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AI artwork
Jana Secara Percuma

Andrew Buivol

Lebih Banyak untuk Dilihat

Komen

An anime illustration in great quality and best quality, depicting a war-torn battlefield under a blood-red sky. In the foreground, a rusted, broken sword is plunged into cracked, ash-covered ground, surrounded by scattered debris, shattered shields, and tattered banners whose faded emblems are barely readable. The ruined remains of a country's capital stretch across the midground: collapsed stone towers, burning rooftops, and smoke columns rising into heavy, churning clouds. Faint embers and ash particles drift through the air. In the far distance, silhouetted enemy banners march away over a scorched horizon, their fate and purpose unknown to the fallen land. No characters appear; the scene conveys total desolation and unanswered loss. The lighting is dim and dramatic, with deep shadows, muted reds and greys, and a strong contrast between the dying embers of fire and the vast, empty sky, creating a somber, tragic atmosphere of a story that ended without resolution.
Paparkan Parameter
Prompt Asal
You have perished. You never found out what happened to your attacked country.
Mod
pro
Saiz
1280 x 768
Negatif
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
Avatar image of Dante
A devastated medieval battlefield known as Ashenfield, scorched earth stretching across a wide open plain, broken swords and discarded shields scattered among shattered wooden siege equipment, torn white and gold banners lying in the dirt, abandoned armor partially buried beneath ash, dark smoke drifting from distant ruins, a gray overcast sky and distant hills, somber atmosphere after a decisive battle, wide cinematic landscape shot, no people, no human figures, no corpses, no creatures.
Dante
AI artwork
mp
no humans, scenery, landscape, wide shot, from below, low horizon line, vast field of weapons, hundreds of swords spears daggers axes halberds planted in ground, european blade types dominant, scorched earth, iron slag, cracked burnt soil, dusk sky, blood-red and grey sky, black smoke clouds, gigantic forge wheels in sky, rings of incandescent light, slow rotation, golden sparks, embers drifting, hot wind, ozone haze, tempered steel glint, monochrome-adjacent palette, no text The camera sits low on the slope, tilted slightly up, so the crest of the hill cuts a jagged black line across the lower third and the sky owns the rest of the frame. No figure stands anywhere in the picture: the hill is the subject, and the nearest blade is only a metre from the lens. In the immediate foreground a broad European arming sword is driven to the hilt in a slab of cracked, slag-fused ground, its crossguard at eye level with the camera, the flat of its blade catching one long run of gold light along the upper edge while its lower edge stays near-black; behind it the slope climbs away in rows. Spears and halberds stand taller than the swords and lean at shallow angles into the hot wind, their shafts dark against the sky, their axe-blades and spear-points bitten with orange rust at the sockets; daggers sit lower, only their pommels and quillons above the soil, half-swallowed by ash. Between them lie the rest โ€” falchions, estocs, messers, a war scythe, a ridged rondel dagger, a few curved blades from the eastern edge of the continent โ€” all European in cut, packed denser and denser as the hill recedes, until at the middle distance they become a single shivering thicket of vertical dark strokes and, at the horizon, nothing but a thin bristling texture. Fissures in the burnt earth glow dull ember-orange from within, throwing a weak underlight onto the nearest hilts and leaving the ground between them almost brown-black. Black smoke clouds bank along the horizon in heavy horizontal slabs, and through them, colossal, turn the forge wheels: iron rims hundreds of metres across with spokes like crane arms, and beside each a slower ring of incandescent light, half-eaten by smoke, casting a rim of warm gold on the tops of the smoke slabs and letting the undersides fall to charcoal grey. Golden sparks stream sideways across the whole depth of the frame on the wind, small and bright near the lens, dissolving into grey specks far out. The palette is confined to burnt umber, soot brown, iron grey and the two hot creams of the forge light, with the red of the dusk sky gone dark and near-brown above the smoke. A single spear shaft in the foreground bends a few degrees downwind, the only thing in the picture that shows the wind's direction. Atmosphere of heat and metal, ominous and magnificent.
Mateus Pertussatti
AI artwork
mp
no humans, scenery, landscape, wide shot, from below, low horizon line, vast field of weapons, hundreds of swords spears daggers axes halberds planted in ground, european blade types dominant, scorched earth, iron slag, cracked burnt soil, dusk sky, blood-red and grey sky, black smoke clouds, gigantic forge wheels in sky, rings of incandescent light, slow rotation, golden sparks, embers drifting, hot wind, ozone haze, tempered steel glint, monochrome-adjacent palette, no text The camera sits low on the slope, tilted slightly up, so the crest of the hill cuts a jagged black line across the lower third and the sky owns the rest of the frame. No figure stands anywhere in the picture: the hill is the subject, and the nearest blade is only a metre from the lens. In the immediate foreground a broad European arming sword is driven to the hilt in a slab of cracked, slag-fused ground, its crossguard at eye level with the camera, the flat of its blade catching one long run of gold light along the upper edge while its lower edge stays near-black; behind it the slope climbs away in rows. Spears and halberds stand taller than the swords and lean at shallow angles into the hot wind, their shafts dark against the sky, their axe-blades and spear-points bitten with orange rust at the sockets; daggers sit lower, only their pommels and quillons above the soil, half-swallowed by ash. Between them lie the rest โ€” falchions, estocs, messers, a war scythe, a ridged rondel dagger, a few curved blades from the eastern edge of the continent โ€” all European in cut, packed denser and denser as the hill recedes, until at the middle distance they become a single shivering thicket of vertical dark strokes and, at the horizon, nothing but a thin bristling texture. Fissures in the burnt earth glow dull ember-orange from within, throwing a weak underlight onto the nearest hilts and leaving the ground between them almost brown-black. Black smoke clouds bank along the horizon in heavy horizontal slabs, and through them, colossal, turn the forge wheels: iron rims hundreds of metres across with spokes like crane arms, and beside each a slower ring of incandescent light, half-eaten by smoke, casting a rim of warm gold on the tops of the smoke slabs and letting the undersides fall to charcoal grey. Golden sparks stream sideways across the whole depth of the frame on the wind, small and bright near the lens, dissolving into grey specks far out. The palette is confined to burnt umber, soot brown, iron grey and the two hot creams of the forge light, with the red of the dusk sky gone dark and near-brown above the smoke. A single spear shaft in the foreground bends a few degrees downwind, the only thing in the picture that shows the wind's direction. Atmosphere of heat and metal, ominous and magnificent.
Mateus Pertussatti

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Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช