Oct 23, 2026

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Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026

Diterbitkan pada Nov 6, 2026

Bucky

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character: fujisaki_chihiro 1boy, solo, male focus, fujisaki chihiro, brown hair, short hair, medium hair, bangs, hair between eyes, flipped hair, bob cut, brown eyes, long lashes, androgynous appearance, feminine face, femboy, otoko ko, crossdressing, athletic physique, narrow waist, wide hips, healthy thick thighs, curvy body, slender hands, lips, school uniform, white collared shirt, collared shirt, green jacket, long sleeves, brown pleated skirt, pleated skirt, neck ribbon, hair ornament, black socks, bare legs, sitting, sitting on sofa, crossed legs, one foot towards viewer, putting on socks, getting ready for school, socks in hand, looking at viewer, blushing, shy, nervous, unsure, shocked, wide open eyes, wobbly mouth, wavy mouth, side view, low angle, from below, living room, indoors, daylight, depth of field The camera sits low near the sofa's seat edge and slightly off his right, so the whole frame is in side view from below: the sofa's arm and cushion bulk across the left of the frame, the boy is caught mid-turn on the seat, and the view runs along his thigh toward the sole of the foot he has lifted toward the lens — that socked foot is largest, lightly out of focus at its toe, and his face sits above and behind it, foreshortened but unobstructed as he turns his head down his own shoulder to meet the viewer's eyes. He is perched on the near cushion, weight sunk on the left hip, torso twisted to the right, the right leg folded flat over the left knee; the bare raised leg crosses forward with the knee bent, heel lifted, and the foot pointed almost straight at the lens. Both slender hands are at that foot's ankle: the left hand cups the heel, the right hand with the sock bunched between thumb and fingers is rolling the black cuff over the toes, the fabric caught halfway on, his toes curled inside the opening. His bare upper leg and the other bare thigh below the brown pleated skirt stay fully in view — the skirt's knife pleats splay across his lap and catch the light on their outward folds, hem riding a little up the near thigh. The green long-sleeved jacket hangs open over the white collared shirt, its lapels falling forward off his chest with the motion, one long sleeve pushed up a knuckle's width at the wrist; the neck ribbon sits snug at his throat, and the small hair ornament clips the bangs above his left temple. His hair swings forward in a flipped brown bob as his head turns, the bangs parting over his brow. His face carries the whole mood: eyes wide and round, whites showing, long lashes standing out against the startled shine of them; a blush burning across both cheeks and up to the ears; the mouth wobbly, pulled at one corner into a wavy, uncertain line as though he has just been caught half-dressed and cannot decide whether to apologize or laugh. The gaze is fixed straight on the viewer, and the sole of his foot, pointed at the lens, answers it. The living room around him is calm and domestic, held shallow by a soft focus: the sofa's plain upholstery and a cushion compressed under his hip, a low table edge and a warm rug out of focus in the foreground, a window behind him out of frame-right casting a broad panel of cool morning daylight across the floor and up over the sofa's arm. That window is the principal source: it rakes across the cushion, rim-lights the raised bare thigh, and leaves the far end of the sofa and the corner of the room in soft, quiet shade; on the floor a long rectangle of light lies bright and geometric, its edge broken by the sofa leg. Palette is warm domestic neutrals — cream upholstery, honey wood, a dusty rug — against the green of the jacket, the brown of the skirt and hair, the crisp white shirt, and the black of the sock and ribbon. Fine cel-shaded linework, clean flat colour with soft airbrushed shading on the skin. Shy, flustered morning.

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