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AI art "海岸線をドリフトするAE86"
Jana Secara Percuma

海岸線をドリフトするAE86

Seni AI "海岸線をドリフトするAE86" oleh 小紋 di PixAI. Tag: dutch angle, air, Langit, Luar ruangan, Bayang, pemandangan. Dijana dengan Tsubaki.2.

#dutch angle#air#Langit#Luar ruangan#Bayang#pemandangan#awan#kereta#Tiada manusia#lautan#Initial D#Penghadang jalan#Bangunan#tiang lampu#Toyota Sprinter Trueno#Siang#langit biru#langit mendung#Kaki langit#jalan#Fokus kenderaan
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Komen

(masterpiece:1.4), (best quality:1.4), 1 vehicle, no humans, sports car, Toyota AE86, panda Trueno two-tone paint, black lower body, white upper body, black hood, retractable headlights raised, hatchback coupe, drifting, taking a corner, four-wheel drift, rear wheels sliding, tire smoke, brake light, tail lamp, red brake light glow, coastal road, winding cliffside highway, guardrail, blue sky, cumulus clouds, sea horizon, signboards, roadside sign, streetlights, curved streetlight poles, sense of speed, motion afterimage, speed lines, motion blur, radial blur, dutch angle, wide shot, low camera, from below, high saturation, bold colors, sharp focus, shallow depth of field, daylight, hard sunlight, asphalt texture The camera sits low at the outside of a blind, winding cliffside corner, tilted on a dutch angle, so the road sweeps up across the frame and the sea and blue sky fill the upper half behind it; the corner is a tight right-hander over a coastal road that narrows into a highway climbing away between guardrails. A single black-and-white two-tone sports coupe, white over the pillars and roof and doors with the black lower body and black hood of the panda two-tone scheme, is caught mid-corner with its rear end stepped out: the front wheels turned into the curve, the rear axle slung wide toward the camera, the body rolled onto the loaded outer suspension, the pop-up headlights raised and throwing a thin white beam into the daylight. The car faces away through the apex so the rear panel is the hero of the shot — the red tail lamp lit and the brake light burning a hotter red beneath it, their glow doubling on the polished black paint. Every contact point is stated: four tyre patches grinding the sun-hot asphalt, the outer shoulder of each rear tyre feathering off the tarmac dust, the loaded sidewall flexing, a thin line of rubber laid exactly along the arc the rear has just travelled. Smoke torn off the rear tyres streams downwind and thins against the guardrail, and the whole car is smeared by a soft directional afterimage — three progressively fainter ghosts of the same coupe pulled back along the trajectory, plus radial speed lines converging through the apex, so the still frame reads as one instant of a fast slide. Blue sky is a clean saturated band above a hard sea horizon; brush and rock line the outside of the guardrail. Signboards stand on the shoulder inside the curve, their faces angled toward oncoming traffic, tilted by the perspective of the corner and weathered at the edges, lettering rendered as illegible painted marks; a row of streetlight poles leans down the highway into the distance along the guardrail. One hard midday sun from camera left throws the coupe's shadow across the asphalt toward the lower right and lights the white paint to a blown cream while the black panels hold a cold blue reflection of the sky; shadow pools deep under the car and along the guardrail's feet. Palette discipline: saturated cobalt sky, white car panels, black car panels, the red of the lamps and the smoke-white of the tyre marks — nothing else admitted at full strength. Detail budget on the rear panel, the lit lamps, the tyre contact patches and the arc of rubber; the distant highway, sea and streetlight row simplified into clean shapes. Effortlessly fast. anime illustration, great quality, best quality
Paparkan Parameter
Prompt Asal
(masterpiece:1.4), (best quality:1.4), 1 vehicle, no humans, sports car, Toyota AE86, panda Trueno two-tone paint, black lower body, white upper body, black hood, retractable headlights raised, hatchback coupe, drifting, taking a corner, four-wheel drift, rear wheels sliding, tire smoke, brake light, tail lamp, red brake light glow, coastal road, winding cliffside highway, guardrail, blue sky, cumulus clouds, sea horizon, signboards, roadside sign, streetlights, curved streetlight poles, sense of speed, motion afterimage, speed lines, motion blur, radial blur, dutch angle, wide shot, low camera, from below, high saturation, bold colors, sharp focus, shallow depth of field, daylight, hard sunlight, asphalt texture The camera sits low at the outside of a blind, winding cliffside corner, tilted on a dutch angle, so the road sweeps up across the frame and the sea and blue sky fill the upper half behind it; the corner is a tight right-hander over a coastal road that narrows into a highway climbing away between guardrails. A single black-and-white two-tone sports coupe, white over the pillars and roof and doors with the black lower body and black hood of the panda two-tone scheme, is caught mid-corner with its rear end stepped out: the front wheels turned into the curve, the rear axle slung wide toward the camera, the body rolled onto the loaded outer suspension, the pop-up headlights raised and throwing a thin white beam into the daylight. The car faces away through the apex so the rear panel is the hero of the shot — the red tail lamp lit and the brake light burning a hotter red beneath it, their glow doubling on the polished black paint. Every contact point is stated: four tyre patches grinding the sun-hot asphalt, the outer shoulder of each rear tyre feathering off the tarmac dust, the loaded sidewall flexing, a thin line of rubber laid exactly along the arc the rear has just travelled. Smoke torn off the rear tyres streams downwind and thins against the guardrail, and the whole car is smeared by a soft directional afterimage — three progressively fainter ghosts of the same coupe pulled back along the trajectory, plus radial speed lines converging through the apex, so the still frame reads as one instant of a fast slide. Blue sky is a clean saturated band above a hard sea horizon; brush and rock line the outside of the guardrail. Signboards stand on the shoulder inside the curve, their faces angled toward oncoming traffic, tilted by the perspective of the corner and weathered at the edges, lettering rendered as illegible painted marks; a row of streetlight poles leans down the highway into the distance along the guardrail. One hard midday sun from camera left throws the coupe's shadow across the asphalt toward the lower right and lights the white paint to a blown cream while the black panels hold a cold blue reflection of the sky; shadow pools deep under the car and along the guardrail's feet. Palette discipline: saturated cobalt sky, white car panels, black car panels, the red of the lamps and the smoke-white of the tyre marks — nothing else admitted at full strength. Detail budget on the rear panel, the lit lamps, the tyre contact patches and the arc of rubber; the distant highway, sea and streetlight row simplified into clean shapes. Effortlessly fast.,.
Mod
ultra
Saiz
1536 x 1184
Negatif
worst quality, photorealistic, bad anatomy, blur, low resolution
Watermark
On

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