character: shirogane_tsumugi, enoshima_junko, copyright: danganronpa_(series), danganronpa_v3
character: shirogane_tsumugi, character: enoshima_junko, copyright: danganronpa_(series), copyright: danganronpa_v3, 2girls, mirror, mirror reflection, reflection of another, vanity mirror, ornate mirror frame, silver carved frame, baroque frame, floral crest on frame, dressing table, vanity, vanity table, drawers, brass knobs, upper body, from behind, back view, over the shoulder, straight-on, black background, dark background, empty black ground, makeup, applying makeup, makeup brush, blush brush, holding brush, (brush at cheek:1.2), brush touching reflected cheek, hand raised to face, red nails, red nail polish, nail polish bottle, red nail polish bottle, foundation bottle, makeup pencil, lipstick, open compact, eyeshadow palette, cosmetics on table, shirogane_tsumugi from behind, very long hair, teal hair, blue-green hair, cyan hair, straight hair, long straight hair, hair covering back, white bear hair clip, small white bear hair ornament on back of head, black blazer, black long sleeves, white cuff, white wristband cuff, dark jacket, seated, sitting, enoshima_junko in mirror, orange-brown hair, copper hair, reddish-brown twintails, large twintails, long twintails, blunt bangs, bangs covering one eye, one eye visible, large round pale blue-gray eye, wide pupil, long eyelashes, soft closed-lip smile, light_smile, black and white bear hair clip, monokuma hair ornament, red beaded choker, red bead necklace, choker, collarbone, black clothing, dark clothing, pale skin, faint blush, looking at viewer, eye contact, uncanny, muted colors, desaturated, dark palette, (teal hair:1.2), teal accent, red accent, red nail polish accent, gouache painting, rough painterly anime style, visible textured brushstrokes, heavy gouache texture, flat opaque paint, matte paint surface, thin sketchy linework, smudged edges, soft shadows, quiet, uneasy,
A dark vanity scene seen from just behind and above the shoulder of a girl seated at a dressing table, her back filling the left half of the frame: very long straight teal hair falls from the crown down her whole back in long streaks that cover her black blazer, a small white bear hair ornament clipped at the back of the head, and only a sliver of her ear showing at the edge of the hair. Her one raised hand comes up on the right of the hair, the sleeve black with a white cuff showing at the wrist, red-lacquered nails curled around a long-handled makeup brush whose soft head presses lightly against the cheek of the face in the mirror, the other arm resting out of sight. The ornate silver-gray mirror in front of her has a carved floral crest at the top and thick scrolled frame edges, and inside it the reflection does not show her teal hair or her face: it shows another girl, with copper reddish-brown hair in two very large twintails with a black-and-white bear hair clip on one of them, straight blunt bangs falling over her face and covering one eye, a single large pale blue-gray eye with a wide dark pupil and long lashes looking straight out at the viewer, a faint blush, a small closed-lip smile, a red beaded choker around her neck, black clothing, the brush at her cheek held by the hand that rises from the bottom of the frame into the reflection. The mirror reflection is darker, softer and simpler than the figure in front of it, its face rendered flat and a touch cooler. The dressing table runs across the bottom of the frame: a small red nail polish bottle with a tan cap at the left edge on top of the left drawer unit, a pinkish foundation bottle with scribbled pseudo-text on its label near the mirror’s lower right, a thin makeup pencil lying flat beside it, an open compact with a hinged lid propped up on the right with a three-color pale palette inside, and a drawer front below with two round brass knobs, all painted in dusty gray-mauve. Behind everything the ground is empty pitch black, the mirror frame and the table the only pale shapes in it. Light comes softly from the front, an unseen source toward the mirror, picking out the frame, the pale hand, the face in the mirror, the table top and the highlights along the teal hair, while the shadow side of every object sinks into black. The saturated teal of the hair is the brightest and most saturated element, red appears in exactly three places — the nail polish bottle, the choker beads and the nails — and everything else stays muted gray-mauve and brown. Rendered as flat opaque gouache with visible textured brushstrokes, a matte painted surface, thin sketchy linework and smudged edges. Quiet, uneasy,
Mizuki
