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タマモクロス

タマモクロスにマーメイドタイプのウェディングドレスを着せてみた。

#gaun pengantin #pengantin perempuan #Umamusume: Pretty Derby #Tamamo Cross

Diterbitkan pada Nov 6, 2026

ta2bon

character: tamamo_cross_(umamusume), copyright: umamusume 1girl, solo, tamamo_cross_(umamusume), horse girl, horse ears, grey hair, very long hair, long hair, hair between eyes, blue eyes, blue hairband, white bouquet, holding bouquet, bouquet of red and white roses, mermaid-line wedding dress, pale blue dress, blue base dress, red and blue line accents, red piping, blue piping, strapless mermaid dress, fitted bodice, flared hem, long train, white lace veil, veil over hair, veil falling past shoulders, bridal veil, bare shoulders, facing viewer, standing, three-quarter view, head tilted down, gentle closed-lip smile, looking at viewer, soft blush, hands clasped on bouquet in front of waist, arms bent, hair swaying forward past shoulder, bright chapel interior, tall arched windows, white stone columns, wooden pews, aisle, sunbeams through stained glass, warm white light, pastel palette, full-body, close-up on upper body, from below, slight low angle, dutch angle, backlight, rim light, holy atmosphere, serene, luminous, From a slight low angle, the frame looks up at the single tall figure of the grey-haired horse girl standing in the middle of a bright chapel aisle, her broad horse ears rising above the crown of her head and her enormous mane of very long grey hair spilling down her back and a few strands falling forward between her eyes across her brow. The veil is a fine white lace veil fixed just behind her blue hairband, draping down over the gray hair and falling as a translucent sheet past her shoulders to her upper back, so that the hair beneath shows as a soft grey silhouette through the mesh. She wears the mermaid-style wedding dress the request calls for: a pale blue base that hugs the torso from chest through waist to hip before flaring out low into a long pooling skirt, with a red line and a blue line running as paired contrasting accents along the seams of the bodice and around the hem, so the pale blue reads as the dominant field and the red and blue lines read as later, drawn-on trim. Her bare shoulders are visible above the strapless edge of the dress, and the skirt's flare spreads out at floor level in a wide bell. Her head tilts slightly down, chin lowered, both eyes angled toward the viewer under the veil, a faint, gentle closed-lip smile on the corners of her mouth and a soft blush across the bridge of her nose. Both hands clasp the bouquet's wrapped stems in front of her waist, palm over palm, both elbows falling softly at her sides so the bouquet stands upright at chest height. The bouquet is a tight cluster of red and white roses with green sprigs; a few petals have fallen onto the pale blue skirt where it pools at her feet. The chapel behind her is the bright, warm interior the user asked for: a central aisle running toward tall arched windows, white stone pillars on either side, rows of wooden pews receding into a shallow depth of field, and pale gold sunlight streaming in through the windows in long shafts that catch the edges of her veil and glint off the blue hairband and the lace at the boulevard. The light source is the windows behind and above her, so she is backlit along the crown of her hair and along one edge of her veil, and the front of the dress sits in soft, cool, shaded pale blue; a low warm glow bounces up from the wooden floorboards onto the underside of the skirt's bell. The palette stays pale blue, warm white, pale gold and just two small injections of red -- the rose cluster and the red line of the trim. The scene is calm, quietly joyful, and luminous.

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