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Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Paparkan Parameter
- Prompt Asal
- 陰キャJK。髪は黒く、後頭部の高めの位置でお団子ヘアになっている。乳房はない。細身で身長は高め。 黒縁メガネをかけており、前髪はそろっている。 白い半そでのカッターシャツを着ている。膝まである黒い制服のスカートをはいている。白いひざ下までの靴下をはき、ローファーをはいている。 正面から見たイラスト。 JKはこちらを見ている。おどおどしている。
- Mod
- flash
- Saiz
- 768 x 1280
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi林寸
1girl, solo, black hair, hair bun, high bun, straight bangs, black-framed glasses, flat chest, slender, tall, white short-sleeved dress shirt, collared shirt, black skirt, long skirt, knee-length skirt, white socks, kneehighs, loafers, front view, looking at viewer, nervous, fidgeting, full body, standing, hands together, index fingers touching, blush, sweatdrop, slight frown, raised eyebrows, looking down slightly, school uniform, white background, simple background, from front, eye contact, :<, light smile, awkward
Front view, dead-on and uncropped, the whole girl standing in a completely empty warm off-white field, no furniture, no set, the seamless paper ground the only support and the only thing behind her, so the pose carries all the weight. She is tall and narrow-shouldered, a long straight line from collarbone to ankles, the white short-sleeved dress shirt hanging loose on a chest with no volume at all, the fabric falling straight away from the shoulder seams and into the black waistband of the skirt; the black skirt is heavy school-uniform cloth, released to fall knee-length and unbroken, the pleats low and shallow. Black hair pulled back tight and cinched into a high bun at the back of the crown, the bun sitting up and slightly to her left; straight-cut bangs trimmed level across the forehead just above the black-framed glasses, a few stray hairs fanned at her temples. She is caught mid-fidget: weight on the right leg, the left knee bent inward and the left toe turned in, heels held close together; both hands meet low in front of the skirt, the fingers clasped and then unclasping, the two index fingers pressing tip to tip and the knuckles blanched pale from the pinch. Her shoulders are drawn up slightly, the collar lifted away from the nape by a half-shrug. Her chin tilts a touch downward with her upper face angled up through the lowered brow-line, so the eyes behind the black frames find the viewer from under the bangs — small and dark, both pupils fixed on the lens, lids pulled a little wide and trembling; the brows are drawn up and pinched in the middle, the lips pressed thin and slightly open. A single sweat drop runs a short way down her right temple and clings at the corner of the jaw. White socks below the knee, the cuffs sitting level and slightly pulled tight, loafers flat on the ground plane, both toes of the right loafer scuffed.
Light: a soft broad key from high front-left, cool and diffuse like a studio softbox, laying a clean highlit band down the left cheek, the left shirt sleeve and the left rim of the bun, while the right side of the face and the folds under the jaw fall into a gentle grey shadow; beside the loafers a short soft contact shadow anchors her to the floor, faint and unsharp. Palette is disciplined and almost nothing else: white shirt, white socks and the warm paper field against the black hair, black bun, black frames and black skirt — three tones and the skin, no fourth colour admitted except the faint flush on cheeks and the point of the sweat drop. In the background there is no lettering at all, the field left bare. Quieter than the pose, tenderly awkward.
林寸
林寸
1girl, solo, black hair, hair bun, high bun, straight bangs, black-framed glasses, flat chest, slender, tall, white short-sleeved dress shirt, collared shirt, black skirt, long skirt, knee-length skirt, white socks, kneehighs, loafers, front view, looking at viewer, nervous, fidgeting, full body, standing, hands together, index fingers touching, blush, sweatdrop, slight frown, raised eyebrows, looking down slightly, school uniform, white background, simple background, from front, eye contact, :<, light smile, awkward
Front view, dead-on and uncropped, the whole girl standing in a completely empty warm off-white field, no furniture, no set, the seamless paper ground the only support and the only thing behind her, so the pose carries all the weight. She is tall and narrow-shouldered, a long straight line from collarbone to ankles, the white short-sleeved dress shirt hanging loose on a chest with no volume at all, the fabric falling straight away from the shoulder seams and into the black waistband of the skirt; the black skirt is heavy school-uniform cloth, released to fall knee-length and unbroken, the pleats low and shallow. Black hair pulled back tight and cinched into a high bun at the back of the crown, the bun sitting up and slightly to her left; straight-cut bangs trimmed level across the forehead just above the black-framed glasses, a few stray hairs fanned at her temples. She is caught mid-fidget: weight on the right leg, the left knee bent inward and the left toe turned in, heels held close together; both hands meet low in front of the skirt, the fingers clasped and then unclasping, the two index fingers pressing tip to tip and the knuckles blanched pale from the pinch. Her shoulders are drawn up slightly, the collar lifted away from the nape by a half-shrug. Her chin tilts a touch downward with her upper face angled up through the lowered brow-line, so the eyes behind the black frames find the viewer from under the bangs — small and dark, both pupils fixed on the lens, lids pulled a little wide and trembling; the brows are drawn up and pinched in the middle, the lips pressed thin and slightly open. A single sweat drop runs a short way down her right temple and clings at the corner of the jaw. White socks below the knee, the cuffs sitting level and slightly pulled tight, loafers flat on the ground plane, both toes of the right loafer scuffed.
Light: a soft broad key from high front-left, cool and diffuse like a studio softbox, laying a clean highlit band down the left cheek, the left shirt sleeve and the left rim of the bun, while the right side of the face and the folds under the jaw fall into a gentle grey shadow; beside the loafers a short soft contact shadow anchors her to the floor, faint and unsharp. Palette is disciplined and almost nothing else: white shirt, white socks and the warm paper field against the black hair, black bun, black frames and black skirt — three tones and the skin, no fourth colour admitted except the faint flush on cheeks and the point of the sweat drop. In the background there is no lettering at all, the field left bare. Quieter than the pose, tenderly awkward.
林寸
林寸
1girl, solo, black hair, hair bun, high bun, straight bangs, black-framed glasses, flat chest, slender, tall, white short-sleeved dress shirt, collared shirt, black skirt, long skirt, knee-length skirt, white socks, kneehighs, loafers, front view, looking at viewer, nervous, fidgeting, full body, standing, hands together, index fingers touching, blush, sweatdrop, slight frown, raised eyebrows, looking down slightly, school uniform, white background, simple background, from front, eye contact, :<, light smile, awkward
Front view, dead-on and uncropped, the whole girl standing in a completely empty warm off-white field, no furniture, no set, the seamless paper ground the only support and the only thing behind her, so the pose carries all the weight. She is tall and narrow-shouldered, a long straight line from collarbone to ankles, the white short-sleeved dress shirt hanging loose on a chest with no volume at all, the fabric falling straight away from the shoulder seams and into the black waistband of the skirt; the black skirt is heavy school-uniform cloth, released to fall knee-length and unbroken, the pleats low and shallow. Black hair pulled back tight and cinched into a high bun at the back of the crown, the bun sitting up and slightly to her left; straight-cut bangs trimmed level across the forehead just above the black-framed glasses, a few stray hairs fanned at her temples. She is caught mid-fidget: weight on the right leg, the left knee bent inward and the left toe turned in, heels held close together; both hands meet low in front of the skirt, the fingers clasped and then unclasping, the two index fingers pressing tip to tip and the knuckles blanched pale from the pinch. Her shoulders are drawn up slightly, the collar lifted away from the nape by a half-shrug. Her chin tilts a touch downward with her upper face angled up through the lowered brow-line, so the eyes behind the black frames find the viewer from under the bangs — small and dark, both pupils fixed on the lens, lids pulled a little wide and trembling; the brows are drawn up and pinched in the middle, the lips pressed thin and slightly open. A single sweat drop runs a short way down her right temple and clings at the corner of the jaw. White socks below the knee, the cuffs sitting level and slightly pulled tight, loafers flat on the ground plane, both toes of the right loafer scuffed.
Light: a soft broad key from high front-left, cool and diffuse like a studio softbox, laying a clean highlit band down the left cheek, the left shirt sleeve and the left rim of the bun, while the right side of the face and the folds under the jaw fall into a gentle grey shadow; beside the loafers a short soft contact shadow anchors her to the floor, faint and unsharp. Palette is disciplined and almost nothing else: white shirt, white socks and the warm paper field against the black hair, black bun, black frames and black skirt — three tones and the skin, no fourth colour admitted except the faint flush on cheeks and the point of the sweat drop. In the background there is no lettering at all, the field left bare. Quieter than the pose, tenderly awkward.
林寸
林寸
1girl, solo, front view, facing viewer, straight-on angle, full body, looking at viewer, black hair, high bun, blunt bangs, black-framed glasses, flat chest, no bust, slim body, tall stature, stooped posture, hunching shoulders, slightly bent forward, hands clasped together in front of waist, white dress shirt, navy cardigan, long sleeves, black school skirt, knee-length skirt, white knee socks, loafers, closed mouth, faint nervous half-smile, eyes meeting the viewer's eyes directly, shy gaze, window light, quiet, introverted
A single high-school girl stands full-length in the centre of the frame, seen straight from the front, facing the viewer square-on. Her body is slim and tall, and she lets it slump: both shoulders roll forward and up toward her ears, the upper spine curves so that her collarbones sink and her neck juts just slightly ahead of her chest, and her weight rests uneasily on both feet rather than squarely on one. Her black-framed glasses sit level across a face drawn tight with shyness -- brows lifted slightly at the inner ends, lips pressed together with one corner tugging up in a nervous half-smile -- and behind the lenses her eyes look straight at the viewer, holding the contact without blinking, though her chin is tucked a little downward as if she would rather shrink behind it. Her black hair is gathered high at the back of the head into a neat round bun that sits above the crown, its smooth surface catching a narrow highlight on the upper-left curve, while the front falls into a blunt fringe cut dead-straight across her forehead just above the glasses frame, unbroken edge to edge. Over a plain white collared dress shirt, buttoned up to the collar with a collar edge visible at the throat and cuffs peeking from the sleeves, she wears a navy cardigan left open at the front so the white shirt shows down the centre of her torso; the cardigan's shoulders are pulled forward by her hunch and the hem rides slightly up at the back. Her chest is flat, no bust breaking the line of the shirt, the fabric hanging straight and loose from her shoulders. Her black school skirt falls in soft vertical pleats to her knees, the hem swaying a touch toward her right from the weight shift. Below it, white knee socks climb evenly to just under the knees, with a soft fold crease at each ankle, and her feet are planted in dark leather loafers whose toes point slightly outward; the shoes' leather holds a dull low sheen while the socks stay matte. Behind her is a seamless studio backdrop in a cool pale grey, completely empty, with a faint gradient darkening toward the corners so that her dark hair and navy cardigan read as the deepest values in the picture. The light comes from a large soft window source at the front-left, cool and diffuse: it brightens the left side of her fringe, the left shoulder of the cardigan and the tops of her loafers, and it casts a soft, low-contrast shadow on the right side of her face and down the right side of her skirt, with a faint short shadow pooling under each shoe as the only contact evidence on the plain floor. Palette restricted to black hair and skirt, navy cardigan, white shirt and socks, the warm grey-beige of her skin, and the cool grey ground, nothing else admitted. Quiet, endearingly awkward.
林寸
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen