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AI art "ここ、穴場だよ？" featuring #Memandang ke belakang and #Dahi
Jana Secara Percuma

ここ、穴場だよ？

#Memandang ke belakang#Dahi
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dino

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Komen

A full body shot from a rear view and slightly low angle depicts a 10-year-old girl squatting on the floor, looking back over her shoulder toward the viewer. She has a slender build with a flat chest, long flowing hair, and a forehead exposed as she uses one hand to gracefully brush her hair away from her face. She wears a tight-fitting white T-shirt that hugs her frame and black spandex leggings (spats), and she is barefoot. She has a gentle, smiling expression on her face as she glances sideways. The setting is a minimalist indoor environment with a neutral floor. The visual style is highly realistic and 3D, featuring realistic lighting with soft gradients and warm highlights on the skin for a polished, high-finish look. The atmosphere is intimate and sensual, characterized by smooth textures, controlled color harmony, and a glossy, airbrushed rendering quality.
Paparkan Parameter
Prompt Asal
スパッツ　ぴったりしたTシャツ　10歳　貧乳　しゃがむ　背中側から見る　横を向いて微笑む　髪の毛をかきあげる　ロングヘア　デコだし　裸足　Real style, Realistic lighting, 3D real,
Mod
lite
Gaya
Semi-Real
Saiz
768 x 1280
Gaya: Semi-Real

Model & LoRA yang digunakan

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.89k

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Papar lagi
AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒
AI artwork
Avatar image of 黒
solo, 1girl, young girl, black hair, bob cut, short hair, inward-curving hair ends, straight-cut bangs, seen from behind, from behind, ultra-low-angle shot from the floor, from below, extreme foreshortening, crouching, full squat, leggings, black leggings, opaque leggings, fitted t-shirt, short sleeves, bare feet, looking down, head turned slightly to the side, profile of cheek visible, no accessories, hair completely unadorned, bare ears, empty earlobes, empty floor, wall-to-floor corner, hard concrete floor, low-key interior light The camera sits flat on the floor, lens almost touching the concrete, tilted steeply upward, so the girl's crouched body towers over the frame: the soles of her bare feet fill the bottom foreground, huge and nearest the lens, toes curled and gripping the ground for balance, the balls of both feet pressed firmly down, heels lifted just off the concrete. Above them the matte black opaque leggings rise in a long taut stretch of fabric over her calves and thighs, catching a faint sheen along the shin bone and darkening in the crease behind each knee where the cloth folds and compresses against itself. She is in a deep full squat, knees bent sharply and splayed slightly outward, hips lowered almost to her heels, weight settled back over her feet, her torso folded forward and down so her back rounds toward the camera as a broad dark shape. The fitted charcoal grey short-sleeved t-shirt pulls tight across her rounded back, riding up a little at the hem where it meets the waistband of the leggings, the thin cotton showing the ridge of her spine and the shift of her shoulder blades. Her arms hang forward and down out of sight beyond her knees, only the elbows visible as small grey points tucked in at her sides. Her black bob sits at the very top of the frame, its straight-cut bangs hidden beyond the crown from this angle, and what the camera sees is the back of the head: the dense black hair swinging forward and down as she tips her head, the inward-curving ends flicking in toward the nape of her neck and closing on the skin there in a clean curved line, a few fine strands lifted away by the air. The back of her head is turned away; only a sliver of her cheek and the corner of one eye are caught at the right edge of the silhouette as she glances down and slightly aside, lashes lowered, a soft closed-mouth calm on the little that shows of her face, no smile aimed at the lens. Her hair and the loose hem of the shirt hang toward the floor under gravity even as her body rises over the camera, the only movement in the still air. The setting is a bare interior corner: a scuffed hard concrete floor filling the bottom of the frame with faint dust and a hairline crack running diagonally toward her toes, a plain pale grey wall rising behind her, nothing else in the room. A single low light source sits somewhere behind and above her, off to the left, so the top of her black hair and the upper curve of her back catch a narrow rim of cool light while the underside of her thighs, the crease behind her knees and the wall behind her fall into soft, deep shadow; her cast shadow pools on the floor beneath her feet, tight and dark where the body is closest to the ground and blurring out toward the frame edges. The palette is held to black hair and black leggings, warm mid-grey skin tones and the cool pale grey of wall and floor, nothing else admitted. Crisp cel-shaded anime rendering with clean linework and flat-to-flat shadow shapes. Quiet, grounded, faintly tender.
黒

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Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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