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Mita

#MiSide #Crazy Mita #Mita

Diterbitkan pada Nov 10, 2026

midorya izuku

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character: mita_(miside), copyright: miside, scream_(movie) 1girl, solo, mita \(miside\), blue hair, long hair, hair intakes, red hairband, hair ornament, heterochromia, blue eye, purple eye, two-tone eyes, halloween, halloween costume, witch costume, black pointed hat, orange ribbon, black and orange striped stockings, black mini dress, puffy short sleeves, holding knife, blood on knife, dripping blood, blood on hand, holding mask, scream mask, ghostface mask, white mask, black open mouth, smiling, open mouth smile, teeth, :d, looking at viewer, upper body, from below, dutch angle, slight foreshortening, dark background, jack-o'-lantern glow, single light source, orange and violet palette, Seen from below at a slight dutch tilt, the frame canted a few degrees clockwise, a young woman leans in over the camera and fills two-thirds of an autumn-dark frame, cut at mid-thigh. Her long blue hair falls in a heavy curtain past her shoulders, twin hair intakes curling at the crown, a red hairband tied snug behind them, and the tilt throws the hair forward across her near cheek so it breaks the line of her jaw. Her face is fully toward the lens: one blue eye and one violet eye both fixed straight on the viewer, eyelids slightly lowered, and her smile is wide and open with the top row of teeth caught in the lamplight, one corner pulled a little higher than the other — delighted, not threatening. Her right arm is raised high and angled across her body toward the upper-left corner of the frame, and her fist curls around the handle of a broad kitchen knife whose blade points up and out past the frame edge. Wet blood sheets down the flat of the blade in one continuous film, gathers along the cutting edge, and hangs in a thick drop at the lowest point of the steel; a second, thinner run has already travelled the length of the blade and crossed onto the back of her gripping hand, where it pools at the base of the thumb and starts a slow thread toward her wrist. Her left hand is at chest height, fingers hooked through the eye-holes of a white rubber Ghostface mask held flat side to the camera, the mask's black open mouth and stretched eye slits facing forward, the whole mask tilted a few degrees so it catches the same light as her face; its lower edge overlaps her collarbone and the mask's chin nearly touches her wrist. She wears a Halloween witch costume: a black short-sleeved mini dress with a scalloped hem and a wide orange sash cinched at the waist, puffed sleeves ending above her elbows, and black-and-orange striped stockings disappearing out of the bottom of the frame. A tall black pointed hat with a broad bent brim sits cocked back on her head, an orange ribbon knotted around its base, the tip of the hat cropped by the top edge of the frame. She is bare-shouldered above the dress, both shoulders unobstructed, and both ears are bare. To her left and low in the frame, a carved jack-o'-lantern sits just off-focus on a dark wooden step, and it is the only light source: it throws a warm orange up-key onto the underside of her chin, the inside of her raised forearm, and the blood-wet underside of the blade, leaving the background — a black hallway wall with faintly illegible cobwebbed bunting — in near-total darkness. The blood is the only dark red in the palette; everything else is orange, black and the cold violet of her one eye. Because the light comes from below, the mask's white surface blazes while the fingers behind it fall into shadow — and the blood on her knife-hand glistens with a hard specular line that the matte rubber of the mask refuses. Playfully sinister.

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