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Ren Tsukiyomi

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Ren Tsukiyomi

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character: hoshino_aquamarine, tamaki_iroha, springfield_(girls'_frontline), hoshino_ruby, ouroboros_(girls'_frontline), kafka_(honkai:_star_rail), copyright: honkai:_star_rail, girls'_frontline 6girls, 5girls, 1boy, halloween, halloween costume, party, mansion, living room, indoors, night, group shot, wide shot, from below, dutch angle, standing, leaning, sitting on armrest, gesturing, holding cup, looking at another, laughing, grin, open mouth, one eye closed, blush, smug, light smile, half-closed eyes, purple hair, long hair, hair between eyes, purple eyes, blonde hair, short hair, blue eyes, star-shaped pupils, pink eyes, mismatched pupils, sidelocks, brown hair, hair ribbon, green eyes, hair rings, pink hair, blunt bangs, braid, hair ornament, very long hair, black hair, twintails, single hair bun, white bow, red eyes, floating hair, bare shoulders, collared shirt, jacket, gyaru, black thighhighs, black gloves, black boots, armored boots Camera looks up and slightly across a vaulted mansion living room from knee height, tilted a few degrees off level so the mantel and the chandelier rake toward the upper right corner. Six figures fill the midground in a loose, overlapping cluster across the rug, nobody square to the lens. At the left, a purple-haired woman in a long black coat-dress with a high collar leans one shoulder against the tall stone mantel, weight on her left hip, a purple-gloved hand curled around a cut-crystal cup, her other glove pushed back with a fingerless grip as she watches the boy across the room with a slow, hooded sideways glance; her long hair slides forward over that shoulder, and a pair of round dark glasses is pushed up into it above her brow. Beside her, half a step behind, a very long black-haired girl in twin tails coiled into one side bun with a white bow stands very straight — too straight, as if her hair were weightless and drifting on its own in the still warm air — her red eyes fixed on the cup being raised, one black-gloved hand lifted and hovering uncertainly over it, black skirt and black thighhighs cutting a dark vertical against the pale stone hearth, black armored boots planted wide. Front and center-right, a long brown-haired girl with a hair ribbon and a hoop of hair rings strikes a gyaru pose, chin lifted, one hip thrust out, tossing a ribboned sidelock back over her shoulder and laughing with an open mouth and one eye squeezed shut, her green eyes crinkling; a gloved hand rests flat on the back of a velvet armchair. Half-slid down the arm of that same chair sits a very long pink-haired girl with blunt bangs, one thick braid over her shoulder and a small hair ornament pinned above her ear, shoulders bare above a dark trimmed bodice, a pink-gloved hand folded around a second cup that she holds up toward the boy as though proposing a toast, pink eyes on him, a lopsided little smirk on her lips. On the right, a blonde girl with hair between her eyes and long sides, in a frilled costume, pivots mid-turn, one arm flung out with the sleeve swinging and a short skirt flaring from the spin, star-shaped mismatched pupils catching the chandelier light, teeth bared in a bright grin at the two nearest her. Directly in front of her, closest to the camera and cropped at the hip, a short blonde-haired boy with star-shaped pupils and long lashes leans back on his heels with a cup raised, chin turned up toward the girl toasting him, a half-closed eye and an easy, faintly smug light smile, his jacket open at the collar. Contact is exact: gloved fingers pinched on cut-crystal stems, one palm flat on upholstery, a hip against stone, heels denting the rug pile. Two carved pumpkins with candle-lit faces burn on the mantel and the side table, and a strand of orange bulbs loops across the top of the doorway behind them; the chandelier is the only overhead source and it hangs directly above the cluster, so every upturned face carries a hard bright rim and every cheek turned away falls into warm shadow, the room's far corners going deep and dark beyond the doorway. Palette is amber, russet and black with each girl's own accent kept where it belongs — purple at the mantel, black at the hearth, pink at the chair, blonde at the flare. Smoke from a snuffed candle curls only toward the cold window glass. Warm, lively, a little chaotic.
Paparkan Parameter
Prompt Asal
5girls, kafka (honkai: star rail), ouroboros (girls' frontline), tamaki iroha, springfield (girls' frontline), hoshino ruby, 1boy, hoshino aquamarine, mansion, living room, halloween, halloween costume, party,
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pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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character: hoshino_aquamarine, tamaki_iroha, springfield_(girls'_frontline), hoshino_ruby, ouroboros_(girls'_frontline), kafka_(honkai:_star_rail), copyright: honkai:_star_rail, girls'_frontline 6girls and 1boy adjusted to the locked count of 5girls+1boy, kafka, ouroboros, tamaki iroha, springfield, hoshino ruby, hoshino aquamarine, halloween, halloween costume, party, mansion, living room, indoors, night, chandelier, candlelight, wide shot, from below, group shot, standing, sitting, leaning, looking at another, talking, laughing, holding cup, candy, jack-o'-lantern, carved pumpkin, cobwebs, black and orange palette, purple_hair, long_hair, hair_between_eyes, purple_eyes, pink_hair, blunt_bangs, braid, very_long_hair, pink_eyes, black_hair, twintails, single_hair_bun, white_bow, floating_hair, red_eyes, brown_hair, hair_ribbon, hair_rings, green_eyes, blonde_hair, sidelocks, star-shaped_pupils, pink_eyes, blue_eyes, short_hair, hair_ornament, jewelry, gloves, airborne hair strands, A wide shot from below, camera low near the hearth of a grand mansion living room at night, so the chandelier's arms and the tops of the figures' heads carry the frame's upper half. The room is tall and gothic: a marble fireplace on the left with real logs burning, a huge ornate mirror above it, dark wallpaper with figured damask, a broad stone floor scattered with real autumn leaves someone tracked in, a long low table pushed to the right. A half-dozen carved jack-o'-lanterns with lit candles inside sit along the mantel and the table edge; paper bats hang on threads from the chandelier; fine cobweb strands stretch from the chandelier to the cornice and are already broken in one place where someone walked through them, the torn strand hanging down and swinging. The light is the chandelier's warm candles plus the fire's orange; the two together are the only sources, so every face is lit from below on one side and warm from the hearth on the other, and beyond the pool of light the corners of the room go to deep red-brown dark. The palette is orange, black and warm amber with the costumes' own accents: violet, pink, red and white. Five girls and one boy, all in Halloween costume, spread across the hearth and the table in one loose group. Left of the fire, the woman with long purple hair parted between her eyes, sunglasses pushed up on her head and violet gloves, wears a tall pointed witch hat with a violet band and a close-fitting black dress cut short over the thigh, one hand resting on the mantel shelf between two pumpkins, hip cocked against the stone, looking sideways across the room at the girl in pink. That girl, pink hair in a long braid past her waist with blunt bangs and a small ornament at her temple, is dressed as a ghost: a draped white sheet-costume with cut eye-holes worn over everything, its hem brushing the floor, the long braid trailing out from beneath the hood; she has both hands lifted in a mock spooky claw and her mouth open wide, caught mid-boo toward the woman at the mantel, the sheet pulled taut across her shoulders. Near the center, seen from the low camera against the height of the room, the girl with black hair in very long twintails, a white bow at one side and a single bun, is dressed as a bat: black leotard with patent-leather wings spread on a wire frame from her back, black gloves, black high-heeled boots, her very long hair floating a little off her shoulders from her own quick movement as she leans in and holds out a paper cup of punch to another girl; the trailing end of her twintail has just swept past a hanging paper bat and set it swinging. Receiving the cup with both hands is the girl with long brown hair, sidelocks and hair ribbon, dressed as a vampire countess: ruffled high-collar black-and-crimson cape, a small ribbon at her throat, white gloves, pale face tipped down toward the cup, her eyes fixed on it. On the right, standing on tiptoe at the pushed-back table to reach the candy bowl, the blonde girl with long hair and pink eyes tinted with a star-shaped pupil wears a pumpkin costume: rounded orange puffy body, green stem hat, orange-and-green striped tights, one hand deep in the bowl and her head turned back over her shoulder toward the others, tongue just at her lip in concentration. Beside her, and lower on the frame, the blonde boy with short hair and blue star-pupil eyes is crouched down on the stone floor in a little sheet-ghost costume of his own, the eye-holes slightly askew; he is holding a candle up toward a jack-o'-lantern's carved face, studying it seriously, one knee wet from the leaf-strewn floor. Relations read in a chain: the pink-haired girl's boo aims at the mantel woman, the mantel woman's sideways glance returns it with a faint closed-lip smile; the bat girl's offered cup is met by the vampire girl's lowered eyes; the pumpkin girl looks back over her shoulder at the room while her hand stays in the candy. Contact points are explicit: hip to mantel stone, boot heels to floor, gloved hand to cup, hand into bowl, knee to floor, the boy's elbow resting on his other knee. Secondary motion moves one way: the sheet hems and the cape's lower edge pull toward the fire's draft, the bat wings' wire frame trembles slightly, and a couple of leaves on the floor lift and drift an inch. One physical detail to trust: the light from the jack-o'-lanterns spills up out of the carved mouths and eyes and throws a little halo of pumpkin-orange on the underside of each chin nearest the mantel, while the rest of each face is the chandelier's yellow; the fire's flames throw moving shadows of the group across the damask wallpaper behind them. The overall mood is warm, nose-crinkling mischief.
Ren Tsukiyomi
#Siri Fate#Fate/Grand Order
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Avatar image of Ren Tsukiyomi
character: kafka_(honkai:_star_rail), ouroboros_(girls'_frontline), tamaki_iroha, springfield_(girls'_frontline), hoshino_ruby, hoshino_aquamarine. A medium shot from a slightly high angle depicts a lively Halloween party inside a lavish mansion's living room. In the center, hoshino_ruby and hoshino_aquamarine are dressed in festive costumes; Ruby wears a frilled gothic Lolita dress and smiles brightly, while Aquamarine wears a stylized detective's coat over a white shirt, looking slightly awkward with a faint blush. To their left, kafka_(honkai:_star_rail) leans against a mahogany table in her purple jacket and sunglasses, holding a glass of champagne with a mysterious smile. On the right, springfield_(girls'_frontline) and ouroboros_(girls'_frontline) are chatting; Springfield is in a cozy oversized sweater and ribbon, while Ouroboros wears a black serafuku with a large white bow. tamaki_iroha stands behind them, wearing a hooded white cloak over a pink bikini, gesturing playfully with her hands. The living room is decorated for Halloween with carved pumpkins, flickering candles, and orange streamers draped over ornate gold-trimmed furniture. Large windows show a dark purple twilight sky outside. The lighting is warm and dim, accented by the orange glow of the pumpkins and soft candlelight, creating a festive and mysterious atmosphere.
Ren Tsukiyomi
AI artwork
Avatar image of Nicto16
A wide-angle, eye-level shot depicts a crowded and festive Halloween party in a grand, decorated hall, featuring a large group of over six boys and six girls in a vibrant social composition. Several boys are dressed as "otoko no ko," wearing feminine costumes such as frilly gothic lolita dresses with lace trims and ribbons, while others wear classic costumes like capes and masks. The girls are equally diverse in their attire, wearing a mix of witch hats, cat ears, and elegant party gowns. They are seen chatting, laughing, and gesturing with their hands, some holding glasses of punch or small plates of treats. The background is filled with festive decorations, including floating lanterns, orange streamers, and carved pumpkins placed on mahogany tables. The atmosphere is celebratory and lively, characterized by warm, golden ambient lighting, a rich color palette of orange, purple, and black, and a soft depth of field that keeps the central group in sharp focus.
Nicto16

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Anda Mungkin Suka

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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