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千川ちひろさん詰め合わせ

Seni AI "千川ちひろさん詰め合わせ" oleh 余命一万一日 di PixAI. Tag: The Idolmaster, The Idolmaster Cinderella Girls, bondage. Dijana dengan Tsubaki.3 Flash.

おおおおおおおおお！

#The Idolmaster #The Idolmaster Cinderella Girls #gag pita #Chihiro Senkawa #Imobilisasi

Diterbitkan pada Nov 14, 2026

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余命一万一日

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character: senkawa_chihiro 1girl, solo, senkawa_chihiro, brown hair, long hair, single braid, braid over shoulder, sidelocks, red scrunchie, hair ornament, bound, sack, body bag, yellow-green cloth, canvas, head out, sitting, chair, feet on floor, looking up at viewer, looking at viewer, duct tape, tape gag, mouth covered, cord around neck, tight neck binding, leather belts, six belts, restrained, arms bound, legs bound, toes covered, from below, close-up, cowboy shot, indoor, window light, confined, tense The camera sits low, below knee height, tilted up so the viewer looks along the ascending line of the bound body toward the lifted face -- a from-below cowboy shot with the chair's front legs planted in the near foreground and the figure rising above them. She sits squarely on a plain wooden chair with a solid back, her spine pressed to it, hips far back on the seat and both feet flat on the floorboards, heels down, soles meeting the boards; because the sack wraps her from crown of the neck to the tips of the toes, the feet read as two rounded pouches of taut yellow-green fabric resting on the boards, no bare toe showing anywhere, and a shallow compression crease marks the board line under each heel where her weight sits. The sack is sturdy canvas-weave cloth in a flat yellow-green, cut body-length and form-fitted: it hugs the curve of her shoulders, the small of her back and the line of her bent thighs, not loose, not straining, with the weave visibly coarse where the light rakes across it. Only her head emerges. Around her neck the cloth gathers into a tight corded knot cinched hard into the fabric, and about five centimetres of excess cloth flares above it, fanning up in a stiff ragged collar that circles the whole neck; the cloth above the cord bulges very slightly outward, puckered where the binding has pulled it. Her jaw is sealed with a strip of grey duct tape pressed flat across her mouth, its edges lifting a hair at one corner and folding over onto itself, dull sheen catching the light along one wrinkle. Six leather belts, dark brown with worn edges and plain metal buckles, cross the sack horizontally at even intervals from just below the chest to just above the ankles, each pulled taut enough to sink a groove into the cloth between them; the fabric bulges softly in the gaps and gathers into pinched creases at every belt edge. The lowest belt cinches just above the wrapped feet. Her head tips back and up; her brown eyes are fixed on the viewer directly overhead of her, lids lifted, brows drawn slightly together, the skin under one eye taut. Her long brown hair is drawn into a single braid that swings forward over her right shoulder to lie against the yellow-green sack, loose strands at the temple, and a red scrunchie holds the braid's top near her ear; sidelocks hang along her cheeks. One braid end rests on the canvas, shifted by the tilt of her head. The room is bare and close: a plank floor, a blank plaster wall behind her a metre back, and a tall window on the right throwing low cool daylight across her from the side, so the lit side of the sack shows the canvas tooth and the shadowed left side falls into deep green. The chair's legs and her feet cast short dark shadows forward-left onto the boards. Palette holds to yellow-green canvas, dark brown leather, her brown hair, the single red of the scrunchie and the grey tape. Low, quiet, uneasy.

千川ちひろさん詰め合わせ

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