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character: cure_coral 1girl, solo, cure_coral, purple hair, very long hair, twintails, multi-tied hair, multiple hair bows, pink bow, yellow bow, striped bow, long hair, full body, lying, collapsed on ground, on side, head down, suffering, pained expression, agony, gritted teeth, squeezed-shut eyes, furrowed brow, tears at eye corners, trembling, mold, black-green mold, mold covering entire body, mold soaked into skin, mold on hair, mold on clothes, dark green speckled patches, spreading fungal bloom, powdery mildew texture, purple capelet, purple dress, purple choker, fingerless gloves, white gloves, bare shoulders, bare legs, bare feet, arms limp, hands splayed on floor, curled fingers, dirty ground, concrete floor, from above, foreshortening, dutch angle, depth of field, dim light, cold green light, high contrast, anime style illustration, heroine in peril, detailed The view is from above at a steep, tilted angle, the camera looking down and slightly across her body, so the whole collapsed figure lies in-frame from the crown of her head to the soles of her bare feet. She lies on her side on cold grey concrete, torso twisted, one shoulder pressed into the floor and her cheek almost against it, hips rolled back, one knee drawn up partway while the other leg trails straight behind her; her twintails and very long purple hair spill out across the concrete in wet, clumped ropes, the pink, yellow and striped bows askew and plastered flat where the hair has fallen. Her purple capelet has slumped over one arm, the purple dress bunched and wrinkled into the creases of her waist and hip, one fingerless-gloved hand limply open beside her face with the fingers half-curled on the ground, the other hand trapped underneath her ribs. Both eyes are squeezed shut, brows knotted hard together, teeth clenched and the mouth pulled back in a grimace, a thin shine of tears caught at the outer corners of both eyes and her breath going shallow through the clenched jaw; a fine tremor runs through her shoulders. Black-green mold has soaked into her body, not sitting on it as flecks but bled into the material: dark green and near-black mottling creeps up her bare forearms, over the backs of her hands and between the fingers of the glove, across her bare shoulders and thighs, and along the sides of her throat; speckled velvet-green patches sit swollen over the purple dress and capelet, pale powdery bloom dusts the strands of her hair, and the raw red-purple of the dress shows only in a few untouched seams. At every point where she touches the concrete the mold has smeared and darkened, and a faint halo of dark spores has settled on the ground around her body, thickest in the hollow where her shoulder and cheek press down, thinning outward — the only thing in the image that shows how long she has lain there. The light comes from one source, a cold green-tinted lamp high above and behind her, so the tops of her shoulder, knee and the crown of her head catch a sickly green rim while her face and the underside of her body fall into deep shadow, and a long soft shadow of her sprawled body stretches off toward the lower edge of the frame across the bare concrete. The palette holds to black-green mold, bruised purple, and the wet grey of the floor, with only the pink of the bows and the faint red-violet of the dress resisting the green. Nothing else occupies the frame but floor and figure, the background dropping out of focus at the edges. Quiet dread.

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