The camera is placed at a diagonal front angle from the woman, capturing the woman's full body together with the gorge's bridge. The camera height is about 1.2 meters from the ground, avoiding extreme wide-angle or extreme low-angle views. A medium-distance full-body shot maintaining natural perspective, fitting the woman from head to shoes within the frame. The woman stands slightly to the left of the center of the frame, occupying about 55-65% of the frame height. A moderate margin is provided above the crown of her head, leaving space below her shoes where the ground is slightly visible.

新山聡美(磊々峡もみじのこみちライトアップ)

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