Nov 9, 2026

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刀剣乱舞：大倶利伽羅と五虎退のやすらぎ

『刀剣乱舞』の大倶利伽羅と五虎退を描きました。縁側で日向ぼっこをしながら、五虎退が大倶利伽羅の膝の上で幸せそうに微笑んでいる姿がとても愛らしくて、つい見入ってしまいます。二人の穏やかな時間に癒やされたら、いいねとフォローをよろしくお願いします！

#yaoi #Duduk di atas riba #engawa #Touken Ranbu #Gokotai #Ookurikara #Gokotai's Tigers #pintu gelongsor #2 lelaki

Diterbitkan pada Nov 9, 2026

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character: gokotai, ookurikara, copyright: touken_ranbu 2boys, older man and young boy, sitting, sitting on engawa, on lap, hand on another's cheek, cheek squish, squishing cheeks, pinching cheeks, chubby cheeks, smile, closed eyes, :3, blush, head tilt, looking at another, looking down, holding, hug, from side, profile, dutch angle, cowboy shot, wooden veranda, shoji screens, japanese house, interior, daylight, warm light, shoji light grid, soft shadow, brown hair, multicolored hair, two-tone hair, medium hair, yellow eyes, dark skin, gloves, short hair, white hair, blonde hair, grey hair, military uniform, shorts, long sleeves, necktie, socks, hat, no text The camera looks in from the open garden side, low and slightly tipped, a side-on view so the veranda boards, the shoji screens behind and the two figures read as one silhouette against the bright paper. Ookurikara sits on the engawa's planked edge with his left leg folded flat along the boards toward the camera and his right knee propped up high, one boot sole braced against the veranda's lip, weight on the back of his left hip; his long torso leans back a little into the shade with his shoulders loosened, and the low daylight rides his dark-skinned cheekbone and the edge of his jaw. He holds his head tilted down and slightly cocked, yellow eyes narrowed into the softest lopsided half-smile, gaze coming down onto the boy. His right hand comes up and across to the boy's face, and the pad of his thumb and the crook of his forefinger sink into the boy's plump cheek, squeezing it up until it bulges between them; the fingers press in and the soft flesh pushes out above and below, a faint dimple of indentation travelling under the skin. His gloved hand is spread against the boy's shoulder to steady him, thumb at the collarbone. Gokotai sits sideways across the tall man's lap with his back leaning against the broad chest and his legs draped over the propped knee, one small shoe swinging free off the veranda; his head tips into the squishing palm with his cheek absolutely flattened at the point of the pinch. His short white-to-blonde-grey hair falls across his brow in soft tufts, yellow eyes closed in a contented, wobbly crescent, a little of the plump lower lip pushed up. His chin nudges toward the hand. His short-sleeved military uniform and shorts ride up as he sits, the necktie loosened and hanging, socks slipping down at the ankles, a soldier's small hat lying tipped-over on the boards beside his hip. Behind them the shoji screens of the Honmaru stand in a row, their pale paper making the only strong light: daylight filtered through, laying a soft ladder of bright rectangles and shadow bars along the veranda planks and across the men; the garden side behind the next post drops away into a muted green blur. No other light source is named; the shade under the eaves carries the rest of the frame. Around it all the quiet hush of a lord's house at midday, the two figures set small against the length of the veranda, with only one small hat and the gleam of a gloved hand breaking the wide horizontal boards. Warm wood brown, paper white and dull green, with the boy's uniform and cap registering as soft dim accents; tucked in close and wholly at ease.

刀剣乱舞：大倶利伽羅と五虎退のやすらぎ

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