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AI artwork
Jana Secara Percuma

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Komen

character: elegg_(nikke) 1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer, The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface. Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone. The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
Paparkan Parameter
Prompt Asal
elegg (nikke), fluffy light blonde hair, mekakure, long bangs covering eyes, purple eyes peeking through bangs, ahoge, snaggletooth, white and yellow jacket, black and yellow gloves, bag with bunny logo, glowing green energy canister, Electric Shock squad, Missilis, electronics power expert, researcher spirit, loves retro FPS game BOOM, fixing a small machine at a workbench, repair succeeded, holding a screwdriver and small machine, both hands visible, expressive hand gestures, joyful relaxed smile, snaggletooth visible when smiling, soft happy cheeks, purple eyes peeking through bangs, bouncing ahoge, upper body, close-up, portrait composition, face focus, dynamic upper body movement, lively torso pose, leaning forward pose, workbench with tools, small glowing display, warm workshop light, detailed face, fluffy hair movement
Mod
pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked lowres, bad anatomy, bad hands, extra fingers, missing fingers, blurry, low quality, worst quality, text, watermark, logo, cropped face, deformed hair, deformed eyes
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
た
character: elegg_(nikke) 1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer, The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface. Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone. The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
たらこまたる
AI artwork
た
character: elegg_(nikke) 1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer, The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface. Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone. The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
たらこまたる
AI artwork
た
character: elegg_(nikke) 1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer, The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface. Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone. The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
たらこまたる
AI artwork
た
character: elegg_(nikke) 1girl, solo, upper body, close-up, portrait, face focus, leaning forward, dynamic pose, fluffy light blonde hair, long bangs, hair over eyes, mekakure, purple eyes peeking through bangs, ahoge, snaggletooth, fang, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, bag with bunny logo, glowing green energy canister, Electric Shock squad emblem, Missilis emblem, holding screwdriver, holding small machine, both hands visible, expressive hand gesture, workbench, tools, small glowing display, warm workshop light, fluffy hair movement, bouncing ahoge, dutch angle, from above, looking at viewer, Shot from a slight high dutch angle, the camera tilted maybe ten degrees off level and looking down across the workbench, cropped tight to her upper body and face. Her torso pitches forward over the bench, weight carried on her forearms rather than her feet, shoulders rolled in, spine curved into a lean that puts her face near the small machine. Her left hand cups the little open-chassis machine on the bench, fingertips curled under its casing and thumb braced on the seam; her right hand holds the screwdriver pinched between thumb and index, its tip lifted a centimetre clear of the last screw to show the job is done, wrist flicked up and out in a small triumphant flourish to the right of her chin. Both gloves read clearly: black palms and knuckles with yellow cuffs and yellow stitching catching the light. Her head tips back and slightly to her right while her jaw stays low, so her chin comes toward the lens and her grin stretches wide and open, one pointed snaggletooth riding over her lower lip, cheeks round and flushed warm under the eyes, the lash line creased with a relaxed laugh rather than a posed smile. Her purple eyes are seen only through the gap in the long blonde bangs that curtain the upper half of her face, two bright slivers of iris catching the glow from below and aimed straight at the viewer with a proud, teasing tilt of one brow. The bangs hang heavy and separated, a few strands blown clear of the forehead by her bounce, and the ahoge at the crown arches up and to the left, caught mid-spring. The rest of her hair sits in a soft, high-volume mass around her jaw, tips flipping outward and slightly forward with the motion. She wears the white and yellow jacket open over her shoulders, its collar popped and one sleeve shoved up to the elbow, yellow panels running down the arm. Slung at her near hip and partly cropped by the bottom edge sits the bag, its bunny logo a simple rounded-eared head silhouette stamped on the flap. Clamped to the bench edge just left of her elbow, the glowing green energy canister throws a cold green rim along the underside of her jaw, the glove cuffs, and the machine's open panel, its own light faintly pulsing. On the workbench are a scatter of small screwdrivers, a tray of screws, a spool of wire and a wrench laid out in the shallow foreground. The small display on the bench beside her hand glows pale green, showing a simple checkmark readout to mark the repair as succeeded, its light rippling in her eyes. The workshop's warm amber lamp sits high at the left, washing the blonde hair gold and leaving the right side of her neck and the bench's far end in soft brown shadow; the two light sources meet on her face, warm from above and green from below. A faint ring of sawdust sits around the base of the machine where her tools have disturbed it. Rich amber-and-green palette against her pale blonde and white jacket. Tender, buoyant, effortlessly charming.
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Avatar image of anipix
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic. , painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
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Avatar image of anipix
character: qiao_ling, copyright: shiguang_dailiren anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚!时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
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