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AI art "Rozemyne and Ferdinand back in Japan"
Jana Secara Percuma

Rozemyne and Ferdinand back in Japan

Rozemtne and Ferdinand travel to Japan so they can have a firework date

#Pakaian tradisional Jepun#kimono#yukata#hiasan rambut#Rambut sangat panjang#rambut panjang#Obi#rambut biru#sebelah tangan di pinggang#Tocang#memandang penonton#selempang#pintu gelongsor#ekor kuda tocang#Ascendance of a Bookworm#Myne#Ferdinand#Sanggul
Avatar image of Bobby Lugu

Bobby Lugu

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Komen

character: myne_(honzuki_no_gekokujou), ferdinand_(honzuki_no_gekokujou), ferdinand_von_aegir 2girls, 1girl, 1boy, myne_(honzuki_no_gekokujou), ferdinand_(honzuki_no_gekokujou), long hair, very long hair, blue hair, swept bangs, yellow eyes, light blue kimono, floral kimono pattern, obi sash, intricate hair bun, hair up, intricate hair stick, hair ornament, kanzashi, blue eyes, blue hair, bob cut, long hair, yellow eyes, dark blue kimono, male, standing, from below, dutch angle, cowboy shot, looking at another, side by side, light smile, half-closed eyes, quiet atmosphere, indoors, shoji screen, soft light, The camera sits low and tilts up a few degrees, so the two of them rise against the pale rectangles of a paper-screen wall. The young woman with the blue hair swept to one side stands on the left, her very long hair coiled up into an intricate bun pinned through with a lacquered intricate hair stick, its carved head projecting past the bun's silhouette; the nape of her neck is bare and exposed beneath it. Her light blue kimono is pale, cool, with a faint woven floral sheen, the obi cinching her waist high, and she stands with her weight shifted onto her left foot, right hip dropped, chin tipped down toward her companion as her yellow eyes slide to him with a quiet, half-lidded smile. The man stands to her right, closer to the camera and slightly forward, taller by a head; his blue hair falls in a bob cut with a long braid over one shoulder, and his yellow eyes are turned back to meet hers over his own shoulder. His dark blue kimono sits deeply toned against her pale one, collar straight across the throat, obi flat and narrow, sleeves hanging heavy; his right hand rests closed at his hip, thumb hooked over the fold of the obi, and his left arm hangs at his side with the braid brushing against it. A single soft light from off-frame left through the paper-screen wall picks out the cool planes of the girl's kimono and drops a soft cast shadow of the two of them onto the screen behind; the far side falls into cool blue shadow. Palette: pale ice blue and deep indigo with the warm lacquer glint of the hair stick the only warm accent. Quiet, composed.
Paparkan Parameter
Prompt Asal
Rozemyne standing in a light blue Kimono with a intricate hair stick tying her hair up in an intricate bun. Ferdinand is next to her also in a dark blue kimono
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flash
Saiz
1104 x 1824
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Avatar image of lucy
character: unohana_retsu, flins_(genshin_impact), copyright: genshin_impact, bleach 2girls, flins_(genshin_impact), unohana_retsu, long_hair, blue_hair, multicolored_hair, gradient_hair, antenna_hair, crossed_bangs, hair_between_eyes, yellow_eyes, black_coat, long_sleeves, black_gloves, gloves, very_long_hair, black_hair, braid, blue_eyes, grey_eyes, taichou_haori, shihakusho, black_kimono, obi, sash, bracelet, standing, side by side, riverbank, river, clear water, fish, swimming, looking down, looking at water, from behind, cowboy shot, outdoors, daylight, light smile, From behind, at a three-quarter rear angle: two women stand shoulder to shoulder on a flat shelf of wet river stones, both turned away from the camera, and both have their heads bowed toward the water, so the picture is built out of their backs, the fall of their hair, the water, and nothing of their faces beyond the edge of a cheek and the low outer corner of an eye. On the left stands the woman in the long black coat: a tall, slender figure in black, a dark coat with long sleeves falling straight to her hips, black gloves covering both hands, and her head tipped down so that a long mass of blue hair spills forward over her right shoulder — multicolored, graded from a deeper blue at the crown into a lighter cold blue at the ends, with a pair of fine antenna strands lifting off the top of her head and a set of crossed bangs visible where the hair parts at her cheek. Both gloved hands are clasped loosely behind her back, out of sight behind her hips. Her weight rests on her left leg; the right knee is slightly bent, one boot heel set an inch back from the stone lip. On the right stands the woman in the black kimono and white captain's haori: a tall, composed figure, the haori hanging wide over her shoulders and marked with a faint charcoal emblem panel across the back, the black kimono and obi cinched at the waist, a narrow bracelet showing at the left wrist where her sleeve pushes back. Her hair is black, so long it falls past her hips in a single heavy braid drawn over her left shoulder, a few strands hanging free between her eyes and at her temple. She leans forward a half-step more than her companion, right arm hanging with the fingers loosely curled, left hand resting flat against the side of her thigh; the braid slides slowly off her shoulder with the quiet forward lean. Their heads are close together — the crown of the blue-haired woman's head level with the other's ear — and both of their gazes drop straight down through the surface, fixed on the same point on the riverbed, their attention joined by that shared line of sight rather than by speech. A faint, closed-lip light smile sits on the edge of the right-hand woman's visible cheek; the left one's brow is drawn slightly down in quiet concentration. In front of them the river runs shallow and utterly transparent: the stones of the bed show in tan and pale grey through the water, banded by caustic light bent into bright nets across the bottom, and every submerged pebble sits crisp under its own shallow shadow. Six slender silver-grey fish hang in the current just below the surface, bodies angled upstream, fins splayed against the flow, one of them rolling slightly on its side so its flank catches the light; their shadows fall on the gravel bed slightly offset from the fish themselves, and small rings of displaced surface ride above each body. A single line of wet dark stone marks the waterline at the bottom edge of the frame, and the hem of the white haori hangs just short of it, untouched by water. Light comes from a low sun over the left shoulder, a cool daylight with a slight gold cast: it rims the outer edges of both figures' hair and shoulders in a thin bright line, throws the fronts of their bodies and the ground at their feet into soft shade, and lays a broad glittering band of specular highlights down the river surface that breaks and reforms around the fish. Behind them the far bank is out of focus — a grey-green band of grass, reeds and low trees receding into a mild haze — so the depth reads as wide but the composition stays tight on the two backs and the lit water they study. Palette disciplined to four families: cold blue in the hair and the sunlit water, black and charcoal in the coat, kimono and haori, white only in the haori's cloth, and the warm tan-grey of the wet river stones and riverbed, with the silver of the fish as the single bright accent. Cel-shaded anime rendering, crisp clean linework, flat shadow shapes with hard cel edges, and the sky and far bank slightly hazier and lower in contrast than the foreground stones. Serene, contemplative.
lucy
#Bleach

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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