W PixAI prompty są domyślnie publiczne, ale twórcy mogą je ukryć w każdej opublikowanej pracy. Autor tej pracy zdecydował się to zrobić, więc słowa użyte do wygenerowania obrazu pozostają prywatne — widzi je wyłącznie autor. Ukrycie promptu nie zmienia niczego więcej: praca nadal jest publiczna, a Ty możesz ją polubić, skomentować i udostępnić jak zwykle.
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loli, school_uniform, 1girl, cute, Tsubaki2like style, tilting_head, full_shot, photorealistic, cute_classmate, various_girls, commuting_scene, 10girl+, semi-realistic, fine_lines, smooth_skin, beautiful, realistic, skirt, glasses, raid, summer_uniform, full_body, smiling, shoes, small_child_and_heavy_firearms
kykykykykykykyky
ご
1girl, solo, brown hair, twintails, parted bangs, brown eyes, school uniform, sailor collar, short sleeves, neckerchief, pleated skirt, masterpiece, imai kana(id@l master cindellera girls), station, lost
ごん太ん
ご
1girl, solo, brown hair, twintails, parted bangs, brown eyes, school uniform, sailor collar, short sleeves, neckerchief, pleated skirt, masterpiece, imai kana(id@l master cindellera girls), station, lost
ごん太ん
a petite, timid girl with a soft, rounded face, long straight black hair styled in a low side ponytail, heavy blunt bangs, and face-framing side strands. She wears thin round glasses that magnify her clear light brown eyes, which hold a shy and gentle expression. She has sloped shoulders and a petite but healthy build, dressed in a cream-colored sailor blouse under a cropped cardigan, a black pleated skirt, white knee-high socks, and black Mary Jane shoes. She stands with a meek and reserved posture, one hand raised in a frozen mid-wave, holding a shoulder bag. Her expression is tsundere, embarrassed, and startled, with a deep blush on her rosy cheeks and a half-open mouth as she looks nervously behind her. The background is a bustling station front plaza with a passing crowd and a visible person behind her, bathed in clear afternoon light with vivid yet elegant colors, framed in an over-the-shoulder, storytelling composition.
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