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Notice: About Recent Slower Generation Speeds and Limited Computing Resources โ€” Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI haveโ€ฆ

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AI artwork
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tkiya9143#0

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character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
Paparkan Parameter
Prompt Asal
ใ‚จใƒฌใƒณใƒปใ‚ธใƒงใƒผใ€็พŽ่ก“ๅฎคใ€ไบบ้–“ใƒ‘ใƒฌใƒƒใƒˆใ€ใƒใƒผใ‚บใ€ไธŠๅŠ่บซใ‚ขใƒƒใƒ—ใ€ใ‚ญใƒฃใƒณใƒ‘ใ‚นใฎ่กฃ่ฃ…ใ€็›ฎใ‚’้–‹ใใ€ๅฃใ‚’้–‹ใ‘ใ‚‹ใ€้ก”้ขใƒ‘ใƒฌใƒƒใƒˆใ€ๆญฃ้ขใ‚’ๅ‘ใใ€้ก”ใ‚ขใƒƒใƒ—ใ€็ญ†ใงๅก—ใ‚Š่พผใพใ‚Œใ‚‹
Mod
pro
Tag Kualiti
๏นArahan๏นž
Saiz
1104 x 1824
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen joe, black hair, short hair, multicolored hair, red hair, colored inner hair, red eyes, sharp dark eyeliner, shark-like sharp teeth, tail, fish tail, maid headdress, hair ornament, upper body shot, face close-up, facing forward, front view, straight-on, close-up, open eyes, wide open eyes, open mouth, painted face, face paint, multicolored paint on face, palette face, paint on cheek, wet paint, art room, canvas outfit, sexy outfit, body paint, brush, paintbrush, brush against eye, paint dripping, paintbrush touching face, being posed, posing, arms at sides, bright background, white background, high key, watercolor paint, thick brushstroke, glossy paint, from front, eye contact, viewer She faces the camera dead-on, straight forward, shoulders square to the frame, and the top of her hips is the bottom edge of the crop โ€” an upper-body shot that is also a face close-up, her features filling the middle of the picture, the art room's brightness blowing out the top two corners of the frame. Ellen Joe's black-and-red hair is short, chopped blunt at the jaw, with one inner lock near her cheek stained red and a colored inner layer flashing behind it, the short strands held back off her forehead, her fish tail folded behind her shoulder where the crop lets only its edge slide in at the lower left. On her face she has become the palette: thick smears of yellow, vermilion, cerulean, green and violet laid with a flat brush across both cheeks, her forehead, the bridge of her nose, right over her chin, running in wet ridges and pooling slightly where the jaw falls away โ€” the paint glosses hard and glossy under the light, thin at the edges, thick at the center. Her eyes are wide open, red irises ringed by dark liner, whites catching a hard pinpoint of the overhead lights, and the brush she is being painted with presses into the outer corner of her left eye and is dragged along the waterline, bristles splayed by the contact, a bead of blue running from the lid down to the smear on her cheek. Her mouth is open, lips parted, teeth showing, the tip of her tongue faintly visible, the huff of a breath moving. A hand from offscreen grips the brush and her face is steadied by another, unseen, on her jaw, tilting it up slightly so that the skin over her cheekbone stretches. The costume is canvas: bandage-tight strips of coarse white canvas wrapped and sewn around her torso in a halter cut, the edges frayed and paint-stained, the weave visible on the surface where light catches the threads; over it she wears a short-sleeved cropped canvas bolero jacket stitched with a visible running stitch, unbuttoned so it opens over her chest; the whole outfit is splattered with the same five colors that are on her face. Bright background: the art room is flooded with cold white daylight, the walls and easels washed almost to paper white, silhouettes of drying canvases and a rack of brushes barely holding shape in the overexposure. From the high angle, the far corners of the room fall into shallow blurs of color, giving the figure a pale halo behind the hair. No other person is in frame; the hands holding the brush and jaw have no body attached in the crop. A tiny drop at the end of the brush hovers, uncannily refusing to fall until it grows heavy enough. Luminous, unsettling.
tkiya9143#0

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AI artwork
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช