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AI artwork
Jana Secara Percuma

息耐者カール

息

息耐者カール

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3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
Paparkan Parameter
Mod
flash
Gaya
Tender Brushstroke
Saiz
1632 x 1232
Gaya: Tender Brushstroke

Model & LoRA yang digunakan

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in center, two brides on either side, bride on left, bride on right, cheek kiss, kissing both cheeks simultaneously, double cheek kiss, heart-shaped pupils, heart eyes, cleavage, bridal gowns, strapless bridal gown, white bridal veil, bridal veil, heart-shaped frame, heart-shaped light frame, glowing heart ring, floating hearts, red hearts, pink hearts, sparkles, closed eyes, blush, smile, from below, looking at viewer, cowboy shot, upper body, arms at sides, dutch angle, painterly, flat color, textured brushstrokes, minimal linework, bold silhouette, graphic contrast, warm palette Low-angle three-quarter view, tilted slightly off horizontal, framing three figures at the waist up, arranged in a tight symmetrical cluster: at the exact center a sturdy adult man, black tousled hair, dark brows, a dark high-collared jacket, shoulders squared; on his right a bride in a strapless white gown with a sweetheart neckline and a lace-edged veil falling behind her shoulders; on his left a second bride, identical bridal attire in matching white, veil framing her hair. Both brides lean inward and press their lips to his cheeks at the same moment — the right bride's mouth planted on his right cheek, the left bride's mouth on his left cheek, each with a hand resting flat against his upper arm, fingers curled over the sleeve, their shoulders overlapping his and their bodies turned toward him so their bodices angle inward and the tops of their chests and the deep center line of their cleavage catch the light. Their eyes are shut in the kiss, lashes down, cheeks flushed; the man's eyes are two bright pink heart shapes, wide and luminous, both aimed straight at the viewer, and his mouth is a small helpless open smile. Hair and veil fabric swing inward toward the center where the two bodies press against him. Behind and around the trio a heart-shaped ring of light glows, a single continuous luminous heart outline encircling all three from chest height to just above their heads; small hearts of the same pink light float free around them at several depths, a couple in front of the shoulders, most scattered in the darker air behind. The light ring is the only light source: its rim throws a warm pink wash onto the inner side of each face and shoulder, leaves the outer edges of the three figures and the space beyond them in deep violet shadow, and the ring's glow rims the man's hair and the two veils with a fine pink edge. Palette locked to white, blush pink and deep violet, with the man's dark hair and jacket as the single black anchor. The floating hearts cast faint pink reflections across the glossy white satin of the two gowns. Effortlessly warm and playful.
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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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