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rebung AI Art & Prompts

Explore the trending 296 rebung artworks

AI artwork
Avatar image of なまずかわいい
2 animals, giant panda, red panda, no humans, eating, bamboo forest, ink wash painting, suibokuga, sumi-e, monochrome ink with a faint warm wash, sitting, from side, low angle, bamboo grove background, round porcelain pot, food scattered, chopsticks, steam, tongue out, half-closed eyes, fluffy, from below, wide shot Low-angle wide shot, camera set near the ground and tilted slightly up, so the bamboo culms rise past the top edge and the two animals sit large against the pale paper field. Left of frame: a giant panda seated on its haunches on the mossy ground, weight sunk back on its hips, hind legs splayed, black forepaws wrapped around a shallow blue-grey glazed pot clamped between its feet, the pot's lip smeared with sauce; a bamboo shoot lies half-eaten across its knee. Its head is tipped down and turned in profile toward the pot, one eye squinted shut in contentment, tongue curled out over the rim, a strand of noodles caught on its lower lip. Right of frame, closer to the lens and slightly overlapping the panda's flank: a red panda standing on its hind legs with its forepaws braced on the panda's shoulder, its ringed bushy tail sweeping back and up behind it in a long curve, its white face thrust forward and down toward the same pot, ears swiveled forward, a grain of rice stuck to its whiskers, one paw already hooked over the rim to steal a strip of food. Its gaze is fixed on the food in the pot; the panda's gaze flicks up sideways at the thief, brows raised, cheeks bulging. Contact points are exact: the red panda's paws sink into the panda's shoulder fur, the panda's claws dent the pot's clay lip, the red panda's hind feet press flat on the earth leaving a small scuffed print. The pot is the only vessel; around it a broken shoot, two spilled bamboo leaves and a fallen chopstick rest on the ground, tipped aside. Bamboo culms crowd the background in layered washes, dark and dense at the right, thinning to pale mist-bleached strokes at the left, with jointed nodes and slender leaves brushed in quick tapered strokes; a few culms pass in front of the far edge of the pot in the foreground. Light comes soft and diffuse from the upper left, a damp overcast quality: the panda's white fur glows while the black limbs and ears go deep, the red panda's fur carries a faint warm russet wash that is the only colour admitted besides the pot's cool blue-grey and the green-black ink of the leaves; the moss and shadows pool dark under both animals, and the far bamboo dissolves into unpainted paper white. Bamboo culms cast thin slanted shadows across the moss toward the lower right. Where the steam from the pot rises it thins into an unpainted gap in the ink, and the pale mist sits only between the far culms, never on the animals. Wet ink blooms softly at the edges of the fur, dry brush teeth on the bamboo leaves, paper texture visible in the empty sky. Greedy, companionable
なまずかわいい
AI artwork
Avatar image of 黒マスク兄貴
character: ookami_mio, shirakami_fubuki 2girls, shirakami_fubuki, ookami_mio, walking side by side, walking through autumn leaves, autumn foliage, beautiful autumn leaves, looking up, pointing up, pointing finger upward, excited, frolicking, open mouth, :d, wide-eyed, smile, ookami_mio gazing at shirakami_fubuki, light smile, closed mouth, from below, from side, cowboy shot, full body, long_hair, white_hair, ahoge, single_braid, braid, sidelocks, hair_between_eyes, aqua_eyes, green_eyes, animal_ears, fox_ears, detached_sleeves, neckerchief, black_shorts, thigh_strap, earrings, animal_ear_piercing, black_hair, long_hair, red_hair streaks, streaked_hair, hair_ornament, yellow_eyes, wolf_ears, animal_ears, long_sleeves, black_skirt, outdoors, day, autumn, fallen leaves, depth of field, The camera sits low among the fallen leaves and looks up at both women from a slight side angle, a cowboy shot holding them from mid-thigh to hair, so the whole upper canopy of the maple grove opens above their heads. They walk side by side toward the right of the frame, Fubuki nearer the camera on the left of the pair, Mio half a step behind and to her right, their shoulders almost brushing. Fubuki breaks stride mid-step: her right leg is planted forward with the knee bent and the toe of her other foot just leaving the leaf litter, her chest thrown back and her chin tipped up, her right arm flung straight up with the index finger extended toward a low-hanging branch of crimson maple leaves, her left hand loose and open at her hip. Her mouth is open in a delighted shout, eyes wide and bright aqua-green, her long white hair and single braid swinging out behind her shoulder with the momentum of the step, sidelocks lifting, the fox ears on top of her head pricked forward toward the leaves. She wears a white collared shirt under detached sleeves, a knotted neckerchief at her throat, black shorts and a thigh strap, her earrings and ear piercing catching the light. Mio's head is turned toward Fubuki, not up at the trees: a soft closed-lip smile, eyes half-lowered and warm yellow, watching her companion rather than the foliage. Her black hair falls long past her shoulders with its red streaks, a hair ornament pinned at one side, wolf ears relaxed and angled toward Fubuki, hair-between-the-eyes strands hanging still because her step is even. She wears a long-sleeved shirt and a black skirt, one hand resting easy at her side, the other just beginning to lift. Her gaze is a contact: it lands on Fubuki's upturned face, and Fubuki's own eyes are fixed on the branch overhead, so the pair reads as one looking out and one looking in. The grove is dense around and above them: dark trunks receding into a soft, hazy depth, midground branches heavy with maple leaves in crimson, vermilion and amber, and a carpet of fallen leaves underfoot that their steps have kicked into a loose, disturbed drift, each shoe pressing a shallow print into it. Light comes from low behind the trees on the upper right, a cool late-afternoon sun, so the leaves glow translucent where it passes through them and the two women are rimmed along the top of their hair and shoulders while their faces sit in soft, leaf-filtered shade; long dappled shadows stripe the ground toward the lower left. The palette is autumn: crimson, vermilion and gold in the canopy and the litter, deep brown trunks, and the cool white of Fubuki's hair and the black of Mio's against them. The air carries a faint haze that makes the far trunks paler than the near ones, and a few loose leaves are caught falling between the two figures. Warm, exuberant.
黒マスク兄貴