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MAD MAX

Using Google Translate for my self-introduction： I'm a middle-aged man approaching fifty from Taiwan. I'm from a rural area, with limited education and literacy. I stumbled upon AI-generated art by chance and thought it would be good to learn something new. I'm still exploring the world of AI-generated art, and I'm not yet familiar with writing elegant generated prompts. My work is still immature, so please forgive me. Thank you everyone~ 台湾出身の、もうすぐ50歳になる中年男性です。地方の出身で、十分な教育や読み書きの機会には恵まれませんでした。 偶然AI生成アートに出会い、何か新しいことを学んでみるのもいいなと思いました。 AI生成アートの世界はまだ探求している最中で、洗練されたプロンプトを書くことにもまだ慣れていません。作品は未熟なものばかりですが、どうかご容赦ください。 皆さん、ありがとうございます。

https://www.inaturalist.org/observations?place_id=any&user_id=ronin47&verifiable=any
台灣-台南市 TAIWAN-Tainan City
19Obserwujesz19Obserwujący96Polubienia
PraceKolekcje
AI artwork
Avatar image of MAD MAX
detailed illustration, realistic style, surrealism, hdr, high contrast, masterpiece, best quality, photorealistic, ultra realistic details, detailed skin, 8k wallpaper., ((Information-overloaded illustration style), High-density illustration, high-density lines, information overload, strong lines, Intricate decorations, ultimate details.), 【圖像生成提示詞｜日本古代暴風雪中的浪士與倒臥者】 Screen specifications: 16:9 landscape cinematic composition, ultra-realistic cinematic still style, full body shot, 8K ultra-high definition, cinematic photography, camera slightly zoomed out, shooting angle higher than shoulder level, extreme environmental detail, realistic physical lighting and shadow, historical period drama aesthetics. I. Scene and Era The background is a traditional Japanese residence and narrow road during the Edo period, daytime, with heavy snow falling. The scene is located on a road outside an old samurai residence in a castle town, surrounded by visible walls of samurai and commoner residences, traditional Japanese eaves, and snow-covered roofs. The ground is covered in white snow. Snow accumulates on the roof outlines. On the left side of the image is a residence wall extending diagonally, and on the right is a fork in the road, forming a T-junction. The roofs extend toward the center of the image, creating a narrow, enclosed T-shaped space with a sense of depth. The entire environment presents a desolate, oppressive, cold, quiet, and dangerous atmosphere; a fierce battle has taken place at the T-junction. II. Character Configuration and Actions Standing slightly toward the rear of the T-junction in the center of the image is a young, handsome masterless ronin, shown in full body, wearing dark, textured traditional samurai clothing. The clothing is primarily dark gray and gray, and he wears a Japanese bamboo hat (kasa) to shield against the wind and snow; the outer fabric is dusted with snowflakes due to the blizzard. The ronin is handsome, with a tall posture and an appearance and temperament similar to the protagonist Junichi Okada in the movie "The Fallen Camellias." His body is slightly turned to the left, and his feet stand steadily in the snow. The ronin's head is tilted upward toward the sky, with a calm and silent expression. The gray long-sleeved Japanese robes hang down near his calves, fluttering subtly and naturally in the cold wind. The ronin's left hand hangs naturally, and at his left waist, there is a short sword (wakizashi) and an empty scabbard, with no other redundant swords or scabbards. His right hand holds a katana. The blade is presented in a low-key, realistic manner. The posture is natural. III. Centered on the ronin, on the snow-covered ground slightly away from him, four wounded (but still alive) assassins—also masterless ronin—are lying on the ground wearing Japanese bamboo hats and straw raincoats (mino). The ronin and the four assassins are all located within the T-junction; they are distributed irregularly across the snow in the left-rear, middle-left, and right-front areas of the image, lying prone or fallen in various directions. Because the ronin used exquisite swordsmanship to intentionally wound only their hands (without severing them), all four assassins are clutching their wounded right hands with their left hands, trembling in pain and struggling/rolling. Their katanas have all fallen aside, out of reach; they have no weapons in their hands. All characters wear traditional clothing consistent with ancient Japan, with plain fabrics and tailoring, with no modern clothing or equipment. The contact between characters and the ground must comply with real gravity and human anatomy, with clothing folding naturally and snow depressions forming where the bodies press into the ground. The assassins are in a state of having fallen after defeat, losing combat capability, trembling in pain, and rolling/struggling; do not use exaggerated gory details. IV. The entire scene is filled with falling snow. A large amount of fine snowflakes of different sizes and clarity are distributed across the foreground, middle ground, and background. Foreground snowflakes are larger, some appearing soft and with motion blur due to proximity to the camera; middle ground snowflakes are densely crisscrossed; the background forms a thick gray-blue snow mist, causing buildings to gradually vanish into the snow. Side winds cause the snowflakes to fly in diagonal trajectories, with snow particles irregularly sweeping across the characters, eaves, and ground. The snow is scattered with the messy straw sandal prints of multiple people, and fine wind-erosion textures and uneven accumulation are visible on the snow surface; thick and thin layers of snow cling to wall corners, wooden pillars, and roof edges. The air is filled with damp, cold mist, and distant scenery appears slightly blurred due to the snow mist and low visibility, creating an extremely cold and isolated environment. V. Camera position and composition use a fixed-position wide-screen cinematic lens, shooting the entire scene from a height slightly above the characters' shoulders. The lens faces the narrow road outside the Japanese residence, using the diagonal earthen wall on the left and the fork in the road with the samurai residence to form natural perspective lines, guiding the viewer's gaze to the standing samurai toward the rear of the T-junction in the center. The samurai is the primary visual focus. The fallen figures are distributed in the middle ground and foreground, creating layers from near to far. The bottom of the image retains a large area of white-gray snow, creating a strong light-dark contrast between the snow and the dark figures. The spatial representation utilizes a cinematic wide-angle lens of approximately 28–35mm to avoid overly exaggerated perspective distortion. The overall composition is steady and realistic, preserving the distance relationship between the architectural structures and the characters. VI. Lighting, color, and exposure utilize low-light photography, with cold blue-gray as the primary tone. Overall colors include deep blue-gray, graphite gray, dark black, snow white-gray, and a small amount of low-saturation cold cyan. The image does not use bright lights, strong warm lights, or vivid colors. Faint environmental skylight scatters through the curtain of snow and open areas, forming soft, low-contrast cold reflections on the snow surface. Most of the characters' dark clothing and faces fall in shadow, with only a few outlines traced by weak environmental light. The overall exposure is slightly dark, with deep blacks that still retain details of the architecture and clothing. The image contains subtle film grain, low-light noise, and natural dark tones characteristic of real film stock, presenting a serious, heavy, and cold atmosphere of a Japanese historical costume movie. VII. Materials and realistic details: ultra-realistic ancient Japanese architectural materials, walls, wood, traditional fabrics, and snow details. The snow has a natural soft texture, small ice crystals, and depressions formed after being stepped on. Dark clothing shows fiber texture, creases, damp marks, and the effect of clinging snowflakes. Eaves and walls show realistic surfaces. Character clothing conforms to the historical aesthetics of ancient Japanese samurai; no modern military uniforms, plastic materials, sci-fi armor, or fantasy game styles appear. VIII. Overall style and quality requirements: Ultra-realistic Japanese period drama movie still, historical war movie aesthetics, Cinematic Historical Drama, Gritty Realism, Photorealistic, Natural Atmospheric Perspective, Low-Key Lighting, Cold Blue-Gray Color Grading, Volumetric Snowstorm, Authentic Japanese Architecture, Realistic Snow Accumulation, Subtle Film Grain, Deep Shadows, Natural Fabric Physics, Physically Accurate Lighting. The image should present the effect of a real camera filming in cold wind and snow, avoiding an illustrative, game CG, artificial synthesis, or over-sharpened feel. Negative Prompts: low resolution, blurry subject, over-sharpened, over-denoised, plastic texture, cartoon style, anime style, illustration style, game CG, fantasy armor, sci-fi equipment, modern architecture, modern clothing, modern weapons, overly bright night scenes, unnatural blue halo, over-saturated, over-HDR, fake snow, repeating snowflake patterns, unreasonable snow structures, floating characters, incorrect human proportions, distorted limbs, extra hands or feet, duplicate characters, fused characters, incorrect perspective, overly gory, exaggerated wounds, text, subtitles, watermarks, logos, redundant swords.
Oct 19, 2026 3:15 AM
#Katana#opady śniegu#stożkowy kapelusz
AI artwork
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A centered, medium shot of the character from image1, Kamen Rider 1, featuring his distinctive insectoid helmet with large glowing red compound eyes, a small green gem on the forehead, and two silver antennae. He wears a red scarf billowing around his neck, a green chest plate, and a black undersuit. The background is a simple, neutral grey, with the character positioned centrally in a stoic, upright posture. The style of the image remains faithful to image1. overlay text: The words 'KAMEN RIDER' are written in massive, bold white block letters that overlap the character, spanning the entire height of the image. [TAG TRAILER] copyright: kamen_rider
Oct 10, 2026 1:39 PM
#Kamen Rider#maska#Kamen Rider 1
AI artwork
Avatar image of MAD MAX
A digital anime illustration of the character from image1 standing on the rocky edge of the Sakurajima volcanic crater, maintaining his exact original action pose. The character wears a dark green helmet with bright red compound eyes and silver antennae. A red scarf blows in the wind around his neck. He is equipped with dark green segmented chest armor over a solid black bodysuit, with the original silver side stripes completely removed. His hands are covered in dark green gloves, and he wears dark green boots. Around his waist is a transformation belt with a silver and red buckle, featuring a matte white bottom section. The background showcases a dramatic, smoky volcanic environment with jagged dark rocks and glowing lava fissures, replacing the original poster-like text backdrop. The art style stays the same as the input image1.
Oct 4, 2026 12:51 PM
#Kamen Rider#Kamen Rider 1#pasek
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