Starter credits added when you sign up.

メアさんイメチェン

Seni AI "メアさんイメチェン" oleh うざぴょい di PixAI. Tag: mata merah, rambut panjang, Rambut hitam. Dijana dengan Tsubaki.3 Flash.

この前、おっぱいチャレンジ結果発表のところで公開した赤背景のオリキャラメアさん、なんか違和感あるんだよな〜？と思ってよく見たら、ケモミミが上に生えてるのに人の耳も顔の横にある！これはゆゆしき事態ですよ！w 人耳は消さなきゃ！というわけでTsubaki3Flashでの編集を試みたところ… アッー！服の指定完全に忘れた！ということで過去一のイメチェンというか、露出度の高い白い衣装になってしまいましたw 背景のカラーリング等の変更に気を取られすぎ、かつ最近ワンプロンプトおっぱいチャレンジのしすぎで、キャラの描写をロクにしてなかったからな〜w

#Telinga haiwan #mata merah #rambut panjang #Rambut hitam #sebelah tangan di pinggang #Sayap #Bercahaya #Potongan pusat #senget kepala #patung

Diterbitkan pada Nov 15, 2026

うざぴょい

Lebih Banyak untuk Dilihat

1girl, solo, character focus, from below, low angle, cowboy shot, looking down at viewer, jackal prick ears, two tall upright black-backed jackal ears with pale inner fur, animal ears only, no human ears, long hair covering sides of head, hair over ears, piercing red eyes, glowing red eyes, slit pupils, large bat wings, succubus wings, spread wings, black membrane wings with visible finger bones and scalloped trailing edge, clawed wing thumbs, humanoid body, anatomically correct, arms at sides, one hand raised, pointing at viewer, finger gun, head tilt, lopsided smirk, one eyebrow raised, fang, sharp canine, dark brown skin, long wavy black hair, bare shoulders, collarbone, halter top, gold armlet, green Arabic sacred place, arabian architecture, pointed horseshoe arches, green marble columns, green tiled courtyard, muqarnas, geometric arabesque tilework, holographic lights, cyan magenta holographic glow, projector beams, light rays, volumetric light, symmetrical architecture, wide shot, dramatic perspective The camera sits low and looks steeply up: the girl fills the center of the frame from mid-thigh to the tips of her ears and her wing-arches, the green sanctuary rising behind and above her in converging verticals. Her weight rests on her left leg, hip pushed out that way; her right knee bends slightly forward, one bare foot planted flat on the polished green stone. From this angle her head tips back just enough that she is looking down the line of the shot at the viewer, chin lifted, one brow arched high, the corner of her mouth pulled up on one side so a single pointed canine shows. From the tips of her two tall, upright, black-backed prick ears with pale inner fur down: the ears break the skyline of the courtyard behind her, and the long wavy black hair falls forward over both sides of her head, its thick masses lying flat against her temples and covering the whole sides of the skull so that nothing but the jackal ears shows — the hair itself is the thing seen, drawn back behind the ears but sweeping across the sides of the head in broad locks that lie against her jaw and her collarbone. Her eyes are the brightest thing in the frame: deep red irises lit from within, slit pupils, wet highlight at the lower lid, a hard small catchlight from the hololight overhead. A faint sheen of sweat sits on her collarbone and the bridge of her nose, catching the beam. Her huge bat wings are spread and half-folded at once — the near wing thrust out to the left and up, its black membrane stretched taut so the long finger bones read as pale ribs inside the dark skin, the scalloped trailing edge hanging in a slow curve; the far wing angles back and up behind her head, its tip cropped by the top of the frame. Where the wings meet her back, the membrane folds pinch against her shoulder blades and the wing thumbs curl forward with their small claws just over her shoulders. Her right arm is bent at the elbow, hand held at chest height, index finger extended toward the viewer, thumb cocked up; her left hand rests at her hip, fingers spread on the waistband, hip bone pushing against her palm. The setting is a vast green Arabic sanctuary in the hour of darkness: a tiled courtyard floor of deep green and jade geometric pattern running in rings out of frame toward the viewer, a colonnade of slender green marble columns with carved capitals, and beyond them three stacked horseshoe arches stepping up the far wall, every surface inlaid with arabesque star-and-polygon tilework in green, cream and gold. Holographic light floods the space from no visible lamp but from the stone itself: broad translucent planes of saturated cyan, magenta and acid-green projection sweeping diagonally through the air between the columns, each beam edged with a brighter rim, some dropping onto the floor as soft caustic patches that only brighten the upward-facing stone and the undersides of the arches. The holograms throw colored spill onto her: cyan along the underside of her jaw and left arm, magenta across the stretched near wing so the membrane glows dull crimson at the veins, green rising from the floor onto the soles of her feet and the insides of her ankles. The darkest areas are the deep recesses of the arcade behind her and the underside of her chin, and nowhere else — the hololight is the only illumination, and it is vivid. Her single shadow, thrown long and spotted with the color of the beams, stretches toward the viewer across the tiled floor, warped where it crosses the tile seams. Palette is controlled to four notes: deep jade green of stone and tile, hot cyan and magenta of the holograms, and the red of her eyes and the dark red translucency of her wing membranes — black hair and black wings as the anchor. Masterpiece, rhetorically lit, effortlessly stylish and faintly dangerous.

メアさんイメチェン

Komen

Model & LoRA yang digunakan

Imej Serupa

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka