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卯月さん寝袋拘束
Seni AI "卯月さん寝袋拘束" oleh 余命一万一日 di PixAI. Tag: The Idolmaster, The Idolmaster Cinderella Girls, BDSM, Tidur. Dijana dengan Tsubaki.3 Flash.
Paparkan Parameter
- Prompt Asal
- 紺色の寝袋に入ってぐっすり眠っている島村卯月の全身像。寝袋は体に大きすぎず小さすぎないサイズで、フィットしている。八頭身。首回りのドローコードはいっぱいまで締められて顔とほんの少しの髪だけが外に出ている。口にはガムテープを貼られている。首から足まで等間隔に配置された8本の革のベルトできつく締めつけられている。
- Mod
- flash
- Saiz
- 1104 x 1824
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi余
卯月さん寝袋拘束
余命一万一日
余
卯月さん寝袋拘束
余命一万一日
余
卯月さん寝袋拘束
余命一万一日
余
character: shimamura_uzuki
sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread
The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
Komen