Nov 3, 2026

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Lum-chan.

With the anime remake, it's both nostalgic and new.

Contest Entry

PixAI × Brunirax Retro Anime Contest

#Seluar ketat stoking #Luar ruangan #Bunny girl #rambut pelbagai warna #dari bawah #kedua-dua belah tangan di pinggang #Lum #stoking hitam #1 perempuan #Seluruh badan #Urusei Yatsura

Diterbitkan pada Nov 4, 2026

kiyo

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character: lum, copyright: urusei_yatsura 1girl, solo, full body, head to toe, standing, hands on hips, gazing at viewer, looking at viewer, smiling, open mouth, teeth, hatchet face, medium breasts, cleavage, heart, devil girl, playboy bunny, strapless pink leotard, off-shoulder, bare arms, red bow tie, red ribbon, wrist cuffs, black pantyhose, pink shoes, long hair, flowing hair, multicolored hair, rainbow hair, holographic hair, pastel shimmer, pearly yellow eyes, conical horns, yellow horns, pointy ears, dynamic angle, from below, dutch angle, foreshortening, shibuya scramble crossing, crowd, passersby, looking at another, from afar, simple background, white background, 3d, depth of field, bokeh, cinematic lighting, high resolution, masterpiece, best quality Camera looks up from knee height on a wet crosswalk stripe, tilted a few degrees off level, so the girl towers over the lens: her pink shoes sit wide apart in the near foreground, soles planted flat on the asphalt with the white stripe running between them, and perspective shrinks her head, shoulders and raised elbows toward the top of the frame while her flank and the black nylon of her legs fill the lower two thirds. She stands squarely centered, weight settled on her right leg with the left knee slightly bent and the left hip pushed up, both hands pressed flat against the crests of her hips, fingers splayed over the pink fabric and elbows winged out, and the leotard's strapless band cutting a straight horizontal line across her chest, the off-shoulder upper edge leaving both arms bare from shoulder to wrist cuff. A red bow tie is knotted at the hollow of her throat directly above the décolletage, and a red ribbon is tied into her flowing multicolored hair, whose long strands stream sideways in a warm updraft, catching a holographic pastel shimmer along their length, pink bleeding into mint into lilac into pale gold; two conical yellow horns rise from the crown of her head, and pointy ears poke out through the hair at the sides. Her pearly yellow eyes are fixed straight at the viewer, catching a wet highlight, her brows are lifted, her mouth is open on a bright laugh showing her teeth, and a small heart floats just above and to the right of her shoulder, caught in the same rim light. Behind her, at the far edge of the crossing, a scattered crowd of passersby stands well out of focus and scaled small by distance, some turned toward her with faces lifted, one holding up a phone; they read as silhouettes and soft color against the deep blur, their attention pointed at her back. The background is the Shibuya scramble: a wide striped crosswalk underfoot, glass-and-steel facades stacked up the sides, and enormous screens above washing the scene in cool white light broken by magenta and cyan panels. Key light strikes her from the upper left and slightly behind, rimming the shoulder line, the horn tips and the loose hair in warm white, while the fronts of her thighs and the underside of her chin fall into cool violet shadow; the wet asphalt mirrors her pink shoes as smeared, softer, darker reflections, and where her heels meet the road the puddles ripple outward in slow rings. Palette stays disciplined — holographic pastel rainbow in hair and floating heart, hot pink in the leotard and shoes, saturated red at throat and hair, deepest black in the pantyhose, everything else cool gray and reflected neon. Focus is razor-sharp on the girl from horn tip to shoe, the crowd crushed into creamy bokeh, the whole frame glossy three-dimensional with soft subsurface scattering in the skin and a faint sheen on the nylon. Playful, effortlessly glamorous.

Lum-chan.

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