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AI art "電車内の密着空間・通勤ラッシュのひととき" featuring #merona, #duduk, #Dalaman kereta api, #paha, #beberapa gadis, #Lengan panjang, #memandang penonton and #baju disisip
Jana Secara Percuma

電車内の密着空間・通勤ラッシュのひととき

#merona#duduk#Dalaman kereta api#paha#beberapa gadis#Lengan panjang#memandang penonton#baju disisip
Lebih Banyak untuk Dilihat

Komen

crowded train full of women, magical girls sitting on laps and being hugged by large-breasted girls sitting in seats, secretly masturbating through skirts while feeling shy, elastic anime skin,elastic skin,supple skin,smooth skin,firm skin,girl,shiny skin,gleaming skin,glistening skin,moist skin,elastic skin,supple skin,smooth skin,firm skin,realistic texture,((masterpiece:2.0)),((ultra detailed:2.0)),((high quality:2.0)), best quality, 8k,uhd,shiny hair,highly detailed hair,highly detailed limbs,highly detailed skin,highly detailed body,highly detailed clothing,highly detailed clothes, beautiful background,elaborate background,background depiction with depth,
Paparkan Parameter
Prompt Asal
女性だらけの満員電車、座席に座る巨乳少女に抱き締められれて膝に座りながらスカート越しに恥じらいながらこっそりとオナニーをする魔法少女達、,elastic anime skin,elastic skin,supple skin,smooth skin,firm skin,girl,shiny skin,gleaming skin,glistening skin,moist skin,elastic skin,supple skin,smooth skin,firm skin,realistic texture,((masterpiece:2.0)),((ultra detailed:2.0)),((high quality:2.0)), best quality, 8k,uhd,shiny hair,highly detailed hair,highly detailed limbs,highly detailed skin,highly detailed body,highly detailed clothing,highly detailed clothes, beautiful background,elaborate background,background depiction with depth,
Mod
flash
Saiz
1824 x 1104
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
Avatar image of cipp
3girls, three high school girls, korean, tall female, tall idol-like figure, long legs, extremely long legs, slender, standing, towering over viewer, looking down, looking down at viewer, from below, extreme low angle, chibi viewer perspective, tiny viewer, giantess perspective, foreshortening, close-up on legs, girls looming, in front of viewer, inside train, train interior, subway car, mockery, mocking smile, scornful, contemptuous, smug, looking at viewer, platform shoes, thick soles, white platform sneakers, black leather platform loafers, white platform slip-on shoes, pleated skirt, grey skirt, white button-down shirt, navy blazer, beige knit cardigan, three different outfits, depth of field, dramatic perspective, harsh overhead light. The camera sits at knee height in the aisle of a moving subway car, tilted steeply up, so the three girls at the near end of the car fill the frame from their thick-soled shoes at the bottom edge to their chins near the top, their heads cropped by the upper border and the ceiling strip lights behind them. The girl nearest the lens stands almost on top of it: white button-down tucked into a short pleated grey skirt, white platform sneakers planted wide, right hip cocked and left leg straight, her skirt hem hanging in a shallow diagonal above the knee line; one hand hooks a finger into the knot of her loosened collar and the other hangs at her side with the knuckles just brushing the fabric of her skirt. She tips her chin down toward the lens, one brow lifted higher than the other, a lopsided smirk pulling one lip corner up, eyes half-lidded and aimed straight down the barrel of the camera. A pace behind her right shoulder, the second girl in a navy blazer over a white shirt and black leather platform loafers leans her weight onto her left foot and crosses her ankles slightly, one hand sliding into her blazer pocket, her head tilted to the side, the same flat scorn in a colder key, her glance travelling down past the viewer and one lip curled; her blazer edge swings a little forward over her hip from the sway of the train. Further back and to the left, the third girl in a beige knit cardigan over a white shirt lifts the toe of one white platform slip-on to balance on the other, arms folded loosely across her chest, chin raised an inch so she can look down her nose along the aisle, a slow snort narrowing her eyes. All three are tall and long-legged, their legs drawn out by the low foreshortening into the dominant vertical of the picture, and none of them smiles with any kindness. Behind them a row of grey seats and a curved metal grab pole recede toward the far door, and a hanging strap is flung out toward the car's end by the train's acceleration, its webbing stretched taut against the direction of travel. The light comes from the cold white ceiling strips overhead and just behind their heads, throwing rim highlights along the tops of their hair and shoulders while their faces drop into soft shadow, their bodies casting long veiled shadows down the aisle toward the lens; the floor's rubber matting carries a faint scuff where a platform sole has gripped. Beyond them the car dims and the distant passengers narrow to vague grey silhouettes. The palette is the train's own cool grey-white with the skirt grey, navy, and beige, and one blunt red warning stripe running along the top wall. No text anywhere in frame, the ad placards above the windows blank and illegible. Effortlessly cruel, small and in the way.
cipp
AI artwork
Avatar image of cipp
3girls, three high school girls, korean, tall female, tall idol-like figure, long legs, extremely long legs, slender, standing, towering over viewer, looking down, looking down at viewer, from below, extreme low angle, chibi viewer perspective, tiny viewer, giantess perspective, foreshortening, close-up on legs, girls looming, in front of viewer, inside train, train interior, subway car, mockery, mocking smile, scornful, contemptuous, smug, looking at viewer, platform shoes, thick soles, white platform sneakers, black leather platform loafers, white platform slip-on shoes, pleated skirt, grey skirt, white button-down shirt, navy blazer, beige knit cardigan, three different outfits, depth of field, dramatic perspective, harsh overhead light. The camera sits at knee height in the aisle of a moving subway car, tilted steeply up, so the three girls at the near end of the car fill the frame from their thick-soled shoes at the bottom edge to their chins near the top, their heads cropped by the upper border and the ceiling strip lights behind them. The girl nearest the lens stands almost on top of it: white button-down tucked into a short pleated grey skirt, white platform sneakers planted wide, right hip cocked and left leg straight, her skirt hem hanging in a shallow diagonal above the knee line; one hand hooks a finger into the knot of her loosened collar and the other hangs at her side with the knuckles just brushing the fabric of her skirt. She tips her chin down toward the lens, one brow lifted higher than the other, a lopsided smirk pulling one lip corner up, eyes half-lidded and aimed straight down the barrel of the camera. A pace behind her right shoulder, the second girl in a navy blazer over a white shirt and black leather platform loafers leans her weight onto her left foot and crosses her ankles slightly, one hand sliding into her blazer pocket, her head tilted to the side, the same flat scorn in a colder key, her glance travelling down past the viewer and one lip curled; her blazer edge swings a little forward over her hip from the sway of the train. Further back and to the left, the third girl in a beige knit cardigan over a white shirt lifts the toe of one white platform slip-on to balance on the other, arms folded loosely across her chest, chin raised an inch so she can look down her nose along the aisle, a slow snort narrowing her eyes. All three are tall and long-legged, their legs drawn out by the low foreshortening into the dominant vertical of the picture, and none of them smiles with any kindness. Behind them a row of grey seats and a curved metal grab pole recede toward the far door, and a hanging strap is flung out toward the car's end by the train's acceleration, its webbing stretched taut against the direction of travel. The light comes from the cold white ceiling strips overhead and just behind their heads, throwing rim highlights along the tops of their hair and shoulders while their faces drop into soft shadow, their bodies casting long veiled shadows down the aisle toward the lens; the floor's rubber matting carries a faint scuff where a platform sole has gripped. Beyond them the car dims and the distant passengers narrow to vague grey silhouettes. The palette is the train's own cool grey-white with the skirt grey, navy, and beige, and one blunt red warning stripe running along the top wall. No text anywhere in frame, the ad placards above the windows blank and illegible. Effortlessly cruel, small and in the way.
cipp

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Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ